Copeland & Garrett Ceramics

These are a beautiful set of SIX Large Dinner Plates by Mason's ironstone made during the mid-19th century, when Mason's was owned by Ashworth Brothers...

This is a beautiful early plate in a printed blue and white chinoiserie pattern and made of a type of earthenware pottery called pearlware, in the very early 19th century, by one of ...

Beautiful breakfast handmade ceramic bowls carefully crafted to meet the demands of everyday use. Designed to enrich your table setting and daily rituals, these handmade pottery bow...

Crockery White, 1882 Ltd. with Max Lamb. A collection of fine bone china tableware slip-cast from plaster models carved by hand, with glazed interior for functionality and raw exteri...

Crockery White, 1882 Ltd. with Max Lamb. A collection of fine bone china tableware slip-cast from plaster models carved by hand, with glazed interior for functionality and raw exteri...

A set of six, dinner sized plates, from Copeland & Garrett, Late Spode, circa 1830s. Copeland and Garrett operated from 1833-1847 in Stoke-on-Trent, Staffordshire, England. The pat...

Italian hand painted Porcelain pheasant soup gravy tureen with ladle by Oggetti. A cleaver soup or gravy tureen covered by a hand painted bird like form. A wonderful piece for sharin...

Lustre, 1882 Ltd. with Bethan Gray. Lustre, conceived by award-winning designer Bethan Gray uses a fine bone china body paired with 22-carat gold and black decals...

Wonderful rare set of six "Aesthetic Movement" hand-painted oyster plates, made by Spode and retailed by Tiffany and Company. The fabulous shaded soft pink ground shaded to...

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

A pretty scalloped dinner plate by Clarice Cliff for Royal Staffordshire. Created from porcelain, this pretty floral motif plate is glazed in c...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and refined English octagonal ceramic tray; on the white background, soft and rich blue decorations have been executed using the transferware method; in the center we find the poetic and graceful representation of the Severn River and the town of Bridgnorth (the name of this decoration is "Severn"), while the edges of the tray are adorned with sumptuous and spectacular flower and leaf decorations. The Severn River is the longest river in the United Kingdom (350 km), rising in Wales and flowing into the Bristol Channel; Bridgnorth is an ancient Saxon settlement; observing the view of the river and town from his castle at Bridgnorth King Charles I Stuart (1600-1649) said "the most beautiful sight in all my kingdom". On the back of the tray there are 3 imprinted marks including one with final number 14, then we find in the center a blue mark, these indicate to us exactly that the tray was produced in Stoke-on-Trent by the Copeland-Spode company in 1914 (see mark no.1079 p.172 of "Encyclopaedia of British Pottery and Porcelain Mark). The Spode firm was founded in the heart of the Potteries - Stoke-on-Trent by Josiah Spode in 1770. Josiah Spode is most famous for developing the specific design technique that meant underglaze transfers could be printed on earthenware. Later, focusing on porcelain production, Josiah Spode pioneered the development of a new form of porcelain, originally called "Stoke China...