Mimmo Paladino Art

Original; linen backed vintage travel poster WELCOME COLORFUL MIDDLE EAST Scandinavian Airlines System poster. Excellent condition. Arabi...

1960s Joan Miró vinyl album art: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 19...

Joan Miró vinyl album art, 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for th...

This colorful abstract lithographic poster was printed in 1966 at the Atelier Mourlot in Paris to promote an exhibition of Miro's works at the Musee d'Art Moderne De La Ville in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...

Alice In Wonderland: CHESHIRE CAT is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmak...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Alice In Wonderland:White Rabbit is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Erotic fantastical interpretation of “Alice’s Adventures in Wonderland”, when Alice grows and gets stuck in the Rabbit's house. Print size- 18" x 15", Image size - 8.25" x 6.75" Edition size - 50 About the artist- Knox Martin (1923-2022) was an esteemed New York School painter. Knox Martin was born in 1923 in Barranquilla, Colombia. He was the son of the aviator, painter, and poet William Knox Martin, the first man to fly over the Andes mountains. After serving in World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946-1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the renowned Charles Egan Gallery saw Knox Martin's painting at the Stable Gallery and asked Martin to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Since then, Knox Martin was a celebrated painter, sculptor and muralist. Knox Martin had an extensive exhibition record and his work is in museum, corporate and private collections worldwide. His two best-known murals in NYC are Venus and Woman with Bicycle...

Alice In Wonderland:Hookah Smoking Caterpillar is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Erotic fantastical interpretation of “Alice’s Adventures in Wonderland”, where Alice first meets the Catepillar while he is sitting on a mushroom smoking a hookah. He helps her by advising her to eat from the mushroom if she wants to change her size. Print size- 18" x 15", Image size - 8.25" x 6.75" Edition size - 50 About the artist- Knox Martin (1923-2022) was an esteemed New York School painter. Knox Martin was born in 1923 in Barranquilla, Colombia. He was the son of the aviator, painter, and poet William Knox Martin, the first man to fly over the Andes mountains. After serving in World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946-1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the renowned Charles Egan Gallery saw Knox Martin's painting at the Stable Gallery and asked Martin to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Since then, Knox Martin was a celebrated painter, sculptor and muralist. Knox Martin had an extensive exhibition record and his work is in museum, corporate and private collections worldwide. His two best-known murals in NYC are Venus and Woman with Bicycle...

Signed, titled andnumbered by the artist. Abstract image invoking imagery of the Mediterranean ocean and the desert of Morocco. Christian Bozo...

Faberge Diamond Trellis Egg 24″X18″ Oil and Swarovski® crystals mosaic, epoxy on Canvas. Framed. 2016 The uniqueness of this piece is that the art is hand-embellished by mosaic of Swarovski crystals, each crystal installed individually by hand representing the exact design of original Faberge Egg. The interesting story behind this art is that artist, Oksana Tanasiv, was inspired by Faberge Eggs while she worked at the Faberge Inc company in Stamford, CT, during 2005-2009 years. She met Faberge's granddaughter Tatiana Faberge...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts a horse on a monochromatic backroung. Artist's unique technique of printmaking c...

Stanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...