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Limited edition of 5 pieces

Still life , 70x70cm, print on canvas

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Jamavar The Jamavar of Kashmir is an exquisite heritage textile of India. The original Jamavar was a yard-long shawl of pashmina wool with delicate patterns handwoven in multicolored silk weft threads. Its authentic designs are finely intricate, imparting gentle aristocracy with its most outstanding and popular motif being the elongated teardrop, originally called 'buteh'. The 'buteh' is what one now recognizes as the 'paisley'. These artworks are compositions of the timeless 'buteh' of the Jamavar. The wall panels are embroidered with fine thread cords couched along the pattern. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

This beautiful baluster-shaped vase features the vivid hypnotic Egyptian blue (which some call "turquoise", although it's not) Raoul Lachenal is most renowned for. Drop-shaped white...

Running Heart, red, resin, sculpture, Valentine, Love, Cartoon, humor, feet Resin Running Heart sculpture

Christopher Wool & Felix Gonzalez - Torres (After) Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They oft...

Limited edition of 5 pieces

A fine winter landscape by American artist George Gardner Symons (1863-1930). Symons was born in Chicago, IL, studied at the Chicago Art Institute where he became a close, life-long friend of William Wendt. They painted together in California and then in Cornwall, England in 1898. He also studied in Paris, Munich, and London, and joined a colony of artists at St. Ives, adopted the plein-air techniques of Julius Olsson, Adrian Stokes, and Rudolph Hellwag. He worked in Chicago as a commercial artist, and about 1903 returned to California with Wendt and built a studio in Laguna Beach and became active in western art societies including the California Art Club. He returned often, but maintained his primary studio in Brooklyn, New York, and also did a lot of painting in Colrain, Massachusetts. He painted entirely out-of-doors, frequently working in Arizona, doing desert landscape and the Grand Canyon views, but he is best known for his New England snow scenes, especially of the Berkshire Mountains...

Gilded frame made in a traditional style. The frame opening will accommodate a painting or mirror that is 13 x 17 inches; with the addition of a 1" liner, a standard sized 12 x 16 painting...

Small paintings are intimate and personal. They can be moved around easily and personalize a space. A subtle touch of mystery invites the viewer to interpret an untold story in this ...

Rene Lalique Bulbes no 2, 1935 Molded pressed and opalescent white glass 3 x 8 in cod 3300 V1

The Lazy Frog is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but ag...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

Console table with cast bronze structure, wooden top burnt with shou sugi ban technique and bronze details

Double cloth, cotton weaving

Andy Warhol Banana Cover Art 1968: The Velvet Underground & Nico: the ultra rare, highly sought-after, 1968 East Coast pressing uniquely featuring a near-fully unpeeled banana. Accom...

Synthesis F4 is a unique sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic, LED, dimensions are 23 × 18 × 18 cm (9.1 × 7.1 × 7.1 in). T...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

By French famous Transgender artist, Michel Marie Poulain (Born Paris December 5, 1906. Died 1991) this rare oil on canvas it represents the Queen and he...

Basketball Collage By Mr. Brainwash Mr. Brainwash, whose real name is Thierry Guetta, is a French street artist and filmmaker known for his pop-inspired, graffiti-influenced artwor...

Untitled (Anxious Man) By Rashid Johnson Rashid Johnson is a contemporary American artist recognized for his multimedia works, including paintings, sculptures, and installations, ...

Roy Lichtenstein Kiss II, Reversible Beach Blanket/Towel, 2013 Cotton Terry LARGE: 59 × 70 × 3/10 inches (approx. 30 x 20 when folded) (note that the mea...

Untitled (Coca Cola) By AI Weiwei Ai Weiwei is a renowned Chinese contemporary artist and activist whose diverse body of work spans sculpture, installations, and social commentary...

Synthesis A2 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, stainless steel and LED, dimensions are 42 × 109 × 21 cm (16...

Dimensions: 23.4 x16.5 inches Offset Lithograph in colors on glossy satin poster paper. Excellent condition

Synthesis B is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 200 × 8 × 9 cm (78.7 × 3.1 × 3.5 in). This artw...

Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue Actual Dimensions: 8.75 X 19.75 X 5.75 inches Michael Riley (Mike Riley) (American, born 1957). A model train engine statue in mixed media. Metal, wood, and other elements. An Art Deco Moderne style design produced from found objects, including garden hose fitting, sliding door track, trombone instrument counter weights, flute instrument...

Counterpart is a sculpture by British contemporary artist Tom Price, it is composed by two elements each measuring 45 cm H x 220 cm L x 35 cm D ( 17.7 × 86.6 × 13,78 in). This artwo...

Synthesis S is a sculpture by the English artist Tom Price. Resin, tar, steel, acrylic, LED. 200.5 cm × 40 cm × 40 cm (Dimensions include the stand). In the Synthesis series, Tom Pr...

Synthesis L1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, acrylic and LED, dimensions are 85 cm × 117.5 cm × 40 cm (33...

Carbon M is a unique sculpture by contemporary artist Tom Price. This sculpture is made of coal, Jesmonite, wood, steel, dimensions are 45 cm × 220 cm × 35 cm (17.7 × 86.6 × 13.8 in)...

She Speaks To Me, by Melanie Yazzie, monotype, abstract, red, blue, framed

Resin, tar, steel, acrylic, LED. 45 cm × 220 cm × 35 cm. Available on commission. Production delay: 8 months. Synthesis Bench is one of Tom Price's 'hybrid' artworks sitting halfway ...

Resin, tar, steel, acrylic, LED. 28 cm × 145.6 cm × 84.2 cm. In the Synthesis series, Tom Price forces resin and tar to live in the same space, experimenting with the chemical reacti...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Flattened with the center portion rolled out, this discarded barrel takes on the look of a traditional kimono...

Von Arx (Charles A. Nicol) was Great Nicholas' brother and himself a successful performer. Not wanting to exploit his brother Will's stage name, he used several stage names. Both Cha...

Resin, tar, acrylic, LED. 28.8 cm × 29.5 cm × 29.5 cm. In the Synthesis series, Tom Price forces resin and tar to live in the same space, experimenting with the chemical reactions t...

Clemens August Ferdinand Maria Hyazinth, Duke of Bavaria (* August 16, 1700 in Brussels; † February 6, 1761 in Koblenz) was as Clemens August I from 1723 to 1761 Archbishop of Cologne and thus at the same time Elector of the Holy Roman Empire, sovereign of the associated archdiocese as well as the tributary lands of Recklinghausen and Westphalia. In addition, he was Legatus natus of the Holy Apostolic See in Rome and Archchancellor of Imperial Italy. Furthermore, he combined the offices of Grand Master of the Teutonic Order...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

Grandmother, Melanie Yazzie, red sculpture, abstract, Navajo, outdoor, indoor Melanie Yazzie GRANDMOTHER 60" fabricated aluminum © 2018 60...

Lincoln Vélocité is a beautiful double-sided sheet of original color illustrations realized at the beginning of XX century. A wonderful original French automobile advertisement for a...

Andy Warhol Banana Cover Art 1967: The Velvet Underground & Nico: the highly sought-after, early 1967 East Coast pressing uniquely featuring a peeled banana (...

Bearbrick and Estate of Jean-Michel Basquiat Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The...

Made from chic leather, this woven basket with easy-to-carry handles offers an elegant storage solution for blankets, linens, shoes and more.

In 1619 Flemish tapestry-makers often included landscapes with trees and rivers and often included architectural features such as the castle in the background of this scene. This ta...

Josef Albers Album Art circa late 1950s A vinyl record cover (containing its record) brilliantly designed by Josef Albers c.1958. Looks fantastic framed. Offset lithograph on vinyl ...

This is a poster, done by Roy Lichtenstein for the Crying Girl Exhibition The Prints of Roy Lichtenstein at The Parrish Art Museum. It is signed by the artist and framed.

Wayne Thiebaud: Bakery Case Wayne Thiebaud (1920) is famous for his mouthwatering depictions of cakes, ice creams and hot dogs. He is well-known for his clear compositions, glisteni...

"Imagine" by Roman Goss is a captivating original abstract painting that invites viewers to explore a world of imagination and possibility. Through a harmon...

Eleanor Woolley Poppies Near Naunton 2 Original Painting Oil Paint on Canvas Canvas Size: H 61cm x W 61cm x D 3.7cm Signed Sold Unframed Ready to Hang (Please note that in situ image...

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Pollonaise No. 24, 1988 - Etching - Sheet ca. 27.8 X 42 cm - No plate mark - Varnished ('Glossy Antique French') Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Finished, coloured, backed and varnished print likely to be a spare sheet (over production), which were never used. Possibly at some later stage, Karl experimented by partially painting the back with divering number of layers of pink. Held up as finished cards the pink would then shine through the varnished card. By holding up the sheet, this effect can be observed in areas with and without the pink backing. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...