Jugendstil Animal Sculptures

9 figurines of M.I. Hummel, Goebel West Germany The German producer Goebel made the first Hummel figures in 1935. For this he used children's illustrations made by the nun sister Berta Hummel (1909 - 1946) The 9 figurines ( Not boxed) : * Merry Wanderer TMK 2 #11/0 (1950-1955) * Boy on Skies TMK 6 #59 (1979-1990) * My wish is small #465/0 Exclusive edition 1992/93 M.I. Hummel Club * "Brother" #95 TMK 6 (1979-1990) * Country Suite # 760 Exclusive Edition 1995/96 M.I. Hummel Club * What now? #422 Exclusive special edition No. 7 for members of the Goebel collectors club (1981 impressed) * Flower Vendor #381 TMK 5 (1972-1979) , 1971 impressed * Homeward Bound #334 , 1975 impressed, TMK 6 (1979-1990) * The Artist #304, 1955 impressed, TMK 6 (1979-1990) The measurements are approx. 14,5 cm high and 6- 9-10 cm diagonal The weight in total is 1540 grams TMK is for the year(s) that the logo (Trademark) Goebel shows as back stamp they used Berta Hummel, also known as Zr. Maria Innocentia, was a German artist. She is best known for the ceramics that we now know better as the Hummels or Hummeltjes * 1871 Franz Detleff Goebel and his son William founded F&W Goebel began to produce slate pencils and marbles * 1935 The first M.I. Hummel figurine...

LARGE PORCELAIN FIGURES TWO PORCELAIN FIGURES FROM THE 20TH CENTURY. MEASURE HIGH 47 CM. IN PERFECT STATE OF CONSERVATION. WITHOUT RESTORATIONS go...

A wonderful late 19th Century Animalier bronze group of a hare resting on its hind legs with its ears raised in an alert position with excellent rich olive green and golden patina and fine hand chased surface detail, signed Dubucand, stamped with the EV Foundry stamp and Numbered 875 ADDITIONAL INFORMATION Height: 10 cm Condition: Excellent Original Condition Circa: 1880 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne SKU: 9017 ABOUT Dubucand Hare Alfred Dubucand (25 November 1828 – 1894) Dubucand was born in Paris and was a French animalier sculptor of the 19th century. His works were often entered into the annual Salon art exhibition in Paris where he contributed works over the course of his career. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. He modelled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the colour of the bronze metal itself. He frequently experimented with chemical patinas, learning the patination process from his teacher and mentor Barye who stretched the boundary with his now famous dark green patinas. Dubucand paid strict attention to the anatomical detail of his subjects, often being so concise that he actually showed the veins in the legs of his deer and elk sculptures...

Art Deco mid Century German porcelain Figure Rosenthal porcelain figurine Fox. Material: Porcelain, Ceramic, glazed Design: Theodore Karner (Hohenberg an der eger 1884 - 1966 Munche...

A beautifully designed foal by W. Goebel, one of Western Germany's most famous makers of mid-century figurative art. The company started as Cortendorf, later it was taken over by W. ...

Beautiful pink pig figural catchall. Made of Porcelain. A beautiful decorative piece of art for any room.

This is a Hummel porcelain figurine boy . It’s named “Reading Boy”. Its mark is TMK6 (1979-1991). The trademark of Goebel company is below the base.

Beautiful Octoberfest Lederhosen boy figure handmade in Germany circa 1900s or older. A beautiful piece for any room. Handmade and hand painted in beautiful colors.

Beautiful Cockatoo figurine. German Porcelain, Karl Ens. Wonderful color and expression.

Big Brown Stallion upon a onyx plinth From our Sculpture collection, we are delighted to offer this Austrian Cold Painted Bronze Horse. The Bronze mounted upon a squared green onyx base with a convex beading border. The horse beautifully cast with naturalistic features modelled as a big brown stallion inclusive of its brown to black hue. The horse stamped to the belly Geschutzt with the registration mark 2740. We firmly attribute the Austrian Bronze to Franz Bergman and date it to the late 19th century circa 1890. Franz Xavier Bergman (1861-1936) was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronzes with a range of subjects such as oriental, erotic, and animal figures. He was probably the most famous Austrian bronze foundry who is widely recognised for smaller cold painted bronzes with an extremely good attention to detail. Signed often with a ‘B’ or Bergman and a registration mark. Geschutzt often stamped or printed it is pronounced “guess-shutst.” It is an abbreviation of the term gesetzlich geschutt which is a German phrase that translates as legally protected or in other words copywriter. It bares is a similar meaning to the English word Patented or French Depose...

Goebel produced this dramatic porcelain figurine depicting a Cat, circa 1960. The piece is in excellent condition and a real beauty. Measures: height: 10.63 in (27 cm)? diameter...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...