Marsden Hartley Still-life Prints

Original Edition Lithograph on wove paper. Paper Size: 10.75 x 22 inches. Inscription: Unsigned and unnumbered; text on verso, as issued. Excellent Condition, with centerfold and sti...

"Wayne Thiebaud: Survey 1947-1976" Show Poster from the Oakland Museum 1976-1977 Silkscreen poster from the Oakland Museum 1976-1977 show "Wayne Thiebaud: Survey 1947-1976" with a printing of an original drawing (Six Candied Apples...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 018 Subject: Grand Canyon, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 173, published by Derrière le miroir, Paris; print...

Love Apple (Black background). 1967. Linoleum cut printed in brown, red, orange, black and tan. 19 1/2 x 12 1/2 (sheet 22 1/2 x 14 3/16). A vivid impression printed on wove paper pap...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 027 Subject: Caribbean Sky, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works ar...

Abstract Flowers is an original modern artwork realized in the1970s by Franco Gentilini. Mixed colored lithograph Hand signed and dated on the lower margin. Edition of 35/100 Inc...

Brightly colored lithographic print of magnolia blossoms by Sally Bookman (British, b. 1943). Signed and numbered by the artist in the lower left corner ...

Still Life is an original lithograph on ivory paper realized in 1950s by Emanuel Poirier. Signed on the lower left. Edition " E.A." (artist proof). T...

Lithograph on wove paper. Inscription: Unsigned and unnumbered; text on verso, as issued. Good Condition. Notes: From Derrière le miroir, N° 48-49, published by Derrière le miroir, P...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

Love Apple (Brown background). 1967. Linoleum cut printed in black, red, orange, brown and tan. 16 1/2 x 12 1/2 (sheet 21 3/4 x 15). Edition 18. A vivid impression printed on wove pa...