David Borawski Prints and Multiples

The painting captures the major spring tree in the artist’s garden, painted plein-air in the garden. The language of Cherry Prunus blooms in early Spring when the weather is still ve...

Skyscape 5727, Blue and Purple Gradient Digital Photography Print 36" x 24" x 0.75" (HxWxD) Print on Aluminum Hand-signed in verso. Artist Amanda Lomax h...

"Voices VI (A)" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art, Palm Desert, California "Cutting Edge", Zane Bennett Contemporary Art, Santa Fe, New Mexico "Non Objectivity", Pharmaka Gallery, Los Angeles, California Farrell Fischoff Gallery, Santa Fe, New Mexico Eagle Gallery, London, England EVO Gallery, Santa Fe, New Mexico Jill George Gallery, London, England Bert Green Fine Art, Los Angeles, California "Site Unseen 3", James Kelly...

"Needle" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA in ...

Paul Pedulla hand-signed and numbered limited edition archival pigment print framed using all acid-free materials. Framed in a clean simple, white or black wood frame with 6-ply matt...

As a graffiti pioneer in his native Czech Republic, Jan Kalab made his name in the late 90s. As his work developed, he found a new way to push his own limits and challenge himself by making 3-D Graffiti. Under the name of Point, he sculpted huge abstract letters...

Joel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Bears label from T...

Artist: SICA, American (1932 - ) Title: Ruth Medium: Embossed Silkscreen on Foil Paper, Signed and numbered in pencil Edition: 19/150 Size: 24 x 19 in. (60.96 x 48.26 cm)

"Voices XXI" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art, Palm Desert, California "Cutting Edge", Zane Bennett Contemporary Art, Santa Fe, New Mexico "Non Objectivity", Pharmaka Gallery, Los Angeles, California Farrell Fischoff Gallery, Santa Fe, New Mexico Eagle Gallery, London, England EVO Gallery, Santa Fe, New Mexico Jill George...

Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

A gallery quality archival pigment print (of the original watercolor and ink painting) on Sommerset Velvet paper is 24x18 inches in size. From an edition of 20, numbered 3/20 and signed by the artist. Framed (white) with a styrene face on a double mat board in beige and red colors with size 30x24 inches. Mila Akopova is New York artist. She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 American Art Awards, juried by 25 best...

My Maine Girl, Signed Contemporary Blue Green Gradient Photographic Print, 2021 24" x 36" x 0.75" (HxWxD) Dye Sublimation Print on Aluminum Hand-signed by the artist in verso. A warm and cozy abstracted landscape by artist Amanda Lomax, this photographic print on metal brings the viewer a nostalgic snapshot of watching the sun pass over the horizon, illuminating the sky with a golden haze. The blurry aspect of the composition allows for this work to come off similarly to a color field painting by Mark Rothko, with the viewer filling in the context with their imagination, as the colors coexist next to each other. Perhaps the golden band of sky is shining over mountains, or maybe it is an oceanic waterscape. There is a mystery and ethereality to the lack of definition and softness of the gradient. Open edition digital...