19th C. German Terracotta Sculpture of Resting Lion by Animalier Author A. Gaul

Art Déco silvered/nickeled bronze rabbit sculpture designed by animalier swiss author Édouard-Marcel Sandoz to be manufactured by the french firm Susse Frères By: Édouard-Marcel Sandoz, Susse Frères Material: bronze, nickel, silver, metal Technique: polished, silvered, hand-crafted, patinated, metalwork, cast Dimensions: 2 in x 1.5 in x 2 in Date: early 20th century, circa 1930 Style: Art Déco, Animalier Place of origin: France This small sculpture, crafted by hand in nickel-plated bronze, depicts a rabbit with ears bowed in a gesture of meekness, its form affixed atop a sturdy base of matching material. In this case, the signature of artist...

Early 20th century Jugendstil german patinated bronze Sculpture 'Nude woman with Braids and Seashell' by Lauchhammer Bildguss Foundry By: Lauchhammer Bildguss Foundry Material: bron...

Art Déco french patinated bronze sculpture of an standing stork by animalier author Charles Artus By: Charles Artus Material: bronze, metal, copper Technique: cast, patinated, molde...

19th century Belle Époque bronze sculpture with greenish patina of a boy walking into water by sculptor Ruffino Besserdich By: Ruffino Besserdich Material: bronze, copper, metal Tec...

Belle Époque german glazed porcelain figurine of a brass playing frog by Goebel Company By: Goebel Company Material: porcelain, paint, ceramic Technique: glazed, hand-painted, painted, molded, pressed Dimensions: 4.5 in x 3 in x 5 in Date: early 20th century Style: Jugendstil, Art Nouveau, Belle Époque Place of origin: Germany This is a small sculpture made of german hand-painted and glazed porcelain depicting an anthropomorphic frog seated wearing classicist costume and wig characteristic of the period. The figure holds a brass instrument (probably a cornet or a trumpet), as if playing a tune. Underneath the base can be seen the stamp of the Goebel Company prior to 1923. German porcelain manufacturers like Goebel were known for their high quality porcelain with delicate modeling and hand-painting. The Jugendstil and Art Nouveau styles were popular in Germany in the late 19th and early 20th centuries. Figurines like this frog musician...

Mid-20th century modern german glazed and painted porcelain frog sitting on a rock by manufacturer Nymphenburg By: Nymphenburg Porcelain Material: porcelain, paint, ceramic Techniqu...

A fabulous late 19th Century bronze study of a resting rabbit with excellent hand chased surface detail and very fine rich brown patina rubbed in areas to a golden hue, signed  ADD...

Pair of late 19th century terracotta lions in resting pose. Originally had full sets of whiskers that are mostly gone but remnants still remain. Glass eyes and vigilant faces provide...

19th century Black Forest pair of finely hand carved animalier sculptures depicting owls.

Meissen stoneware model of seal standing on his front flippers, by August Gaul (1869-1921) for Bottger. Signed, A. Gaul on base and impressed unde...

An endearing early 20th century bronze study of an owl perched upon a branch with excellent colour and very fine smooth tactile surface, signed and dated 1921 Additional information...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...