Skip to main content

Edmund Blampied Prints and Multiples

British, 1886-1966

Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903, he went to London to attend Lambeth Art School where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year, he was awarded a scholarship to Bolt Court School of Photo-engraving and Lithography. In 1912, Blampied left the Chronicle and established his studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920s, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s, Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a monograph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. He remained there throughout World War II during the German Occupation, even though his wife was Jewish. During the Occupation, he designed banknotes and a set of postage stamps for the States of Jersey. After the War and the end of the Occupation, he continued to live and work in Jersey. In 1966, he died at the age of 80. He was a member of the Royal Society of British Artists, 1938; Royal Society of Painter-Etchers and Engravers, 1921.

to
9
26
1
12
7
10
9
Overall Height
to
Overall Width
to
23
26
19
17
11
7
4
4
3
3
2
2
2
1
27
2
11
6
31
984
695
663
626
24
24
21
1
Artist: Edmund Blampied
Below Stairs - 1930s British etching by Edmund Blampied
By Edmund Blampied
Located in London, GB
EDMUND BLAMPIED (1886-1966) Below Stairs Signed in pencil and numbered 57/100, signed and dated in the plate: Jan 1931 Drypoint Unframed Plate size 26 by 19.5 cm.; 10 ¼ by 7 ¾ in....
Category

Mid-20th Century Realist Edmund Blampied Prints and Multiples

Materials

Etching

The Letter
By Edmund Blampied
Located in Storrs, CT
The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 10 1/2 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blamp...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Politics
By Edmund Blampied
Located in Storrs, CT
Politics (Tonnere de Brest). 1926. Drypoint. Appleby 108. 7 x 9 (sheet 10 1/2 x 15 1/2). A rich impression printed on cream wove paper with full margins. Illustrated: Salaman, Modern...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Misty Morning.
By Edmund Blampied
Located in Storrs, CT
Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

The Butterfly.
By Edmund Blampied
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

En Pension.
By Edmund Blampied
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Fetching the Doctor (In Haste for the Doctor)
By Edmund Blampied
Located in Storrs, CT
Fetching the Doctor (In Haste for the Doctor) 1930. Lithograph. Appleby Lithographs 24. 11 x 16 (sheet 13 3/8 x 18 1/2). Edition 50. Illustration used as a ...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Lithograph

Wheelbarrow Race
By Edmund Blampied
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Etching, Drypoint

Soup
By Edmund Blampied
Located in Storrs, CT
Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Loading Vraic St. Malo
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), Loading Vraic St. Malo, drypoint, c. 1926, signed in pencil lower right margin and numbered 50/100 lower left. Reference: Appleby 122. In very good condition, with margins, on an ivory laid paper; 6 7/8 x 10, the sheet 10 x 15 1/2 inches, archival mounting. A fine impression, with substantial burr from the drypoint work. Provenance: Collection: Albert M...
Category

1920s Realist Edmund Blampied Prints and Multiples

Materials

Drypoint

The Fisherman's Return
By Edmund Blampied
Located in Storrs, CT
The Fisherman's Return. 1922. Drypoint. Appleby 83. 6 5/8 x 9 1/4 (sheet 9 1/8 x 14 7/8). Edition 100. A rich impression with drypoint burr printed on cr...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Chez Madame Dupont
By Edmund Blampied
Located in Storrs, CT
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Category

1930s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Ostend Horse
By Edmund Blampied
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Night Time, Dieppe.
By Edmund Blampied
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Below Stairs.
By Edmund Blampied
Located in Storrs, CT
Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...
Category

1930s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Night Time in a Stable.
By Edmund Blampied
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Through the Storm.
By Edmund Blampied
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

The Vraic Season (No 1).
By Edmund Blampied
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category

1930s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Lumbermen.
By Edmund Blampied
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Returning to the Stable.
By Edmund Blampied
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Summer
By Edmund Blampied
Located in Storrs, CT
Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...
Category

1910s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint

Ostend Horse
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...
Category

1920s Realist Edmund Blampied Prints and Multiples

Materials

Drypoint

A Jersey Vraic Cart
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), A Jersey Vraic Cart. 1939, etching, signed in ink lower margin [also signed and dated in the plate]. Reference: Appleby 183, the full sheet, on a J. Wh...
Category

1930s Realist Edmund Blampied Prints and Multiples

Materials

Etching

Ostend Bathing Machine.
By Edmund Blampied
Located in Storrs, CT
1926. Drypoint. Appleby 119. 6 7/8 x 8 7/8 (sheet 9 x 12 1/4). Edition 100, #97. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil.n pencil. Housed in a 16 x 20-inch archival mat, suitable for framing. The bathing machine...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Vin Rouge (Red Wine)
By Edmund Blampied
Located in Storrs, CT
1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...
Category

1930s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint

The Centenarian
By Edmund Blampied
Located in Storrs, CT
The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1930s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Driving Home in the Rain
By Edmund Blampied
Located in Storrs, CT
Driving Home in the Rain. 1914. Drypoint. Appleby 35. 7 3/8 x 10 1/8 (sheet 12 x 15 3/8). Edition 40. Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 1...
Category

1910s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint

Related Items
Untitled: Head of A Woman 2
By George Zachary Constant
Located in New York, NY
George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Etching, Drypoint

Armin Landeck, Window on 14th Street
By Armin Landeck
Located in New York, NY
The reference number on this work is Kraeft 103. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a more atmospheric drypoint technique to engraving while working at Stanley William Hayter's New York Atelier 17, in the 1940s. This print combines the forceful engraved diagonals with the softer drypoint lines. This is a view from the artist's window at the Delmonico Hotel, 3 East 14th Street...
Category

Mid-20th Century American Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Engraving

Summer in Paris, Seine Banks - Original Handsigned Etching
By Mily Possoz
Located in Paris, FR
Mily POSSOZ (1888-1967) Summer in Paris, Seine Banks, 1930 Original etching Handsigned in pencil by the artist Numbered / 45 copies Blind stamp of the editor Marcel Guiot (Paris) On...
Category

1930s Realist Edmund Blampied Prints and Multiples

Materials

Etching

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
By Francisco Goya
Located in Soquel, CA
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...
Category

1790s Old Masters Edmund Blampied Prints and Multiples

Materials

Engraving, Paper, Etching, Aquatint

Surrealist Salvador Dali Large Pochoir Etching Drypoint Lithograph Chariot Rider
By Salvador Dalí­
Located in Surfside, FL
Salvador Dalí (1904-1989) – Spanish painter, graphic artist and sculptor. Drypoint with etching and pochoir on Japon paper "Elijah and the Chariot," 1975, (Horse and rider) from the "Our Historical Heritage" suite. Pencil signed along the lower right and numbered 53/250 along the lower left. Literature: Field 75-4 J Framed; Height: 29 in x width: 35 in. Mat opening 19.5 X 25.5. The Spanish artist’s extensive oeuvre not only includes watercolors, drawings and sculptures but also tapestries; here a fine example from the limited edition ‘The Twelve Tribes of Israel’ The tapestry was created after an etching by Salvador Dalí from 1973 with the title ‘The Tribe of Judah’, which the artist created as part of a suite to mark the 25th anniversary of the State of Israel, and in which he represented the twelve tribes of Israel. This vintage French tapestry is an impeccable textile re-creation of a rare Dali etching. This is a flat weave Aubusson style tapisserie. The edition size was 500. The tapestry is inscribed with woven ‘Salvador Dalí’ lower right Genre: Surrealism Subject: people, architecture rendering Medium: textile Salvador Dali (Spanish, 1904-1989) Salvador Dali is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. Along with Rene Magritte his is considered the greatest of the Surrealists. His great craftsmanship allowed him to execute his paintings in a nearly photo realistic style. No wonder that the artist was a great admirer of the vintage Italian Renaissance painter Raphael. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. In 1933 Salvador Dali had his first one-man show in New York. One year later he visited the U.S. for the first time supported by a loan of US$500 from Pablo Picasso. To evade World War II, Dali chose the U.S.A. as his permanent residence in 1940. He had a series of spectacular exhibitions, among others a great retrospective at the Museum of Modern Art in New York. He has worked in paining, sculpture, tapestry, Daum glass and prints. Dali became the darling of the American High Society. Celebrities like Jack Warner or Helena Rubinstein gave him commissions for portraits. His artworks became a popular trademark and besides painting he pursued other activities - jewelry and dated clothing designs for Coco Chanel or film making with Alfred Hitchcock. In 1948 Dali and Gala returned to Europe, spending most of their time either in their residence in Ligate/Spain or in Paris/France or in New York. Dali developed a lively interest in science, religion and history. He integrated things into his art that he had picked up from popular science...
Category

1970s Surrealist Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching, Lithograph

Jeune Femme Cousant; Madame Helleu (Young Woman Sewing, artist's wife)
By Paul César Helleu
Located in Middletown, NY
Paris: Gazette des Beaux Arts, 1892. Etching and dry point on cream laid paper. 7 9/16 x 5 7/8 inches (191 x 148 mm), full margins. Signed in pencil, lower right margin. A dark, ink...
Category

Late 19th Century Realist Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Adele and the Ladies (Rochester's fashion conscious ward in Jane Eyre)
By Fritz Eichenberg
Located in New Orleans, LA
Adele, the 10 year-old girl who may be the daughter of Rochester and Celine in "Jane Eyre" is being scrutinized by three women. One is seated on an ornate sofa...
Category

Early 20th Century American Modern Edmund Blampied Prints and Multiples

Materials

Wool, Engraving

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category

Early 17th Century Naturalistic Edmund Blampied Prints and Multiples

Materials

Engraving

The Natural History of Moths: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths, which is plate 4 from Moses Harris' publication "The Aurelian: or Na...
Category

Mid-19th Century Realist Edmund Blampied Prints and Multiples

Materials

Engraving

Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
By Salvador Dalí­
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine. Hand signed in pencil and hand numbered. Limited edition in Roman numerals. Image size: 22.5" x 15.5". Sheet size is about 31 X 23 inches Le Bestiaire de la Fontaine Dalinisé, Robert Mouret, Editiones des Maîtres Contemporains, Paris, 1974 (M. & L. 653-664) (Reference: Albert Field, page 93 image 74-1F.) signed and numbered intaglio drypoints with pochoir in colors, hors-texte, on Arches, there were also editions of 250 on Japon and 120 on Auvergne numbered in Roman numerals. Salvador Dali (Spanish, 1904-1989 )is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. Surreal Art In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...
Category

1970s Surrealist Edmund Blampied Prints and Multiples

Materials

Color, Drypoint, Etching

Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
By Salvador Dalí­
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...
Category

1970s Surrealist Edmund Blampied Prints and Multiples

Materials

Drypoint, Aquatint

My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Etching, Drypoint

My Daughter
My Daughter
H 9.85 in W 12.68 in
Previously Available Items
Edmund Blampied (1886-1966) - Mid 20C Lithograph, Dinner Has Gone Down Beautiful
By Edmund Blampied
Located in Corsham, GB
Signed in graphite to the lower right-hand corner. Presented in a washline card mount and in a distressed, gilt-effect frame. On wove.
Category

Mid-20th Century Edmund Blampied Prints and Multiples

Materials

Lithograph

Misty Morning.
By Edmund Blampied
Located in Storrs, CT
Misty Morning. 1928-29. Drypoint. Appleby catalog 137. 8 5/8 x 12 (sheet 11 1/2 x 15 1/2). Edition 100, #96. A rich impression with drypoint burr. Print...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Wet Sands.
By Edmund Blampied
Located in Storrs, CT
Literature: Appleby Lithographs 6. Measures 9 x 14 1/2 (sheet 11 x 15 5/8). Edition 12. A fine impression on cream wove paper. Signed, dated and dedicated 'To W. Westley Manning' in ...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Lithograph

Homewards, Evening.
By Edmund Blampied
Located in Storrs, CT
Appleby 20. 4 1/2 x 6 1/2 (sheet 6 7/8 x 7 1/2). Edition 70. Slight toning; otherwise fine condition. A rich impression with plate tone, printed on cream laid paper. Signed in pencil...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Drypoint

The Butterfly.
By Edmund Blampied
Located in Storrs, CT
Appleby 133. 9 5/8 x 7 7/8). Edition 100. A rich impression printed on cream-colored laid paper with full margins.. Signed and numbered in ink. Housed in a 21 1/2 x 17 1/4 modern ...
Category

Early 20th Century Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Sunday Afternoon
By Edmund Blampied
Located in Storrs, CT
Sunday Afternoon. 1922. Etching. Appleby 85. 8 7/8 x 11 7/8 (sheet 12 1/2 x 16 35/8). Edition 100. Slight mat line, otherwise good condition. A rich i...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Sunday Afternoon
Sunday Afternoon
H 8.88 in W 11.88 in D 0.5 in
Village News
By Edmund Blampied
Located in Storrs, CT
Village News. 1930-31. Drypoint. Appleby 148. 8 3/4 x 12 (sheet 11 3/8 x 17 1/8). Edition 100. A rich impression with drypoint burr, printed on the full sheet of cream laid paper wit...
Category

1930s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Toute de Suite. (Immediately, Right away).
By Edmund Blampied
Located in Storrs, CT
Toute de Suite. 1930-31. Drypoint. Appleby 151. 10 1/8 x 8 1/16 (sheet 15 1/2 x 10 3/8). Edition 100, #8. A rich impression, with drypoint burr, printed on cream-colored laid paper w...
Category

1930s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Sea Breezes
By Edmund Blampied
Located in Saint Augustine, FL
An original signed drypoint etching on laid paper by English artist Edmund Blampied (1886-1966) titled "Sea Breezes", 1923. Hand pencil signed by Blampied l...
Category

1920s Impressionist Edmund Blampied Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Les Deux Petites Verres.
By Edmund Blampied
Located in Storrs, CT
Les Deux Petite Verres. 1928-29. Drypoint. Appleby 135 10 1/2 x 10 3/16 (sheet 18 1/4 x 12 3/8). Edition 100, #65. Illustrated: Print Collector's Quarterly (1937): 374. A rich impression, with burr, printed on the full sheet of laid paper. Signed and numbered in pencil. This is a most charming study of a husband and wife sitting in a cafe, about to imbibe. The title is a pun on the glasses and the couple. See Tout de Suite...
Category

1920s Modern Edmund Blampied Prints and Multiples

Materials

Drypoint, Etching

Edmund Blampied prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Edmund Blampied prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Edmund Blampied in drypoint, engraving, etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Edmund Blampied prints and multiples, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Albert Marquet, George Cruikshank, and Sir Frank Short. Edmund Blampied prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $500 and tops out at $2,750, while the average work can sell for $900.

Recently Viewed

View All