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**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Alright, let's start with the numbers: 1- Over 40.00...

Still life , 70x70cm, print on canvas

Jamavar The Jamavar of Kashmir is an exquisite heritage textile of India. The original Jamavar was a yard-long shawl of pashmina wool with delicate patterns handwoven in multicolored silk weft threads. Its authentic designs are finely intricate, imparting gentle aristocracy with its most outstanding and popular motif being the elongated teardrop, originally called 'buteh'. The 'buteh' is what one now recognizes as the 'paisley'. These artworks are compositions of the timeless 'buteh' of the Jamavar. The wall panels are embroidered with fine thread cords couched along the pattern. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

This beautiful baluster-shaped vase features the vivid hypnotic Egyptian blue (which some call "turquoise", although it's not) Raoul Lachenal is most renowned for. Drop-shaped white...

Running Heart, red, resin, sculpture, Valentine, Love, Cartoon, humor, feet Resin Running Heart sculpture

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Christopher Wool & Felix Gonzalez - Torres (After) Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They oft...

In "Outside Your Comfort Zone" Limited Edition of 8 by Henk Jan Sanderman, the artist presents a compelling exploration of growth and exploration. Through two meticulously crafted ca...

Iris With Evian Bottle (Poster) By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known...

Limited edition of 5 pieces

Martine Drigues grew up in Paris and married at the age of 20 to an ambitious man who opened several restaurants. While she helped at the restaurants, Martine also gave birth to thre...

Martine Drigues grew up in Paris and married at the age of 20 to an ambitious man who opened several restaurants. While she helped at the restaurants, Martine also gave birth to thre...

A fine New England Cape Cod landscape by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, MA, studied at the Massachusetts College of Art and at the Boston Museum School with artists such as Edmond Tarbell, Frank W. Benson, Joseph R. DeCamp, and later became one of the founders of the Rockport Art Colony, living on Cape Ann in Massachusetts and summering in Jamaica...

A fine spring landscape oil painting by American artist Emile Albert Gruppe (1896-1978). Gruppé was born in Rochester, NY, and is renowned for his New England landscapes and vigorous...

This masterpiece is currently on display at the Zimmerman Gallery in Carmel, CA Please note: The base is not included. We will guide you through a simple installation process for ou...

Small paintings are intimate and personal. They can be moved around easily and personalize a space. A subtle touch of mystery invites the viewer to interpret an untold story in this ...

Benares, India Watercolour with graphite under-drawing, on paper Image Size: 13.94” x 10.04” c 1860 Titled in pencil, verso Provenance: a Private UK Collection Condition: Overall i...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

Console table with cast bronze structure, wooden top burnt with shou sugi ban technique and bronze details

Double cloth, cotton weaving

Andy Warhol Banana Cover Art 1968: The Velvet Underground & Nico: the ultra rare, highly sought-after, 1968 East Coast pressing uniquely featuring a near-fully unpeeled banana. Accom...

Synthesis F4 is a unique sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic, LED, dimensions are 23 × 18 × 18 cm (9.1 × 7.1 × 7.1 in). T...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

By French famous Transgender artist, Michel Marie Poulain (Born Paris December 5, 1906. Died 1991) this rare oil on canvas it represents the Queen and he...

The Lazy Frog is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but ag...

Synthesis A2 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, stainless steel and LED, dimensions are 42 × 109 × 21 cm (16...

Roy Lichtenstein Kiss II, Reversible Beach Blanket/Towel, 2013 Cotton Terry LARGE: 59 × 70 × 3/10 inches (approx. 30 x 20 when folded) (note that the mea...

Synthesis B is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 200 × 8 × 9 cm (78.7 × 3.1 × 3.5 in). This artw...

Grid Yellow Textile Art, Cotton, Handmade Free style weaving 80x80cm 2023 About the artist Matthias De Vogel The Textile art studio Fault Lines is...

Counterpart is a sculpture by British contemporary artist Tom Price, it is composed by two elements each measuring 45 cm H x 220 cm L x 35 cm D ( 17.7 × 86.6 × 13,78 in). This artwo...

Synthesis S is a sculpture by the English artist Tom Price. Resin, tar, steel, acrylic, LED. 200.5 cm × 40 cm × 40 cm (Dimensions include the stand). In the Synthesis series, Tom Pr...

Synthesis L1 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, acrylic and LED, dimensions are 85 cm × 117.5 cm × 40 cm (33...

Carbon M is a unique sculpture by contemporary artist Tom Price. This sculpture is made of coal, Jesmonite, wood, steel, dimensions are 45 cm × 220 cm × 35 cm (17.7 × 86.6 × 13.8 in)...

Andy Warhol 1928-1987 American Portrait of Proust Screenprint on paper laid on canvas Created by legendary Pop artist Andy Warhol, Portrait of Marcel Proust holds a special place in the prolific artist's oeuvre. Commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's four acrylic and silkscreen ink on linen prints were based on a famous 1895 photograph of the French novelist captured by Otto Wegener...

Resin, tar, steel, acrylic, LED. 45 cm × 220 cm × 35 cm. Available on commission. Production delay: 8 months. Synthesis Bench is one of Tom Price's 'hybrid' artworks sitting halfway ...

Resin, tar, steel, acrylic, LED. 28 cm × 145.6 cm × 84.2 cm. In the Synthesis series, Tom Price forces resin and tar to live in the same space, experimenting with the chemical reacti...

Resin, tar, acrylic, LED. 28.8 cm × 29.5 cm × 29.5 cm. In the Synthesis series, Tom Price forces resin and tar to live in the same space, experimenting with the chemical reactions t...

"Fragments of Old Cairo" Abstract Collage 35" x 31" inch by Neama El Sanhoury Paper Collage on Wood ARTIST BIO Neama El Sanhoury's upbringing in what she describes as a cultured ho...

"The Philosopher" Abstract Collage 24" x 20" inch by Neama El Sanhoury Mixed Media on Canvas ARTIST BIO Neama El Sanhoury's upbringing in what she ...

"Disciples I" Mixed media work on wood 13" x 59" inch by Alfons Louis Wooden works with Mixed Media (Bronze) ABOUT THE ARTIST Born in Cairo 1959- Graduated from faculty of fine art...

"Alexandria 1" Mixed media and wood Sculpture 39"x18"inch by Alfons Louis Wooden work with elements of Bronze, Glass, and Iron. ABOUT THE ARTIST Born in Cairo 1959- Graduated from faculty of fine art (painting) Alexandria. In 1982 – Member of plastic art Egypt, member of Atelier Alexandria And member of Alexandria Work shop center...

In a stunning glossy black, master ceramicist Steven Heinemann has created this unique handcrafted sculpture. Heineman’s work is often inspired by the natural world and its ancient h...

Sea blue ground with calligraphic, black, gestural lines articulate a conversation with overlaid paper collage -- a central red and black rectangle is flanked by strips of blue, red,...

Lincoln Vélocité is a beautiful double-sided sheet of original color illustrations realized at the beginning of XX century. A wonderful original French automobile advertisement for a...

Von Arx (Charles A. Nicol) was Great Nicholas' brother and himself a successful performer. Not wanting to exploit his brother Will's stage name, he used several stage names. Both Cha...

This is a poster, done by Roy Lichtenstein for the Crying Girl Exhibition The Prints of Roy Lichtenstein at The Parrish Art Museum. It is signed by the artist and framed.

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

Andy Warhol Banana Cover Art 1967: The Velvet Underground & Nico: the highly sought-after, early 1967 East Coast pressing uniquely featuring a peeled banana (...

Wayne Thiebaud: Bakery Case Wayne Thiebaud (1920) is famous for his mouthwatering depictions of cakes, ice creams and hot dogs. He is well-known for his clear compositions, glisteni...

Presented by Titan Fine Art, this painting formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This portrait hung in the Grand Hall. This exquisite grand manner work is an evocative example of the type of portrait in vogue during a large part of the seventeenth and eighteenth centuries. The artist has depicted an elegant lady, three quarter length and seated on porch with a luxurious crimson swag curtain by her side. The clothing – known as “undress” at the time, consists of red silk fastened at the front and sleeves by large gold and diamond jewels over a simple white chemise. In her lap she holds a blue wrap and in her other hand, at her chest, she clutches the end of a sheer gauzy scarf that has been draped around her body with the other end a type of headdress – this type of sheer scarf was often employed by Wissing in his portraits. The classical architecture signifies cultivation and sophistication and the luxurious swag curtain is a signifier of wealth. The portrait can be dated to circa 1680 based on the sitter’s attire, the “hurluberlu” hairstyle, and other portraits by Wissing using the same formula. This oil on canvas portrait has been well cared for over its life, which spans almost 350 years. Having recently been treated to remove an obscuring discoloured varnish, the finer details and proper colour can now be fully appreciated. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Much of the attractiveness of this portrait resides in its graceful manner and the utter beauty of the youthful sitter. Presented in a beautiful carved and gilded period frame, which is a work of art in itself. Willem Wissing was a Dutch artist who enjoyed a solid artistic training at The Hague under Arnold van Ravesteyn (c.1650-1690) and Willem Dougijns (1630-1697). He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he effectively took over his business and he scaled the heights of patronage with extraordinary ease, creating an independent practise in 1687, and painted for very important aristocratic patrons. King Charles II was so impressed by a portrait Wissing painted of his son, the Duke of Monmouth, in 1683 that he commissioned his own portrait and that of his Queen Catherine...

Josef Albers Album Art circa late 1950s A vinyl record cover (containing its record) brilliantly designed by Josef Albers c.1958. Looks fantastic framed. Offset lithograph on vinyl ...

In 1619 Flemish tapestry-makers often included landscapes with trees and rivers and often included architectural features such as the castle in the background of this scene. This ta...

Bearbrick and Estate of Jean-Michel Basquiat Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The...