Charles Cary Rumsey Sculptures
American, 1879-1922
CHARLES CARY RUMSEY, born in Buffalo, NY in 1879. His interest in sculpture appeared and was encouraged at an early age as he was considered a prodigy his parent sent him to Paris to study art in 1893.
Graduated Harvard in 1902, Rumsey returned to Paris where he took a studio in the Latin Quarter and enrolled and the Julian and Colarossi Academies. One professor, Emmanuel Fremiet, a specialist in equestrian statuary, and his training was to have a decisive influence on the young Rumsey. Rumsey was a superb rider and a world-class polo player.
His large monuments remain in locations around the world.
Beaux Arts Museum Paris France Brooklyn Museum of Art, Brooklyn NY Metropolitan Museum of Art, New York
Museum of Modern Art, New York
Nassau County Museum of Art, Nassau Co.NY
Newark Museum of Art, New Jersey
Whitney Museum of Art, NY
Pan American Exposition Buffalo 1901
National Sculpture Society Exhibition under the Auspices of the Municipal Art Society of Baltimore,
Fifth Regiment Armory Baltimore, 1908
Architectural League of NY 24th Exhibition 1909 Architectural League of NY 27th Exhibition 1912
MacBeth Galleries NY “A Collection of Small Bronzes by American Sculptors” 1912
1913 Armory Show, NY, Art Institute of Chicago 1913
National Sculpture Society 1913
Kingore Gallery Exhibition NY 1913
Architectural league of NY 28th Exhibition
Albright Art Gallery, Buffalo NY “An exhibition of works by Buffalo Artists” 1914
Panama Pacific International exhibition, San Francisco, California 1915
Fine Arts Institute , Kansas City Missouri 1916
Sculptors Gallery, “Exhibition of sculptures by Charles Cary Rumsey” Art Association of Indianapolis Metropolitan Museum of Art, NY 1918
American Painting and Sculpture, Pertaining to the War” Knoedlers, NY 1918-1919
Albright Art Gallery, Buffalo, 1919
Art Institute of Chicago 1920
Metropolitan Museum of Art NY, 1921
Carnegie Institute Exhibition Architectural league of NY 28th Annual Exhibition, Metropolitan Museum of Art, NY 1923
National Sculpture Society, NY 1923
Exposition Retrospective de L’ourvre “Charles Cary Rumsey” Societe’ Nationale des Beaux-Arts, Paris, 1927
Brooklyn Museum NY 1930
Whitney Museum of Art NY 1932
American Sculpture and Paintings, Museum of Modern Art NY 1932-1933
Century of Progress, Exhibition of Paintings and Sculpture, The Art Institute of Chicago, 1933
The Centennial Exhibition, Department of Fine Arts Dallas Museum of Fine Arts, Texas, 1936
Three Centuries of American Art, Organized by the Museum of Modern Art NY Muse’ du Jeu de Paume, Paris 1938
Sport in Art, Albright Art Gallery, Buffalo NY 1948
A Survey of American Sculpture, late 18th century to 1962, Newark Museum of Art New Jersey. 1962
National Art Museum of Sport Premier Exhibition, Madison Square Garden Center, NY 1968
Horse in America, Monmouth Museum, Red Bank New Jersey 1970
American Art in the Newark Museum, 1981
Dog Museum of America, NY 1983
The Shock of Modernism in America Nassau County Museum of Art 1984
Sporting Art, Anderson Galleries, NY 1986
Sporting Art, Anderson Galleries NY, 1988
Polo in America, American Cup Polo Tournament, Meadowbrook Polo Club NY(Biography provided by Lynda Anderson Galleries)
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Artist: Charles Cary Rumsey
Dancing Nude Bronze of a Woman "Femme Dansant, 1910"
By Charles Cary Rumsey
Located in Brookville, NY
Dancing Nude Bronze by Charles Rumsey is one of many figures he depicted of women. He has usually been known for his sculptures of horses, polo players, wildlife and dogs, mainly due to the fact that he was an avid sportman, hunter, and renowned polo player. However, he often depicted women in flattering if not loving ways. Often in movement, sometimes in reflection, in small sizes such as this one of Dancing Nude and also in large outdoor sculptures...
Category
1910s Charles Cary Rumsey Sculptures
Materials
Bronze
Rams Head Sculpture in Bronze by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
Charles Rumsey was an avid sportsman, horseman and a child prodigy in sculpting sent to Paris to study as a boy. His life of hunting fishing and ridin...
Category
1910s American Realist Charles Cary Rumsey Sculptures
Materials
Bronze
Winning the Race Galloping Horse and Rider in Bronze by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
Rumsey’s specialties included equestrian sculptures – portraits of polo players and prize horses, as well as of cowboys, cattle and horses as metaphors. He worked principally in bron...
Category
1910s American Impressionist Charles Cary Rumsey Sculptures
Materials
Bronze
Woman Seated A Bronze Sculpture of a Woman by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
The bronze sculpture of a woman by Charles Rumsey is undated, but was created at a point in his career where he began to transition from realism to more modern, looser depictions of ...
Category
1920s American Modern Charles Cary Rumsey Sculptures
Materials
Bronze
Dog Bronze Foxhound Sculpture by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
This beautiful bronze of a Foxhound is a study for what was to be a pair of larger ones used as a pair of Andirons outside fireplace at Harriman House in NYC. The artist, Charles Ru...
Category
1910s American Realist Charles Cary Rumsey Sculptures
Materials
Bronze
The Old Virginian, Bronze of a Horse and Rider with Dogs by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
From the estate of the Artist Charles Cary Rumsey
The Artist, Charles Rumsey, was a child prodigy sent to Paris as a young boy to study sculpture. He later was a world class sports...
Category
1910s American Impressionist Charles Cary Rumsey Sculptures
Materials
Bronze
Sculpture of a Polo Player Harrison Tweed by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
Polo Pony and Rider Harrison Tweed . Charles Rumsey was an 8 goal polo player with Meadowbrook Polo Club on Long Island NY. He was an avid sportsman, equestrian and artist. His ab...
Category
1910s Abstract Impressionist Charles Cary Rumsey Sculptures
Materials
Bronze
Jockey Pipe Rack in Bronze A Bronze by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
Charles Rumsey was a child prodigy sent to Paris to train in sculpting at age 12. He was not only a prodigy sculptor but an avid horseman and sportsman...
Category
1910s American Impressionist Charles Cary Rumsey Sculptures
Materials
Bronze
Buffalo or Bison in bronze by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
Buffalo Cow by Charles Rumsey, a bronze sculpture that dates C.1910 and may be part of the preparation for the Manhattan Brie Frieze executed in 1916. ...
Category
1910s American Realist Charles Cary Rumsey Sculptures
Materials
Bronze
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Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair
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Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair
HAIG PATIGIAN (American/Armenian, 1876-1950)
Aeronautics Pediments
Two Plaster Casts, c. 1930s
each 13.25 x 14.75 x 6 inches
It's possible these moquettes were created for the 1939 World's Fair, the Golden Gate International Exhibition in San Francisco.
Provenance: Private Collection of Lois M. Wright, Author of "A Catalogue of the Life Works of Haig Patigian, San Francisco Sculptor, 1876-1950),” 1967
Loan to Oakland Museum of California (Oakland, CA)
BIO
Haig Patigian is noted for his classical works, which are especially numerous in public venues in San Francisco, California. Patigian was born in Van, Armenia, which at that time was under Turkish rule. Haig was the son of Avedis and Marine Patigian, both teachers in the American Mission School there. He and his older brother showed an aptitude for art early on and were encouraged by their parents. Their father himself had taken up the new hobby of photography. The 1880s were harsh times, however, for many Armenians under an oppressive rule by the Turkish government. Many people were fleeing to the safety of the United States. Suspicious Turkish authorities accused his father of photographing city structures for the Russian government, and in 1888 he fled for his life to America.
Haigs father made his way to Fresno, California, and began life anew as a ranch hand. Within two years he sent for his wife, as well as Haig, his three sisters and brother, and in 1891 the Patigians made the journey from Armenia. Haigs father, an industrious man, worked on various farms, and eventually bought his own ranch and vineyard. It was among fertile farmland of Fresno that Haig grew up.
Young Haigs education consisted of teachings by his parents and by intermittent attendance in public schools. Although he had dreams of becoming an artist, he did not have the opportunity for formal study of art, and began working long days in the vineyards around Fresno.
At age seventeen, Haig made a step towards his dreams and apprenticed himself to learn the trade of sign painting. In his spare time he nurtured his interest in art by painting nature and life scenes with watercolors and oil paints. When his sign-painting mentor left Fresno, Haig opened his own shop and made a name for himself in the town. San Francisco, in the meantime, had been attracting artists since the Gold Rush and had become a thriving art center. Within a few years, Haig had put aside several hundred dollars to move to San Francisco, joining his brother who was already working there as an illustrator.
In 1899, when he was twenty-three, Haig had saved enough money to enroll at the Mark Hopkins Art Institute in San Francisco. Like many aspiring artists of his time, Patigian supported himself by working as a staff artist in the art department of a local newspaper, and in the winter of 1900, nearing his 24th birthday, Haig began work for the San Francisco Bulletin, producing cartoons, black and white illustrations, as well as watercolors.
In 1902 tragedy struck Haig and his family. His 29-year-old brother died of pneumonia, and then his frail mother died a short time later. Five months more saw his youngest sister, just out of high school, die too. Saddened and depressed, Haig moved out of the studio he had shared with his brother, and into a dilapidated studio in a poor section of town. During this time of sadness, Haig fed a growing interest in sculpture.
In 1904 Haig created what he later called his "first finished piece in sculpture". The work, called "The Unquiet Soul", depicted a man thrown back against a rock while waves lash at his feet. The body was tense and twisted, with one hand, in Haig's own words, "searchingly leaning and clutching the rock, while the other masks his troubled head".
The Press Club of San Francisco, which Haig had joined in 1901, put "The Unquiet Soul" on exhibition and local headlines proclaimed "Local Newspaper Artist Embraces Sculptor's Art", and "First Work Predicts Brilliant Future". With the support of friends and community acclaim, the young illustrator left his newspaper job and became a professional sculptor.
The path of his new career was not easy though. Haig had never made much money working for the newspaper and his father needed help with growing debt from funeral expenses and business problems. From time to time Haig sold some artwork, but also occasionally borrowed from friends to pay the rent. He was the classic 'starving artist'.
In the spring of 1905 a white-bearded 81-year-old stranger knocked on Haig's door. It was George Zehndner, from Arcata, California. Zehndner had been born in Bavaria, Germany in 1824, the son of a farmer. In 1849 he had come to America looking for prosperity, settling in Indiana, where he worked on a farm and learned English. He found his way to the West Coast in 1852. Penniless, he worked in various jobs from San Francisco to Sacramento, then found some luck working in the gold fields of Weaverville in Trinity County, and eventually moving to a farm on 188 acres near Arcata. In his 77th year in May of 1901, Zahndner had taken a trip to San Jose, where he stood in a crowd to see a man he thought much of, President William McKinley. McKinley was popular as 'the first modern president' partially because he realized going out to meet the common person increased his support. In September of that year, however, an anarchist assassinated the president while he stood in a receiving line at the Pan-American Exhibition in Buffalo, New York. Soon after, the city of San Jose erected a statue of the slain president in St. James Park. Zehndner took a second trip to San Jose where he visited the McKinley monument. Touched, Zehndner decided that, no matter the cost, his town of Arcata too would memorialize McKinley.
George Zehndner had read about Haig in a newspaper article and asked if Patigian would create a heroic statue of the late President McKinley for Arcata. When asked how much it would cost, Haig responded, despite his borderline poverty, with the fabulous sum of $15,000. Zehndner agreed. The President was to be portrayed standing, wearing an overcoat, with his feet planted squarely on the ground. In the finished statue, one hand is held out before him in a typical posture of speaking, with the other hand holding the speech as his side. The 9-foot statue...
Category
1930s American Modern Charles Cary Rumsey Sculptures
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Plaster
Charles Cary Rumsey sculptures for sale on 1stDibs.
Find a wide variety of authentic Charles Cary Rumsey sculptures available for sale on 1stDibs. You can also browse by medium to find art by Charles Cary Rumsey in bronze, metal and more. Not every interior allows for large Charles Cary Rumsey sculptures, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of David Everett, Tom Pfannerstill, and Barbara Fiore. Charles Cary Rumsey sculptures prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,000 and tops out at $4,000, while the average work can sell for $4,000.