J. Antony Redmile Art

Superb 19th century bronze and gilt bronze bust of the god Belvedere Apollo. Circa 1850. This wonderful grand tour bust is a marvel of refined beauty and elegance, crafted with richl...

Bill Starke's "At Last" is a limited edition, bronze sculpture created by Bill Starke depicting a male figure with out-stretched arms. ( 3/85 ) About the artist: Human beings int...

Mid Century carved marble flute player by Rodney Marshall Winfield (American, b. 1925). Presented in a rustic wooden frame. Unsigned. Image size: 14"H x 10"W. Framed: 20"H x 16"W. Wear to frame and age wear to marble. A painter in acrylic, designer in stain glass and silver, sculptor and long-time teacher, Rodney Winfield has had a diverse career. He was born in New York City. As a young man, he was artistically inclined and composed music, drew and painted, danced, wrote poetry and created sculpture. Choosing to focus on art, he enrolled in Cooper Union School in New York City. From 1953 to 1970, he was a stain-glass designer for Emil Frei...

Mid century carved marble figurative girl and kitten by Rodney Marshall Winfield (American, b. 1925). Presented in rustic wood frame. Bio on verso. Image, 14"H x 10"W. Rodney studied at Cooper Union School in New York and worked as a designer at the Emil Frei...

DANZA (Dance) by Lorenzo Vignoli striking hand carved Carrara marble frieze relief by contemporary Italian sculptor Lorenzo Vignoli, incorporating mesmer...

This European metal sculpture, most likely bronze or brass, is probably Anteros, God of requited love. The piece altogether is 18" in height; the figure itself 7.25". The bottom and...

A good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...

Unique Carrara white marble finely carved sculpture of Orpheus , Mythological personification of the eternal love and art. Henry Dasson French 1825 - 1896 Orpheus white marble, on a gilt bronze base 75.5cm., 29 3/4 in. overall The renowned Parisian maker of gilt-bronze mounted furniture, Henry Dasson, began his career as a bronze sculptor. Occasionally marbles with his signature have appeared on the art market. It is likely that these were made in his workshop at 106, rue Vielle du Temple, which specialised in the production of bronze artifacts and clocks. Dasson's success was such that he was made a Chevalier de la Légion d'honneur in 1883 and was awarded the Grand Prix Artistique at the Paris 1889 Exposition Universelle. In the Greek myth Orpheus, son of the muse Calliope and Apollo – or of the king of Thrace, Eagro – is the poet par excellence, the personification of song. With his lyre and his words he manages to seduce men, animals of all species and even trees, stones and the sea. With the strength of his verses he moves, softens, excites, touches the soul and the fibers of those who have the opportunity to listen to him. Orpheus falls in love with the nymph Eurydice and marries her. Yet the fate of the two lovers...

"Panthers resting" by Maximilien FIOT (1886-1953) Outstanding and rare sculpture in white marble France circa 1930 height 40 cm length 66 cm Provenance : By Descent of the Boardman, Devitt and Dawkins families, New England and California. Biography : Louis-Maximilien Fiot, known as Maximilien Fiot (1886-1953) was a French sculptor. Student of the sculptor Prosper Lecourtier, he exhibited at the Paris Salon from 1910 to 1914. Member of the Salon of French Artists, Fiot obtained a third medal in 1911, then a second medal in 1913. As an animal artist, he also participated during the period between the two World Wars, like many of his confreres, in the production of war memorials. In 1930, he realized for the city of La Ferté-Alais, where his mother lived, "The Lion watching...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athlete of Discobolo and the Hercules figure with a lion pelt, on a cylindrical base...

Joseph Mario Korbel (Czech/American, 1882-1954). Period fine example bronze, dark brown patina, modeled as a nude female kneeling and tying her sandal, raised on a stepped black marb...

This monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish. A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...