Edward Rawstorne Art

"Seascape," by Hudson River School artist George Herbert McCord (1848-1909) is oil on canvas and measures 18.07 x 30.13 inches. The work which comes from a private collection in Birmingham, Alabama is signed “G.H. McCord A.N.A.” at the lower left. The work is framed in a beautiful, period appropriate frame, and ready to hang. A member of the second generation of Hudson River School painters, George Herbert McCord is known for his atmospheric landscape and marine paintings which capture a variety of locales and are executed in a variety of media—including oil, pastel, and watercolor. McCord was born in 1848 in New York City, where he lived and worked his entire life. After 1883, he kept an additional studio in Morristown, NJ. McCord traveled throughout North America, painting in the Berkshire, Adirondack and Laurentian mountain ranges, the Hudson River Valley, the Coast of New England, the Upper Mississippi, and Florida, which had become popular among Eastern vacationers. He was among a select group of artists commissioned by the Santa Fe Railroad to paint the Grand Canyon, and also participated in a special painting excursion to the Erie Canal. His travels in Europe were equally expansive, taking him to England, Scotland (having been commissioned by Andrew Carnegie to paint the scenery around his castle there), France, the Netherlands, and Italy. McCord was well-educated, having attended Claverack College amidst the Catskills in Claverack, NY, which provided instruction in classical, French, German, English, music, painting, military, commercial, telegraphic and agricultural studies. He also studied with the accomplished painter and inventor of Morse code, Samuel F.B. Morse, and with the Scottishborn landscape painter, James Fairman. McCord was active in numerous art clubs and institutions in New York, including the National Academy of Design, which elected him an Associate member in 1880, the American Watercolor Society, the Brooklyn Art...

A finely detailed oil landscape of the Delaware Gap attributed to French American artist Regis Francois Gignoux (1816-1882). Gignoux was born in Lyon, France, and began his studies i...

Antique American impressionist fall forest oil painting. Oil on canvasboard. Finely painted and housed in a period giltwood frame.

Painted by Hudson River School artist Hermann Simon (1846-1895) , "Sunset on the Hudson River" is oil on canvas, measures 15 x 25 inches, and is signed and dated 1875 at the lower ri...

Painted by Hudson River School artist J.B. Bristol (1826–1909), "Full Sail at Twilight" is oil on canvas, measures 12 x 18 1/8 inches, and is signed at the lower right. The work is f...

Hudson River Inlet, 1885 by Hudson River School artist Frank Anderson (1844-1891) is oil on canvas. The work measures 15.13 x 24.25 inches ...

Hudson River School artist Worthington Whittredge's (1820-1910) Landscape in the Hudson Valley is oil on canvas and measures 11 x 19 inches. The work is signed by the artist at the l...

Antique American Hudson River School sunset landscape oil painting. Oil on canvas, circa 1874. Signed in monogram. Housed in a giltwood frame. Image size, 30L x 22H.

A prominent 19th century landscapist, Hudson River School painter James McDougal Hart's (1828-1901) A Day in November, 1863 is oil on canvas and measures 10.5 x 18 inches. The painti...

JOHN FREDERICK KENSETT (1816-1872) Woodland Waterfall Oil on canvas 14 x 12 inches Signed lower right

A rare depiction of Lake Mohonk, this painting by Hudson River School artist Nelson Augustus Moore (1824-1902) features Sky Top Tower and the serene natural surroundings of the historic Mohonk Mountain House. This 19th century oil painting on canvas measures 12 x 17.75 inches. The painting is signed and dated at the lower right, signed again and titled "Lake Mohonk" on the verso. The painting is framed is ready to hang. Nelson Augustus Moore was born on August 2, 1824, in Kensington, CT. His artistic studies began under the tutelage of Thomas Cummings and Daniel Huntington in New York City. After returning home to Connecticut, Moore taught drawing classes and also opened a photography business. He and his brother operated this daguerreotype studio in Hartford, CT until 1864 when Moore chose to return to landscape painting. His landscapes consisted mostly of New England subjects. He kept a studio in New York, painting in the same building as Arthur Fitzwilliam Tait, James Hart and William Hart. Nelson Augustus Moore, while sharing in many ideologies with his contemporaries, felt no need to travel vast distances in search of grandiose and spectacular landscapes. He held a particular delight in the peaceful harmony of the local American countryside...

Important framed 19th century Hudson River School landscape. Possibly estate stamped. Housed in an impressive period frame. Oil on canvas.