August Gaul

Terracotta lion sculpture. Measures: Width 34 cm. Height 25 cm.

Very rare and impressive porcelain statuette: Like all Baroque rulers, Augustus the Strong and his son Augustus III cultivated demonstrations of their power to represent and legitimi...

A wonderful late 19th Century Animalier bronze group of a hare resting on its hind legs with its ears raised in an alert position with excellent rich olive green and golden patina and fine hand chased surface detail, signed Dubucand, stamped with the EV Foundry stamp and Numbered 875 ADDITIONAL INFORMATION Height: 10 cm Condition: Excellent Original Condition Circa: 1880 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne SKU: 9017 ABOUT Dubucand Hare Alfred Dubucand (25 November 1828 – 1894) Dubucand was born in Paris and was a French animalier sculptor of the 19th century. His works were often entered into the annual Salon art exhibition in Paris where he contributed works over the course of his career. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. He modelled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the colour of the bronze metal itself. He frequently experimented with chemical patinas, learning the patination process from his teacher and mentor Barye who stretched the boundary with his now famous dark green patinas. Dubucand paid strict attention to the anatomical detail of his subjects, often being so concise that he actually showed the veins in the legs of his deer and elk sculptures...

An endearing early 20th century bronze study of an owl perched upon a branch with excellent colour and very fine smooth tactile surface, signed and dated 1921 Additional information...

Meissen gorgeous figurine group: Cherubs as Wine Growers The details are stunningly sculptured = finest modelling! Design: Michel Victor Acier (1736-1799) / model C 60 created 1...

Meissen lovely figurines of stunning appearance: Cherubs presented as allegory of spring (= seasons' group of figurines) Model 2502 Measures: height 6.89 inches (17.5 cm) widt...

A fine Meissen Porcelain rabbit figure, after a model by J.J. Kandler; with blue double-crossed swords underglaze mark including a blue dot between swords, Indicative of the Pfeiffer...

Meissen most lovely Gardener couple clad in Rococo garments. Size: Height 17.5 cm (= 6.88 inches) Width of base 12.8 cm (= 5.03 inches) Depth of base 10.0 cm (= 3.93 inches) Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark (underglazed) First quality  Model number B 28 / painter's number 31 / former's number 144 Dating: Made circa 1870 (Meissen Sword Mark with Pommels on Hilts) Material: Porcelain, glossy finish, multicolored painted Technique: Handmade porcelain Style: Rococo, designed by Michael Victor ACIER (1736-1799) / modelled 1766-68 Specifications: Meissen Gardener...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

Immerse yourself in the timeless elegance of the "19th Century Terracotta Greyhound Couple Sculpture." This exquisite terracotta figurine, dating back to the late 1800s, captures the...

Mid-19th century pair of French painted and glazed terracotta lions grasping oval Fleur De Lis shields while resting on shaped plinths. Circa 1840. Sculptures of lions were often ...

Meissen gorgeous figurine group: Cherubs with Swing The details are stunningly sculptured = finest modelling! Design: Michel Victor Acier (1736-1799) / model G 32 created 1780 ...