Cal Lane Paintings

At first glance, "Independent" captures the viewer's attention with its striking imagery of a woman wearing a vibrant yellow coat. The choice of yellow as the dominant color is symbo...

Signed (on verso): AF/2021

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

"In 'Love Wild,' Natasha Lelenco engages in a playful and stylistic exploration with clear references to the recurring portraits of the early Renaissance, such as those by Giorgione, from a contemporary perspective and with the technical precision that characterizes her work. In this piece, she presents a character with a certain sexual ambiguity, lost in thought, snuggled up with a small creature, a little monster, and sporting tattoos on the fingers that read 'Love' and 'Wild,' a nod to Charles Laughton's famous film 'The Night of the Hunter...

America Martin "Women Walk and Throw Flowers" Acrylic on Linen 53.5 x 109.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspir...

At the heart of "Love Yourself" lies the man's serene and relaxed posture. Makama John expertly captures the essence of inner peace and contentment through...

Greyhound, This stunning large minimalist black and white painting of a Greyhound dog, is a contemporary portrait in acrylic on canvas. Ian Mason's portrai...

America Martin "The Exchange of Flowers (Diptych)" Oil & Acrylic on Canvas 94" x 38.125" Each 94" x 76.25" Overall Exploring the identity of both her na...

"Ballers" is a painting created in 2022. Ugwu's work is a powerful expression of the human form and a thought-provoking commentary on the human experience. His figures possess one ear and exaggerated eyes, all rendered using acrylic on canvas as his preferred medium (Written by the Artist) Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Paschal Ugwu...

"Yellow Card" is a thought-provoking artwork created by Ogunniyi Oluwatosin, a Nigerian artist who uses her art to explore social issues. The artwo...

The artwork "More Like This" by Sena Tues depicts a stylish young man with his hair platted and sunglasses on. The artwork is a vibrant and striking representation of youth, style, and confidence. The use of bold colors and detailed lines captures the essence of the subject, making it a memorable piece of art. The first thing that catches the eye in "More Like This" is the subject's hair. The plaited hair adds a unique and stylish touch to the young man's appearance. The artist has taken great care in capturing the intricate details of each strand of hair, giving the artwork a sense of realism and depth. The subject's sunglasses add another layer to the artwork. They reflect the surroundings, making it seem like the young man is looking out into the world with a sense of curiosity and confidence. The use of sunglasses also adds an air of mystery to the artwork, making the viewer wonder what the young man might be thinking or feeling. The artist's use of color is also noteworthy in "More Like This". The bright and bold hues of blue, and orange used in the artwork create a sense of energy and vitality. They bring the artwork to life and give it a sense of movement and vibrancy. "More Like This" is not just a portrait of a stylish young man; it is also a representation of youth culture and the desire to stand out and be different. The subject's hair, sunglasses, and overall appearance are all elements that reflect this desire for uniqueness and individuality. In conclusion, "More Like This" by Sena Tues is a striking piece of art that captures the essence of youth...

The artwork titled "Aláàárù Ajé" (Carrier of Wealth) features a lady with a head made of a Sekere, a traditional Yoruba percussion instrument made from dried gourds covered with beads. The lady is depicted wearing a blue dress with intricate details and patterns. Ayandare Adeniran, Ayanmuyiwa behind this intriguing piece of art has managed to capture the essence of the Yoruba culture, which is renowned for its rich cultural heritage and traditional beliefs. The use of the Sekere in the artwork is symbolic of the Yoruba people's deep-rooted love for music and the arts, which are considered an integral part of their daily lives. The lady in the artwork, with her head made of Sekere, is a representation of the Yoruba deity, Oshun, who is revered as the goddess of love, fertility, and prosperity. According to Yoruba mythology, Oshun is believed to be the owner of the Sekere and is often depicted carrying it around during festive celebrations and ceremonies. The blue dress worn by the lady in the artwork is also significant in Yoruba culture as it represents wealth, royalty, and nobility. The intricate details and patterns on the dress are a testament to the artist's attention to detail and skill, which are essential in Yoruba art. Overall, the artwork "Aláàárù Ajé" (Carrier of Wealth) is a beautiful representation of Yoruba culture, tradition, and mythology. The artist's use of the Sekere and the blue dress is a nod to the Yoruba people's love for music, art, and fashion, which are essential elements of their identity. The artwork is a reminder of the rich cultural heritage of the Yoruba people and the importance of preserving it for future generations. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Ayandare Adeniran, Ayanmuyiwa (born 1991) is an Artist who hails from Ogbomosho, Oyo state, Nigeria. At his early stage of life, his artistic talents sprang up and his parent helped in developing them by providing him with what they understood he needed by buying drawing books, crayons, and watercolors among others to help his creative skills. After his primary and secondary education, he received a Nigeria Certificate on Education (NCE) from a prestigious college; the Federal College of Education (SPECIAL), Oyo, where he studied Fine and Applied Arts. Musa Ibrahim was the first practicing Artist who helped Ayandare in his Artistic career which was during a compulsory Industrial Training program for students in the Fine Arts department. After College, yawning for knowledge and flare for artistic work dragged him to Arowolo Wasiu, a metal sculptor who trained him in sculpting metal. A thirst for one's zeal can only be quenched by following the path thus making him proceed to TOPE FATUNMBI...