Skip to main content

Camille Pissarro Paintings

French, 1830-1903

Camille Pissarro was one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions.

Born in July of 1830 on the island of Saint Thomas in the Danish West Indies, Camille was the son of Frédéric and Rachel Pissarro. At the age of 12, he went to school in Paris, where he displayed a penchant for drawing. He returned again to Paris in 1855, having convinced his parents to allow him to pursue a career as an artist rather than work in the family import/export business. Camille studied at the Académie Suisse alongside Claude Monet, and, during this time, he met Paul Cézanne, Édouard Manet and Pierre-Auguste Renoir.

In 1869, Camille settled in Louveciennes. The outbreak of the Franco-Prussian War in 1870 prompted him to move to England, and, with Monet, Camille painted a series of landscapes around Norwood and Crystal Palace, while studying English landscape painting in the museums. Upon returning a year later at the end of the War to Louveciennes, Camille discovered that only 40 of his 1,500 paintings — almost 20 years’ work — remained undamaged.

Camille settled in Pontoise in the summer of 1871, remaining there and gathering a close circle of friends around him for the next 10 years. He reestablished relationships with Cézanne, Manet, Monet, Renoir and Edgar Degas, expressing his desire to create an alternative to the Salon, so that their group could display their own unique styles. Camille married Julie Vellay, with whom he would have seven children. Cézanne repeatedly came to stay with them, and, under Camille’s influence, he learned to study nature more patiently, even copying one of Camille’s landscapes in order to learn his teacher’s technique.

The first Impressionist group exhibition, initiated by Monet in 1874, earned the Impressionists much criticism for their art. While mainly interested in landscape, Camille introduced people — generally, peasants going about their rural occupations — and animals into his works, and they often became the focal point of the composition. It was this unsentimental and realistic approach, with the complete absence of any pretense, which seemed to stop his work from finding appreciation in the general public.

One of the few collectors who did show interest in Camille’s work was a bank employee named Paul Gauguin, who, after acquiring a small collection of Impressionist works, turned to Camille for advice on becoming a painter himself. For several years, Gauguin closely followed his mentor, and, although their friendship was fraught with disagreement and misunderstandings, Gauguin still wrote shortly before Camille’s death in 1906: “He was one of my masters, and I do not deny him.”

In the 1880s, Camille moved from Pontoise to nearby Osny, before Eragny, a small village much further from Paris. At a time when he was dissatisfied with his work, in 1885, Camille met both Paul Signac and Georges Seurat. He was fascinated by their efforts to replace the intuitive perceptive approach of the Impressionists with a “Divisionist” method, or scientific study of nature’s phenomena based on optical laws. Despite having reached his mid-50s, Camille did not hesitate to follow the two young innovators. The following year, he passed on this new concept to Vincent Van Gogh, who had just arrived in Paris and was keen to learn of the most recent developments in art. However, after a few years, Camille felt restricted by Seurat’s theories and returned to his more spontaneous technique while retaining the lightness and purity of color acquired during his Divisionist phase.

In the last years of his life, Camille divided his time between Paris, Rouen, Le Havre and Eragny, painting several series of different aspects of these cities, with varying light and weather effects. Many of these paintings are considered among his best and make for an apt finale to his long and prodigious career.

When Camille Pissarro died in the autumn of 1903, he had finally started to gain public recognition. Today his work can be found in many of the most important museums and collections throughout the world.

Find original Camille Pissarro art on 1stDibs.

(Biography provided by Stern Pissarro Gallery)

to
1
1
1
Overall Height
to
Overall Width
to
1
1
1
1
1
1
38
835
655
649
610
1
1
1
Artist: Camille Pissarro
Paysanne Nouant son Foulard (Peasant Arranging her Scarf)
By Camille Pissarro
Located in New Orleans, LA
This intimate work by Camille Pissarro represents a period of significance for the Impressionist master. The early 1880s was a time of great experimentation for the artist, after he spent much of the preceding decade devoted to landscape painting. Shifting focus, he embarked on a series of works in a range of media dedicated to the human figure - particularly peasant women. In watercolor, gouache, pastel, and print, Pissarro captured the rural female and the minute moments of domestic life. Depicting a peasant woman tying her scarf, Paysanne Nouant son Foulard displays the harmony of color and composition that typifies his work of the 1880s. Composed of a symphony of color and strokes of paint, the work exemplifies the plein air technique of Pissarro's best Impressionist canvases. A true master of his art, no other artist successfully chronicled rural peasant life quite like Pissarro. Counted among the most respected artists of the 19th century and widely considered the father of Impressionism, Pissarro’s works experienced a surge in interest in the early 2000s. This is reflected in Pissarro’s new auction record of over $32.1 million, set at a 2014 Sotheby’s auction in London, which far surpassed his previous record of $14.6 million. Born in St. Thomas in the Danish West Indies, Pissarro was sent to school in Paris at the age of 11, where he first displayed a talent for drawing. In 1855, having convinced his parents of his determination to pursue a career as an artist rather than work in the family shipping business, he returned to Paris where he studied at the Académie Suisse alongside Claude Monet. At the outbreak of the Franco-Prussian War in 1870, Pissarro moved to England. With Monet, he painted a series of landscapes around South-East London and studied English landscape painters in the museums. When he returned home to Louveciennes a year later, Camille discovered that all but 40 of the 1500 paintings he had left there - almost 20 years of work - had been vandalized. In 1872, Camille settled in Pontoise where he remained for the next 10 years, gathering a close circle of friends around him. Gauguin was among the many artists to visit him there and Cézanne, who lived nearby, came for long periods to work and learn. In 1874, Pissarro participated in the first Impressionist exhibition...
Category

Late 19th Century Impressionist Camille Pissarro Paintings

Materials

Pastel, Paper

Related Items
World Series Bench - Chicago Cubs, Bryant, Rizzo & Russell, Graphite on Paper
By Margie Lawrence
Located in Chicago, IL
The "World Series Bench" by Margie Lawrence consists of three key players in the Chicago Cubs for the long awaited World Series win in 2016. From the ...
Category

2010s Contemporary Camille Pissarro Paintings

Materials

Graphite, Paper

Set of 9 Figure Illustrations Egyptian Classical Characters Listed American
Located in Cirencester, Gloucestershire
Set of x 9 figures original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 14 x 10 inches In good condition provenance...
Category

Early 20th Century American Impressionist Camille Pissarro Paintings

Materials

Watercolor

Rare Modernist Hungarian Rabbi Pastel Drawing Gouache Painting Judaica Art Deco
By Hugó Scheiber
Located in Surfside, FL
Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...
Category

Early 20th Century Modern Camille Pissarro Paintings

Materials

Paper, Charcoal, Pastel, Watercolor, Gouache

Yogi and Ted - Baseball Greats Yogi Berra and Ted Williams, Watercolor on Paper
By Margie Lawrence
Located in Chicago, IL
Lawrence Peter "Yogi" Berra was an American professional baseball catcher who later took on the roles of manager and coach. He played 19 seasons in Ma...
Category

2010s Contemporary Camille Pissarro Paintings

Materials

Watercolor, Paper

Set of 6 Figure Illustrations Egyptian Classical Characters Listed American
Located in Cirencester, Gloucestershire
Set of x6 figures original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 14 x 10 inches In good condition provenance:...
Category

Early 20th Century American Impressionist Camille Pissarro Paintings

Materials

Watercolor

Hank Aaron, Ted Williams, Stan Musial, Willie Mays, Baseball All-Stars Painting
By Margie Lawrence
Located in Chicago, IL
Hank Aaron, nicknamed "Hammer" or "Hammerin' Hank", was an American professional baseball right fielder who played 23 seasons in Major League Baseball, from 1954 through 1976, primarily with the Braves Organization. Hall of Fame Induction 1982 Ted Williams was an American professional baseball player and manager. He played his entire 19-year Major League Baseball career, primarily as a left fielder for the Boston Red Sox from 1939 to 1960; his career was interrupted by military service during World War II and the Korean War. Induction into The Hall of Fame 1972 Stanley Frank Musial, nicknamed Stan the Man, was an American baseball outfielder and first baseman. He spent 22 seasons in Major League Baseball, playing for the St. Louis Cardinals, from 1941 to 1944 and from 1946 to 1963. Hall of Fame Induction 1969 Willie Howard Mays Jr., nicknamed "The Say Hey Kid", is an American former professional baseball center fielder. He spent almost all of his 22-season Major League Baseball career playing for the New York/San Francisco Giants before finishing his career with the New York Mets Hall of Fame Induction 1979 Margie Lawrence...
Category

2010s Contemporary Camille Pissarro Paintings

Materials

Graphite, Watercolor, Paper

Gibson Girls - Set of Two 1920's Portraits, Vintage Fashion Illustrations
Located in Soquel, CA
Gorgeous pair of two 1920's watercolor portraits of Gibson girls, one in blue and one in pink, by Charles Hollman (Dutch, 1877-1953). Each portrait renders...
Category

1920s American Impressionist Camille Pissarro Paintings

Materials

Watercolor, Paper

Rococo Portait, French Rococo, Marie Baudouin, Daughter of Francois Boucher
By François Boucher
Located in Greven, DE
Portrait of the daughter of Francois Boucher, Marie-Emilie Baudouin, holding a basket of flowers. Pastel on Parchment. The work is related to an oval portrait painting...
Category

18th Century Rococo Camille Pissarro Paintings

Materials

Pastel

Spring Training - Watercolor of Baseball Greats Jackie Robinson & Mickey Mantel
By Margie Lawrence
Located in Chicago, IL
Jackie Roosevelt Robinson was an American professional baseball player who became the first African American to play in Major League Baseball in the modern era. Robinson broke the baseball color line when he started at first base for the Brooklyn Dodgers on April 15, 1947 Hall of Fame Induction 1962. Mickey Charles Mantle, nicknamed The Commerce Comet and The Mick, was an American professional baseball player. Mantle played his entire Major League Baseball career with the New York Yankees as a center fielder, right fielder, and first baseman. Hall of Fame Induction 1974. This painting shows Dodgers first baseman Jackie Robinson and Yankees base-runner Mickey Mantle...
Category

2010s Contemporary Camille Pissarro Paintings

Materials

Acrylic, Paper, Watercolor

Pete Alexander, HW Bush & Cool Papa Bell - Baseball Greats w/ a Former President
By Margie Lawrence
Located in Chicago, IL
Grover Cleveland Alexander, nicknamed "Old Pete", was an American Major League Baseball pitcher. He played from 1911 through 1930 for the Philadelphia Phillies, Chicago Cubs...
Category

2010s Contemporary Camille Pissarro Paintings

Materials

Watercolor, Paper

Set of 9 Figure Illustrations Egyptian Classical Characters Listed American
Located in Cirencester, Gloucestershire
Set of x9 figures original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 14 x 10 inches In good condition provenance:...
Category

Early 20th Century American Impressionist Camille Pissarro Paintings

Materials

Watercolor

Sit woman pastel drawing
By Rafael Duran Benet
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Sit woman - Pastel Drawing measurements 62x42 cm. Frame measurements 82x62 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...
Category

1970s Post-Impressionist Camille Pissarro Paintings

Materials

Pastel

Previously Available Items
Marché
By Camille Pissarro
Located in Palm Desert, CA
A painting by Camille Pissarro. "Marché" is an impressionist architectural painting, watercolor, pencil, and charcoal on paper in a pale palette of grays and greens by Blue Chip, Fre...
Category

Late 19th Century Impressionist Camille Pissarro Paintings

Materials

Charcoal, Watercolor, Pencil

Marché
Marché
H 11.375 in W 8.875 in
Camille Pissarro "Vacher dans un pré à Éragny" (Cowherd in a Meadow at Éragny)
By Camille Pissarro
Located in Los Angeles, CA
CAMILLE PISSARRO French, 1830–1903 Vacher dans un pré à Éragny (Cowherd in a Meadow at Éragny), 1890 Signed and dated lower left Oil on canvas 15” x 18-1/4” unframed 24” x 27” fram...
Category

18th Century Camille Pissarro Paintings

Materials

Canvas, Oil

Paysanne Tricotant
By Camille Pissarro
Located in London, GB
Gouache on paper 53.5 x 36 cm (21 ⅛ x 14 ⅛ inches) Signed and inscribed lower right, C. Pissarro Pontoise Executed circa 1881-1883 Provenance Maître Pierre Blâche, Grenoble, 10 De...
Category

19th Century Impressionist Camille Pissarro Paintings

Materials

Gouache

Camille Pissarro paintings for sale on 1stDibs.

Find a wide variety of authentic Camille Pissarro paintings available for sale on 1stDibs. You can also browse by medium to find art by Camille Pissarro in crayon, paper, pastel and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Impressionist style. Not every interior allows for large Camille Pissarro paintings, so small editions measuring 22 inches across are available. Customers who are interested in this artist might also find the work of Henri Le Sidaner, Emile Godchaux, and Victor Gabriel Gilbert. Camille Pissarro paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $285,000 and tops out at $285,000, while the average work can sell for $285,000.
Questions About Camille Pissarro Paintings
  • 1stDibs ExpertFebruary 13, 2024
    Camille Pissarro was born in the Danish West Indies to Jewish parents of Portuguese and French descent. At the age of 12, he went to school in Paris, where he displayed a penchant for drawing. Pissarro would go on to become one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions. On 1stDibs, shop a variety of Camille Pissarro art.
  • 1stDibs ExpertApril 5, 2022
    Camille Pissarro was a Dutch-French painter whose primary style of painting was French Impressionism, although he explored a variety of styles, including Realism and Neo-Impressionism. His brilliant canvasses are covered with splashes of pure pigment in energetic brushstrokes. Find a collection of Camille Pissarro art from top sellers on 1stDibs.

Recently Viewed

View All