Jacques Emile Blanche Paintings
to
7
1
8
5
3
1
1
2
4
Overall Height
to
Overall Width
to
3
2
1
6
2
1
1
1
1
1
1
1
2
6
1
1
8
906
654
653
610
8
8
4
4
1
Artist: Jacques Emile Blanche
Jeune Fille en Blanc - 19th Century Oil Painting Portrait of Young Paris Beauty
By Jacques Emile Blanche
Located in Gerrards Cross, GB
‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942).
The painting – which depicts one of the artist’s favourite models Wanda Zielinska – is signed and dated 1896. It is lis...
Category
Late 19th Century Impressionist Jacques Emile Blanche Paintings
Materials
Oil
Rue de village en Angleterre
By Jacques Emile Blanche
Located in Barbizon, FR
Provenance:
-Collection Anna de Noailles , then her descendants
-Collection Lesieutre, Sotheby's sale in June 2017, lot n°159
-Online Catalogue Raisoné reference n°RM694
A pupil of G...
Category
19th Century Barbizon School Jacques Emile Blanche Paintings
Materials
Oil, Wood Panel
Sunflower Floral Arrangement - French 1930's Art Deco flower oil painting
By Jacques Emile Blanche
Located in London, GB
This vibrant French Art Deco floral oil painting is by noted French artist Jacques Emile Blanche. Painted circa 1930, the palette is of wonderful tones of yellow and orange with spla...
Category
1930s Art Deco Jacques Emile Blanche Paintings
Materials
Oil
Floral Bouquet - French circa 1900 Impressionist art oil painting of flowers
By Jacques Emile Blanche
Located in London, GB
A beautiful floral oil painting by the French Impressionist artist Jacques-Emile Blanche. This stunning Impressionist painting, painted circa 1900 depicts a vast floral bouquet of wh...
Category
Early 1900s Impressionist Jacques Emile Blanche Paintings
Materials
Oil
Bathers on the Beach - Post Impressionist Landscape by Jacques-Emile Blanche
By Jacques Emile Blanche
Located in Marlow, Buckinghamshire
Signed post impressionist oil on canvas landscape by French painter Jacques-Emile Blanche. The work depicts crowds of people enjoying a day at Brighton beach on the south coast of England. Bathers are dotted across the sandy beach with the pier on the right hand of the scene and the Grand Hotel behind.
Signature:
Signed lower right
Dimensions:
Framed: 29.5"x47.5"
Unframed: 22.5"x39.5"
Provenance:
Private collection - Italy
This work will be included in the catalogue raisonne of the work of Jacques Emile Blanche currently under preparation by Dr Jane Roberts & Muriel Molines
Blanche received training from Gervex and Fernand Humbert. His grandfather was Émile Antoine Blanche, the psychiatrist who treated the poet Gérard de Nerval on several occasions. He was awarded a gold medal at the Exposition Universelle in Paris in 1900, and was a Commander of the Légion d'Honneur. He was well known in French and British artistic circles, and married the daughter of John Lemoine, the leader of the Diary of the Proceedings ( Journal des Débats), and author of the Life of Brummel. He exhibited his works in London and Paris.
Blanche had a wide circle of acquaintances, and the list of portraits which he executed is indicative of the diversity of those who used to meet at his home: Henri Bergson; Stéphane Mallarmé; Henry Bernstein (1902); André Gide (1912); Anna de Noailles (1912); Jean Cocteau (1912); Igor Stravinsky (1915); Francis Jammes (1917); Paul Claudel (1919); Jean Giraudoux; Paul Valéry; Marcel Proust; Max Jacob (1921); Maeterlinck (1931); Debussy; Antoine Bourdelle; George Moore; André Maurois; François Mauriac; Maréchal Foch and the Princess de Broglie.
He also wrote novels, which were more or less autobiographical, and essays, such as From David to Degas; Dates; From Gauguin to the Negro Review; Journals of an Artist ( De David à Degas; Dates; De Gauguin à la Revue nègre; Cahiers d'un artiste) in six volumes, and Manet. During meetings at his studio, he used to collect any snippets that would flesh out the essays he wrote, which alternated between being sharp and emotive. He gave them in series to the magazine Comoedia, under the title of Studio Talk. It was said that he aroused tremendous debate, notably with André Lhote, a painter younger than himself, who also doubled as a critic. The latter initially attempted to define the main characteristics of the art of the 'rebellious and charming Jacques Émile Blanche,' but subsequently treated him less generously, referring to a painter 'attached to the notion of 'high-and-mighty' genre painting.' He added that this sort of painting was marvellously illustrated by Manet.
The quality of his flat surfaces, the precious greys and silvery light effects cause Jacques Émile Blanche to be compared more with Manet, whom he admired, than with the Impressionists, with whom he was compared in terms of his early works. Nevertheless, his outdoor backgrounds with traces of sometimes vivid colours have something in common with them.
In the aftermath of World War I, he spent a long time on an enormous composition entitled Tribute to those who Died in the War. It was executed in a style which was totally different to his work as a whole. He offered this work to the church in Offranville near Dieppe. He also donated around 100 of his works to the Musée des Beaux-Arts in Rouen.
He regularly exhibited in Paris, at the Salon of the Société Nationale des Beaux-Arts (also known as the Salon de Mars) from the time it was founded in 1890. At the time of the initial exhibitions held by the Société Nationale des Beaux-Arts, he rapidly gained fame by exhibiting such portraits as Paul Adam and Charles Cottet...
Category
Mid-20th Century Post-Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil
At the Races - Post Impressionist Horses & Figures Oil by Jacques-Emile Blanche
By Jacques Emile Blanche
Located in Marlow, Buckinghamshire
Signed post impressionist horses and figures in landscape oil on canvas by French painter Jacques-Emile Blanche. The work depicts crowds of people enjoying a day at the races and watching a steeplechase horse race as the horses and their jockey's jump a fence.
Signature:
Signed lower right
Dimensions:
Framed: 28"x36"
Unframed: 21"x29"
Provenance:
Private French collection.
This work has been authenticated by Dr Jane Roberts and a certificate of authenticity will accompany the painting.
Blanche received training from Gervex and Fernand Humbert. His grandfather was Émile Antoine Blanche, the psychiatrist who treated the poet Gérard de Nerval on several occasions. He was awarded a gold medal at the Exposition Universelle in Paris in 1900, and was a Commander of the Légion d'Honneur. He was well known in French and British artistic circles, and married the daughter of John Lemoine, the leader of the Diary of the Proceedings ( Journal des Débats), and author of the Life of Brummel. He exhibited his works in London and Paris.
Blanche had a wide circle of acquaintances, and the list of portraits which he executed is indicative of the diversity of those who used to meet at his home: Henri Bergson; Stéphane Mallarmé; Henry Bernstein (1902); André Gide (1912); Anna de Noailles (1912); Jean Cocteau (1912); Igor Stravinsky (1915); Francis Jammes (1917); Paul Claudel (1919); Jean Giraudoux; Paul Valéry; Marcel Proust; Max Jacob (1921); Maeterlinck (1931); Debussy; Antoine Bourdelle; George Moore; André Maurois; François Mauriac; Maréchal Foch and the Princess de Broglie.
He also wrote novels, which were more or less autobiographical, and essays, such as From David to Degas; Dates; From Gauguin to the Negro Review; Journals of an Artist ( De David à Degas; Dates; De Gauguin à la Revue nègre; Cahiers d'un artiste) in six volumes, and Manet. During meetings at his studio, he used to collect any snippets that would flesh out the essays he wrote, which alternated between being sharp and emotive. He gave them in series to the magazine Comoedia, under the title of Studio Talk. It was said that he aroused tremendous debate, notably with André Lhote, a painter younger than himself, who also doubled as a critic. The latter initially attempted to define the main characteristics of the art of the 'rebellious and charming Jacques Émile Blanche,' but subsequently treated him less generously, referring to a painter 'attached to the notion of 'high-and-mighty' genre painting.' He added that this sort of painting was marvellously illustrated by Manet.
The quality of his flat surfaces, the precious greys and silvery light effects cause Jacques Émile Blanche to be compared more with Manet, whom he admired, than with the Impressionists, with whom he was compared in terms of his early works. Nevertheless, his outdoor backgrounds with traces of sometimes vivid colours have something in common with them.
In the aftermath of World War I, he spent a long time on an enormous composition entitled Tribute to those who Died in the War. It was executed in a style which was totally different to his work as a whole. He offered this work to the church in Offranville near Dieppe. He also donated around 100 of his works to the Musée des Beaux-Arts in Rouen.
He regularly exhibited in Paris, at the Salon of the Société Nationale des Beaux-Arts (also known as the Salon de Mars) from the time it was founded in 1890. At the time of the initial exhibitions held by the Société Nationale des Beaux-Arts, he rapidly gained fame by exhibiting such portraits as Paul Adam and Charles Cottet. He sometimes grouped together several members of the same family in one painting: The Painter Thaulow and His Family in 1895, The Vielé-Griffin Family, and numerous refined portraits of key figures in France and England.
Apart from this Salon, for which he was one of the first driving forces and founder members, he was later to put in a great deal of effort on the occasion of the Salon des Tuileries between 1933 and 1939, even though he was by then in his seventies and already famous.
He exhibited genre scenes, scenes of fashionable places - like Brighton or Dieppe - and racecourse scenes at the Salon des Tuileries in 1933. These included Family of Pedlars in London; Portrait of the Female Novelist Sylvia Thompson; Racecourses in Ireland; Arrival of the Herring in Dieppe; White Masts; Brighton; in 1934: Portrait of James Joyce; Grand National Steeplechase; Spring Races in England (sketch); Dieppe Beach; Outer Harbour of Dieppe in Autumn; in 1935: Rugby; Walter Richard Sickert; Dieppe; Tea Party at the Madeleine; in 1939: Love Thy Neighbour. Many exhibitions have been dedicated to him since his death, including one at the Musée des Beaux-Arts in Rouen in 1997, and one at the Galerie Philippe Heim in Paris in 1999.
Museum and Gallery Holdings:
Brussels: Portrait of the French Painter Charles Cottet
Dieppe: Sleeping Child; Fish Week
Dijon: General Mangin; The Sailing Ship
London (Tate Collection): Francis Poictevin (1887, oil on canvas, portrait); Charles Conder (1904, oil on canvas, portrait); Ludgate Circus: Entrance to the City (November, Midday) (c. 1910, oil/panel); August Morning, Dieppe Beach (c. 1934, oil on canvas); other paintings
Lyons: Portrait of Debussy
Mulhouse: Begonias
Paris (Louvre): The Painter Thaulow and his Family (1895)
Paris (MAM): The Pink Room; The Port at Le Havre; Flowers in a Vase; Still-life; Portrait of the Artist's Mother (June 1895); Portrait of Igor Stravinsky
Paris (Mus. Carnavalet): Portrait of Jean Cocteau...
Category
Mid-20th Century Post-Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil
Henriette Chabot with Peonies
By Jacques Emile Blanche
Located in Washington, DC
This painting was owned by Comte Robert de Montesquiou (1855–1921), Paris
Literature:
Jane Roberts, Jacques-Émile Blanche (2012), pg. 47 (color illus.), p. 191.
Included as no. R...
Category
Early 20th Century Post-Impressionist Jacques Emile Blanche Paintings
Materials
Oil, Canvas
King's Road, Brighton
By Jacques Emile Blanche
Located in Belgravia, London, London
Oil on canvas
Canvas size: 13 x 18.25 inches
Framed size: 19.5 x 24.5 inches
Signed lower left
Category
20th Century Jacques Emile Blanche Paintings
Materials
Canvas, Oil
Related Items
Still Life painter (British school) - 20th century painting - Interior flower
Located in Varmo, IT
English painter (20th century) - Vase of flowers.
61 x 48 cm without frame, 76.5 x 66.5 cm with frame.
Ancient oil painting on hardboard, in carved and lacquered wooden frame.
- W...
Category
Early 20th Century Art Deco Jacques Emile Blanche Paintings
Materials
Oil, Canvas
Free Shipping
H 30.12 in W 26.19 in
Botanical Cyanotype of Floating Floral Forms, Unique Monotype, Classy Marbling
By Kind of Cyan
Located in Barcelona, ES
This is a contemporary botanical cyanotype print made using natural sunlight. The technique is combined with a Suminagashi marbling (a traditional japanese technique), that was previ...
Category
2010s Art Deco Jacques Emile Blanche Paintings
Materials
Marble
At Doug's Place
By Lu Haskew
Located in Loveland, CO
At Doug's Place by Lu Haskew
Oil 12x10" image size
Plein Air artists sit by a river discussing on break from the day of painting.
ABOUT THE ARTIST:
Lu considered it a must to work...
Category
Early 2000s American Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil
18th century portrait of the painter Nathaniel Dance
Located in London, GB
Collections:
Robert Gallon (1845-1925);
Private Collection, UK.
Oil on canvas laid down on panel
Framed dimensions: 11.5 x 10 inches
This highly engaging, previously unpublished portrait by Johan...
Category
18th Century Old Masters Jacques Emile Blanche Paintings
Materials
Oil, Wood Panel, Canvas
Impressionistic Swedish Landscape View, Nordingrå, 1915
Located in Stockholm, SE
We are delighted to present a beautiful landscape by Carl Johansson (1863-1944), a piece that showcasing the breathtaking landscape of Nordingrå, part of the High Coast in Sweden. Th...
Category
1910s Post-Impressionist Jacques Emile Blanche Paintings
Materials
Oil, Canvas
plowing with oxen oil on board painting Spain
By Juan Soler
Located in Barcelona, Barcelona
Oil measures 30x30 cm.
Frame measures 52x52 cm.
He was born in 1951. Under the direction of the teacher Pedro Bermejo, he began his artistic career, quickly standing out and observing in his works an unusual mastery of drawing.
A highly mature painter who has known how to stop time in all his works. His themes are preferably costumbrist, although in his work it is usual to see 18th century themes, with horse carriages, hats, umbrellas and still lifes.
Observing his work reminds us, due to the theme, of Maestro Palmero...
Category
21st Century and Contemporary Post-Impressionist Jacques Emile Blanche Paintings
Materials
Board, Oil
My Roses with Peaches
By Teresa Vito
Located in Loveland, CO
My Roses with Peaches by Teresa Vito
20x16" oil Floral Still Life
Bouquet of Roses surrounded by a table full of peaches
Signed lower right
ABOUT THE ARTIST:
Teresa Vito's paintings reflect the beauty she sees all around her. She loves painting living energy, whether it is the outdoor landscape, berries and flowers picked for a still life, or the unending variety of the human face.
Vito has been a full time oil painter since 1992. She currently lives in Pueblo, Colorado. Vito has won numerous national and regional awards including an Award of Excellence, Best Portrait and Best Still Life Awards from Oil Painters of America. She also received the Best of Show award from the Artists of Colorado Exhibition held at the Colorado History Museum.
Teresa Vito grew up in a one store town in upstate New York. She had never met an artist or had gone to an art gallery until she went to college. She chose to major in art because she loved to draw. College offered no clue as to how to become an artist so she decided to try to figure it out on her own.
With $250 and a train ticket to Denver (she had never been west of Ohio) carrying a suitcase, a purse and a portfolio of nude drawings, Vito began her artistic journey. During her twenties she did every job she could find that was art related. Vito worked in a frame shop and gallery, at art supply stores, made posters and newspaper advertisements and created display windows in downtown Denver.
The year the Art Students League in Denver opened, she maneuvered a job there running a small art supply store. It was here she found out about the world of Artist's Workshops. Vito learned as much as she could looking through the door of the many classes taught by master artists, who were in fact making a living with their art. With this inspiration Vito saved up enough money in 1992 to live cheaply for a year and become a full time artist. She has never looked back and strives to continue to be the best possible painter she can be. She now teaches workshops with gratitude and generosity, to share in all that she has learned.
Vito has a BA in Fine Art from the State University of New York at Geneseo and has taught and studied at the Art Students League at Denver and the Loveland Academy of Fine Arts. She has expanded her knowledge by taking numerous workshops over the years with artists Quang Ho, Ramon Kelley...
Category
2010s American Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil
Small Bouquets - 16x16" oil on board
By Lu Haskew
Located in Loveland, CO
Small Bouquets by Lu Haskew
Oil 16x16" image size
Still Life of spring flowers, pansies, daffodil, in blue vases.
This painting is unframed, canvas on gator board, the price reflects that it is unframed. Online Order Only, not in gallery display.
ABOUT THE ARTIST: Lu Haskew 1921-2009
"Life is...
Category
Early 2000s American Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil, Board
John Fishing
By Lu Haskew
Located in Loveland, CO
John Fishing by Lu Haskew
Oil 30x24" image size
Figurative Portrait of a man with fishing pole.
ABOUT THE ARTIST:
Lu considered it a must to work with live models once or twice...
Category
Early 2000s American Impressionist Jacques Emile Blanche Paintings
Materials
Oil
Original Painting French Barbizon School 19th Century
Located in Saint-Ouen, FR
MORIN Charles Camille (1846 – 1919)
The Girl with goats by the river
Oil on canvas signed low left
Old frame gilded with leaves
Dim canvas : 58 X 91 cm
Dim Frame : 88 X 112 cm
MORI...
Category
1890s Barbizon School Jacques Emile Blanche Paintings
Materials
Oil
H 34.65 in W 44.1 in D 3.15 in
Still life in the garden: flowers, grapes and hat
Located in PARIS, FR
Louise ALIX
1888-1980
Still life in the garden: flowers, grapes and hat
Painting, oil on canvas
Signed
Painting: 80 x 60 cm (31.5 x 23.6 inches)
Modern natural oak frame (American bo...
Category
1920s Art Deco Jacques Emile Blanche Paintings
Materials
Oil
The table in the garden, flowers at tea time
Located in PARIS, FR
Louise ALIX
1888-1980
The table in the garden, flowers at tea time
Painting, oil on canvas
Signed
Painting: 73 x 60 cm (28.7 x 23.6 inches)
Modern frame in natural oak (American box)...
Category
1920s Art Deco Jacques Emile Blanche Paintings
Materials
Oil
Previously Available Items
Bouquet - Post Impressionist Still Life Oil Painting by Jacques-Emile Blanche
By Jacques Emile Blanche
Located in Marlow, Buckinghamshire
Signed post impressionist still life oil on canvas circa 1895 by French painter Jacques-Emile Blanche. The work depicts a ceramic vase filled with white and pink sweet pea flowers...
Category
Late 19th Century Post-Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil
Les Roses de L'Etang - Post Impressionist Oil, Flowers by Jacques-Emile Blanche
By Jacques Emile Blanche
Located in Marlow, Buckinghamshire
Signed post impressionist still life oil on canvas by French painter Jacques-Emile Blanchard. The work depicts a glass vase filled with red roses placed on a table in an interior. A wonderfully brushed piece by this sought after artist.
Signature:
Signed lower right
Dimensions:
Framed: 19"x22"
Unframed: 13"x16"
Provenance:
The collection of Andre Maurois (1885-1967)
This work is included in the catalogue raisonne of the painter prepared by Jane Roberts under reference RM 839
Blanche received training from Gervex and Fernand Humbert. His grandfather was Émile Antoine Blanche, the psychiatrist who treated the poet Gérard de Nerval on several occasions. He was awarded a gold medal at the Exposition Universelle in Paris in 1900, and was a Commander of the Légion d'Honneur. He was well known in French and British artistic circles, and married the daughter of John Lemoine, the leader of the Diary of the Proceedings ( Journal des Débats), and author of the Life of Brummel. He exhibited his works in London and Paris.
Blanche had a wide circle of acquaintances, and the list of portraits which he executed is indicative of the diversity of those who used to meet at his home: Henri Bergson; Stéphane Mallarmé; Henry Bernstein (1902); André Gide (1912); Anna de Noailles (1912); Jean Cocteau (1912); Igor Stravinsky (1915); Francis Jammes (1917); Paul Claudel (1919); Jean Giraudoux; Paul Valéry; Marcel Proust; Max Jacob (1921); Maeterlinck (1931); Debussy; Antoine Bourdelle; George Moore; André Maurois; François Mauriac; Maréchal Foch and the Princess de Broglie.
He also wrote novels, which were more or less autobiographical, and essays, such as From David to Degas; Dates; From Gauguin to the Negro Review; Journals of an Artist ( De David à Degas; Dates; De Gauguin à la Revue nègre; Cahiers d'un artiste) in six volumes, and Manet. During meetings at his studio, he used to collect any snippets that would flesh out the essays he wrote, which alternated between being sharp and emotive. He gave them in series to the magazine Comoedia, under the title of Studio Talk. It was said that he aroused tremendous debate, notably with André Lhote, a painter younger than himself, who also doubled as a critic. The latter initially attempted to define the main characteristics of the art of the 'rebellious and charming Jacques Émile Blanche,' but subsequently treated him less generously, referring to a painter 'attached to the notion of 'high-and-mighty' genre painting.' He added that this sort of painting was marvellously illustrated by Manet.
The quality of his flat surfaces, the precious greys and silvery light effects cause Jacques Émile Blanche to be compared more with Manet, whom he admired, than with the Impressionists, with whom he was compared in terms of his early works. Nevertheless, his outdoor backgrounds with traces of sometimes vivid colours have something in common with them.
In the aftermath of World War I, he spent a long time on an enormous composition entitled Tribute to those who Died in the War. It was executed in a style which was totally different to his work as a whole. He offered this work to the church in Offranville near Dieppe. He also donated around 100 of his works to the Musée des Beaux-Arts in Rouen.
He regularly exhibited in Paris, at the Salon of the Société Nationale des Beaux-Arts (also known as the Salon de Mars) from the time it was founded in 1890. At the time of the initial exhibitions held by the Société Nationale des Beaux-Arts, he rapidly gained fame by exhibiting such portraits as Paul Adam and Charles Cottet. He sometimes grouped together several members of the same family in one painting: The Painter Thaulow and His Family in 1895, The Vielé-Griffin Family, and numerous refined portraits of key figures in France and England.
Apart from this Salon, for which he was one of the first driving forces and founder members, he was later to put in a great deal of effort on the occasion of the Salon des Tuileries between 1933 and 1939, even though he was by then in his seventies and already famous.
He exhibited genre scenes, scenes of fashionable places - like Brighton or Dieppe - and racecourse scenes at the Salon des Tuileries in 1933. These included Family of Pedlars in London; Portrait of the Female Novelist Sylvia Thompson; Racecourses in Ireland; Arrival of the Herring in Dieppe; White Masts; Brighton; in 1934: Portrait of James Joyce; Grand National Steeplechase; Spring Races in England (sketch); Dieppe Beach; Outer Harbour of Dieppe in Autumn; in 1935: Rugby; Walter Richard Sickert; Dieppe; Tea Party at the Madeleine; in 1939: Love Thy Neighbour. Many exhibitions have been dedicated to him since his death, including one at the Musée des Beaux-Arts in Rouen in 1997, and one at the Galerie Philippe Heim in Paris in 1999.
Museum and Gallery Holdings:
Brussels: Portrait of the French Painter Charles Cottet
Dieppe: Sleeping Child; Fish Week
Dijon: General Mangin; The Sailing Ship
London (Tate Collection): Francis Poictevin (1887, oil on canvas, portrait); Charles Conder (1904, oil on canvas, portrait); Ludgate Circus: Entrance to the City (November, Midday) (c. 1910, oil/panel); August Morning, Dieppe Beach (c. 1934, oil on canvas); other paintings
Lyons: Portrait of Debussy
Mulhouse: Begonias
Paris (Louvre): The Painter Thaulow and his Family (1895)
Paris (MAM): The Pink Room; The Port at Le Havre; Flowers in a Vase; Still-life; Portrait of the Artist's Mother (June 1895); Portrait of Igor Stravinsky
Paris (Mus. Carnavalet): Portrait of Jean Cocteau...
Category
1930s Post-Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil
La Salle a Manger a Offranville - 20th Century Oil by Jacques Emile Blanche
By Jacques Emile Blanche
Located in Marlow, Buckinghamshire
A lovely oil on board by French Impressionist painter Jacques Emile Blanche showing an interior view of a dining room with painted red chairs, a birdcage to the right, a lantern hanging from the mantel piece and china cups and saucers on top of it. The piece was painted in the dining room of the artist's home in Offranville where he lived for 60 years. Signed lower left. Framed dimensions are 19 inches high by 15 inches wide.
Blanche received training from Gervex and Fernand Humbert. His grandfather was Émile Antoine Blanche, the psychiatrist who treated the poet Gérard de Nerval on several occasions. He was awarded a gold medal at the Exposition Universelle in Paris in 1900, and was a Commander of the Légion d'Honneur. He was well known in French and British artistic circles, and married the daughter of John Lemoine, the leader of the Diary of the Proceedings ( Journal des Débats), and author of the Life of Brummel. He exhibited his works in London and Paris.
Blanche had a wide circle of acquaintances, and the list of portraits which he executed is indicative of the diversity of those who used to meet at his home: Henri Bergson; Stéphane Mallarmé; Henry Bernstein (1902); André Gide (1912); Anna de Noailles (1912); Jean Cocteau (1912); Igor Stravinsky (1915); Francis Jammes (1917); Paul Claudel (1919); Jean Giraudoux; Paul Valéry; Marcel Proust; Max Jacob (1921); Maeterlinck (1931); Debussy; Antoine Bourdelle; George Moore; André Maurois; François Mauriac; Maréchal Foch and the Princess de Broglie.
He also wrote novels, which were more or less autobiographical, and essays, such as From David to Degas; Dates; From Gauguin to the Negro Review; Journals of an Artist ( De David à Degas; Dates; De Gauguin à la Revue nègre; Cahiers d'un artiste) in six volumes, and Manet. During meetings at his studio, he used to collect any snippets that would flesh out the essays he wrote, which alternated between being sharp and emotive. He gave them in series to the magazine Comoedia, under the title of Studio Talk. It was said that he aroused tremendous debate, notably with André Lhote, a painter younger than himself, who also doubled as a critic. The latter initially attempted to define the main characteristics of the art of the 'rebellious and charming Jacques Émile Blanche,' but subsequently treated him less generously, referring to a painter 'attached to the notion of 'high-and-mighty' genre painting.' He added that this sort of painting was marvellously illustrated by Manet.
The quality of his flat surfaces, the precious greys and silvery light effects cause Jacques Émile Blanche to be compared more with Manet, whom he admired, than with the Impressionists, with whom he was compared in terms of his early works. Nevertheless, his outdoor backgrounds with traces of sometimes vivid colours have something in common with them.
In the aftermath of World War I, he spent a long time on an enormous composition entitled Tribute to those who Died in the War. It was executed in a style which was totally different to his work as a whole. He offered this work to the church in Offranville near Dieppe. He also donated around 100 of his works to the Musée des Beaux-Arts in Rouen.
He regularly exhibited in Paris, at the Salon of the Société Nationale des Beaux-Arts (also known as the Salon de Mars) from the time it was founded in 1890. At the time of the initial exhibitions held by the Société Nationale des Beaux-Arts, he rapidly gained fame by exhibiting such portraits as Paul Adam and Charles Cottet. He sometimes grouped together several members of the same family in one painting: The Painter Thaulow and His Family in 1895, The Vielé-Griffin Family, and numerous refined portraits of key figures in France and England.
Apart from this Salon, for which he was one of the first driving forces and founder members, he was later to put in a great deal of effort on the occasion of the Salon des Tuileries between 1933 and 1939, even though he was by then in his seventies and already famous.
He exhibited genre scenes, scenes of fashionable places - like Brighton or Dieppe - and racecourse scenes at the Salon des Tuileries in 1933. These included Family of Pedlars in London; Portrait of the Female Novelist Sylvia Thompson; Racecourses in Ireland; Arrival of the Herring in Dieppe; White Masts; Brighton; in 1934: Portrait of James Joyce; Grand National Steeplechase; Spring Races in England (sketch); Dieppe Beach; Outer Harbour of Dieppe in Autumn; in 1935: Rugby; Walter Richard Sickert; Dieppe; Tea Party at the Madeleine; in 1939: Love Thy Neighbour. Many exhibitions have been dedicated to him since his death, including one at the Musée des Beaux-Arts in Rouen in 1997, and one at the Galerie Philippe Heim in Paris in 1999.
Museum and Gallery Holdings:
Brussels: Portrait of the French Painter Charles Cottet
Dieppe: Sleeping Child; Fish Week
Dijon: General Mangin; The Sailing Ship
London (Tate Collection): Francis Poictevin (1887, oil on canvas, portrait); Charles Conder (1904, oil on canvas, portrait); Ludgate Circus: Entrance to the City (November, Midday) (c. 1910, oil/panel); August Morning, Dieppe Beach (c. 1934, oil on canvas); other paintings
Lyons: Portrait of Debussy
Mulhouse: Begonias
Paris (Louvre): The Painter Thaulow and his Family (1895)
Paris (MAM): The Pink Room; The Port at Le Havre; Flowers in a Vase; Still-life; Portrait of the Artist's Mother (June 1895); Portrait of Igor Stravinsky
Paris (Mus. Carnavalet): Portrait of Jean Cocteau...
Category
Early 20th Century Impressionist Jacques Emile Blanche Paintings
Materials
Oil, Board
Flowers - 19th Century Oil, Still Life Vase Red Flowers by Jacques-Emile Blanche
By Jacques Emile Blanche
Located in Marlow, Buckinghamshire
Oil on original canvas by Jacques-Emile Blanchard depicting a ornate vase filled with red flowers in an interior. Signed, dated 1927 and inscribed Offranville lower right. Framed dimensions are 46 inches high by 37 inches wide.
Blanche received training from Gervex and Fernand Humbert. His grandfather was Émile Antoine Blanche, the psychiatrist who treated the poet Gérard de Nerval on several occasions. He was awarded a gold medal at the Exposition Universelle in Paris in 1900, and was a Commander of the Légion d'Honneur. He was well known in French and British artistic circles, and married the daughter of John Lemoine, the leader of the Diary of the Proceedings ( Journal des Débats), and author of the Life of Brummel. He exhibited his works in London and Paris.
Blanche had a wide circle of acquaintances, and the list of portraits which he executed is indicative of the diversity of those who used to meet at his home: Henri Bergson; Stéphane Mallarmé; Henry Bernstein (1902); André Gide (1912); Anna de Noailles (1912); Jean Cocteau (1912); Igor Stravinsky (1915); Francis Jammes (1917); Paul Claudel (1919); Jean Giraudoux; Paul Valéry; Marcel Proust; Max Jacob (1921); Maeterlinck (1931); Debussy; Antoine Bourdelle; George Moore; André Maurois; François Mauriac; Maréchal Foch and the Princess de Broglie.
He also wrote novels, which were more or less autobiographical, and essays, such as From David to Degas; Dates; From Gauguin to the Negro Review; Journals of an Artist ( De David à Degas; Dates; De Gauguin à la Revue nègre; Cahiers d'un artiste) in six volumes, and Manet. During meetings at his studio, he used to collect any snippets that would flesh out the essays he wrote, which alternated between being sharp and emotive. He gave them in series to the magazine Comoedia, under the title of Studio Talk. It was said that he aroused tremendous debate, notably with André Lhote, a painter younger than himself, who also doubled as a critic. The latter initially attempted to define the main characteristics of the art of the 'rebellious and charming Jacques Émile Blanche,' but subsequently treated him less generously, referring to a painter 'attached to the notion of 'high-and-mighty' genre painting.' He added that this sort of painting was marvellously illustrated by Manet.
The quality of his flat surfaces, the precious greys and silvery light effects cause Jacques Émile Blanche to be compared more with Manet, whom he admired, than with the Impressionists, with whom he was compared in terms of his early works. Nevertheless, his outdoor backgrounds with traces of sometimes vivid colours have something in common with them.
In the aftermath of World War I, he spent a long time on an enormous composition entitled Tribute to those who Died in the War. It was executed in a style which was totally different to his work as a whole. He offered this work to the church in Offranville near Dieppe. He also donated around 100 of his works to the Musée des Beaux-Arts in Rouen.
He regularly exhibited in Paris, at the Salon of the Société Nationale des Beaux-Arts (also known as the Salon de Mars) from the time it was founded in 1890. At the time of the initial exhibitions held by the Société Nationale des Beaux-Arts, he rapidly gained fame by exhibiting such portraits as Paul Adam and Charles Cottet. He sometimes grouped together several members of the same family in one painting: The Painter Thaulow and His Family in 1895, The Vielé-Griffin Family, and numerous refined portraits of key figures in France and England.
Apart from this Salon, for which he was one of the first driving forces and founder members, he was later to put in a great deal of effort on the occasion of the Salon des Tuileries between 1933 and 1939, even though he was by then in his seventies and already famous.
He exhibited genre scenes, scenes of fashionable places - like Brighton or Dieppe - and racecourse scenes at the Salon des Tuileries in 1933. These included Family of Pedlars in London; Portrait of the Female Novelist Sylvia Thompson; Racecourses in Ireland; Arrival of the Herring in Dieppe; White Masts; Brighton; in 1934: Portrait of James Joyce; Grand National Steeplechase; Spring Races in England (sketch); Dieppe Beach; Outer Harbour of Dieppe in Autumn; in 1935: Rugby; Walter Richard Sickert; Dieppe; Tea Party at the Madeleine; in 1939: Love Thy Neighbour. Many exhibitions have been dedicated to him since his death, including one at the Musée des Beaux-Arts in Rouen in 1997, and one at the Galerie Philippe Heim in Paris in 1999.
Museum and Gallery Holdings:
Brussels: Portrait of the French Painter Charles Cottet
Dieppe: Sleeping Child; Fish Week
Dijon: General Mangin; The Sailing Ship
London (Tate Collection): Francis Poictevin (1887, oil on canvas, portrait); Charles Conder (1904, oil on canvas, portrait); Ludgate Circus: Entrance to the City (November, Midday) (c. 1910, oil/panel); August Morning, Dieppe Beach (c. 1934, oil on canvas); other paintings
Lyons: Portrait of Debussy
Mulhouse: Begonias
Paris (Louvre): The Painter Thaulow and his Family (1895)
Paris (MAM): The Pink Room; The Port at Le Havre; Flowers in a Vase; Still-life; Portrait of the Artist's Mother (June 1895); Portrait of Igor Stravinsky
Paris (Mus. Carnavalet): Portrait of Jean Cocteau...
Category
1920s Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil
Bouquet de Fleurs - Post Impressionist Oil, Flowers by Jacques Emile Blanche
By Jacques Emile Blanche
Located in Marlow, Buckinghamshire
A stunning oil on canvas circa 1890 by French post impressionist painter Jacques Emile Blanche. The work depicts a beautiful bouquet of flowers in shades of orange, pink and purple in a silver cup placed on a green table cloth...
Category
1890s Post-Impressionist Jacques Emile Blanche Paintings
Materials
Canvas, Oil
Portrait of Mademoiselle Georgette Camille
By Jacques Emile Blanche
Located in Los Angeles, CA
Category
Jacques Emile Blanche Paintings
Jacques Emile Blanche paintings for sale on 1stDibs.
Find a wide variety of authentic Jacques Emile Blanche paintings available for sale on 1stDibs. You can also browse by medium to find art by Jacques Emile Blanche in oil paint, paint, canvas and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Post-Impressionist style. Not every interior allows for large Jacques Emile Blanche paintings, so small editions measuring 25 inches across are available. Customers who are interested in this artist might also find the work of Gaston Sebire, Andre Hambourg, and Albert Andre. Jacques Emile Blanche paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $12,678 and tops out at $49,032, while the average work can sell for $19,048.