Shelter Serra Art

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a recognized artist in Portugal. ...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a r...

An original mineral painting, made with crushed minerals (natural and synthetic), crushed seashells and Sumi ink on Japanese paper, mounted on a wood panel. Natural colors include se...

A traditional Japanese painting made with 24k gold leaf, crushed seashells and Sumi ink on Japanese paper mounted on a wood panel. Because these substances consist of unique chemical and physical properties, every artwork has its own story to tell and embodies a sense of connection to the earth. With the art of Zen. Presents the sceneries seen through the artist's eyes in an art form. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and ready to hang (eye bolt and string mounted at the back). Artist: Maria Mitsumori...

12 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper. Limited edition of 125. Hand signed and numbered verso by David Shrigley.

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on a nautical chart, in this case a pilot chart of the Northern Atlantic Ocean from 1945, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Blue Boy of the North Atlantic sumi ink and colored pencil on mulberry paper 23h x 37w in 58.42h x 93.98w cm JEC111 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Nocturnal Parts is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. It is a relief consisting of two open spherical parts with an intriguing matte black finish, perhaps a bit mysterious but very beautifully made. It can be hanged in two different ways, with the opening between the two spherical elements either facing away or facing the observer. Depending where the light comes from one might decide for the one or the other hanging method. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

"IT WILL NOT DISAPPEAR IF WE JUST IGNORE IT," Al Diaz, 2022 Silkscreen on 290 gram Coventry Rag paper with hand deckled edges Dimensions: 18" x 37" An edition of 10 Signed and numbered by the Artist Note that the edition number you receive may be different than the one in the photograph. Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums). Díaz is sought-after as an expert of New York City counterculture art. He appears often in publications, as a highlighted speaker for a variety of panel discussions at universities and museums (including Smithsonian Institution, the Brooklyn Museum, The New School and Christie’s Education), and has been featured in several films, including Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, BBC’s American Masters — Basquiat: Rage to Riches and Jean-Michel Basquiat: The Radiant Child. In 2018, Díaz authored "SAMO …SINCE 1978", an in-depth, color illustrated history of the street art legacy that he began with Basquiat in the late 70s. A notebook that Díaz made with Basquiat in his teens is currently held in the collection of the Yale University Beinecke Library.