Gemma Harwood Art

Patrick Burns No Charges original newsprint, acrylic, polymer, resin on panel 32h x 48w in 81.28h x 121.92w cm PB0004 Patrick Burns b. 1987, Cleveland, OH Bio I like to explore t...

Nayla Saroufim creates installations that challenge the traditional notion of the passive viewer. Nayla’s art is a rich mix of media. She was always captivated by the dialogue betwee...

Abstract, folk art style, three dimensional wall sculpture in striped patterns of robin's egg blue, sky blue, beige, orange, and black "Why so Blue?", made by Susan Stover in 2020 C...

We are the Earth is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals) and resin. The base materials for the work consist of a wooden paneled canvas that provides the platform for the adhesion of a rolled photographic canvas, a fine art photography print. The canvas print, in this case a double exposure digital photograph, is adhered to the wood using a clear acrylic varnish. Acrylic Paint is added along with the objects that I found in nature, which are all placed in a careful and meticulous fashion, finally cemented in resin. This specific piece of art was my first large scale piece of its kind, created in my studio in Brooklyn in 2019. This piece was inspired by the colors of my travels, the deserts, trees, mountains and sunsets. The human depicted is myself, it is a self-portrait captured in Great Sand Dunes...

Artist Commentary: This diptych started several years ago during a public art performance called Nike's Advice. I painted 130 feet of unprimed canvas with the public. It was scary! I don't consider myself a painter. I was having to accept Nike's Advice myself ... as in "Just Do It". Later, I used my sewing machine to stitch decorative lines. Gold-leaf was added before the surface was coated in UV filtering epoxy. The works are mounted with copper roofing nails to a stretcher bar with gold painted sides. Keywords: painted textile, abstract, mixed media Artist Biography: Susan Lenz...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

This beautiful blue and white dimensional butterfly piece is made of wood panel, butterflies, acrylics and bioresins. The artist, Kristina Grace, re...

Rachel Bergeret, stylist by trade, created her heroine more than 10 years ago. We call it ''La Parisienne'': The wavy hair, the dominance of gold by Gustav Klimt, the audacity of Tou...

Signed lower right, 'Alex Gonzales' (American, 1927-2020) and dated, '11/58'. A delicate and enigmatic, mid-century, painted collage showing a processio...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

"The LA Port" is an original 4”h x 6”w x 1.5”d drawing, painting, and mixed media process piece of artwork created in a vintage tin. Magnets may be used to display this piece on a wall instead of on a shelf or similar surface. Please note in your order that you would like to receive the magnets if you wish to display the piece on the wall. This piece was originally displayed as part of "Deemed a Canvas" at Paradigm Gallery + Studio in Philadelphia in 2018. Brooks Salzwedel’s work focuses on natural and unnatural landscapes disconnected from their usual surroundings or places in time. Using a self-created process involving materials such as graphite, mylar and resin, tape, colored pencil, and ink, his work evokes feelings of desolation through haunted, dreamlike visions of otherworldly terrains. Ancient trees, decaying flora, and icy mountains obscure long forgotten places and objects, at once familiar and unrecognizable, creating a space for rumination that challenges the relationship to their meaning. Salzwedel received his B.F.A. from the Art Center College of Design, Pasadena, in 2004. Salzwedel graduated with honors and distinction quickly landing a solo show with NewSpace Gallery, Los Angeles. The same year Salzwedel also procured a high-end line of handmade belt buckles in the same process winning him the Best Belt Designer in Los Angeles by Los Angeles Magazine as well as one of LA’s top five accessories designers by Los Angeles Times Magazine West. He has been chosen as the Artist-in-Residence of the most visited National Forest in the U.S., White River National Forest, Summer 2017. In 2015, Salzwedel was Denali National Park’s visual Artist-in-Residence. He also won Los Angeles Metro poster...

Collective Liberation is comprised of a photograph, acrylic paint and resin. The base materials for the work are a wooden paneled canvas that supports the adhesion of a rolled photog...