Donna Green Art

ONE WEEK ONLY SALE The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...

"My process begins with a thought, a vision, a look, a trigger that draws me to the clay. Gone are the days of exhaustive preliminary sketches and maquettes, I simply visualize how I...

Sara Fine-Wilson's “Spore" is a gestural 17.5 x 9 x 7 inch ceramic sculpture in white and gray. It is hand built and wheel constructed in white stoneware. Individual hand formed details are layered over the entire surface creating a graceful and fluid form. The surface is coated in a cool white matte glaze that becomes darker gray and glossy along the points that have been caught during the soda firing process.Some of the points in this piece have been blunted and crusted over during the firing process. The glaze emphasizes the contrast between surfaces and edges. Fine Wilson’s ceramic work contains elements of both raw and refined surfaces including cracks, ruptures and pooling of glaze. Sara Fine-Wilson is a contemporary sculptor based in the Boston area...

"Scalloped Basket" is a stoneware piece with the decorative layer of the rich toned glazes and markings that John was so well-known for. He was, also, known for the undulating lip lines on his exquisite pieces. The basket portion is shaped with gentle curves and a sculptural handle. Each piece that John produced was unique. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This particular "basket" also has the cool blues and grays that contrast with the umber. It is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Jun Kaneko Untitled Glazed Slab (Oval) Ceramic, Glaze 1990 Approx. 26 x 22 x 4 in Signed and dated (verso) COA provided Ref.: 90-9-41 Ref.: 924802-1007 "Scale in nature presents a ...

Multicolored abstract ceramic sculpture titled "Flow Through" by Lauren Skelly Bailey. Glazed porcelain with gilded gold. Size: 8 x 6 x 5.5 inches...

John Gill Mug (INV# NP3731) stoneware and glaze 4.75 x 5.5 x 4.25 2015 signed by artist

Yellow, blue and white round abstract ceramic sculpture titled "Gemini Headspace" by Lauren Skelly Bailey. Glazed porcelain with cobalt. Size: 7 x...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. Outcroppings 02, Repeating Geometric Ceramic Vessel...

John Gill Oblong Mug (INV# NP3732) stoneware and glaze 2002 signed by artist

Sam Chung Moon Jar 3, 2023 stoneware, white slip, glaze 20" h x 22" w x 22" d The moon jar is one of the most iconic ceramic forms in Korea – revered for its simple, austere beaut...

Kensuke Yamada (b. 1979) was born in Kamakura, Kanagawa, Japan. He received his MFA from the University of Montana in 2009 and has a BA from The Evergreen State College, in Olympia,...