Sylvia Vander Sluis Paintings

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

"Red Line" by Steven H. Rehfeld is a vibrant 48" x 36" mixed-media masterpiece that pulses with the raw energy and complexity of abstract expressionism. This artwork is a riot of tex...

Artist : Katherine Bello Title : Valentine Materials : Acrylic and paper on board Date : 1/2020 Dimensions : 18"x18"x.75" Signed and Dated by Hand COA Provided Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

William DeKoornbolt "Wonton Malice" Original Mixed Media Abstract Painting c.1981 Fine mixed media abstract painting by noted artist William DeKoornbolt (American, b.1945) Acrylic,...

Tactile #11 is an original mixed media painting. I created this modern art piece using plaster, paper and black acrylic paints. Perfect for the modern contemporary home.

In "Window Shopping," the artist, Jennifer Blalack, uses many different mediums to create the significant texture in this work. She uses the visual language of Robert Rauschenberg by combining everyday objects like fabric, house paint, plastic bags, string, and tissue paper to construct a narrative on canvas. In this work she uses bold purples, oranges, yellows, with accents of cream, red, and blue. Dispersed within the painting are cutouts of vibrant native dresses...

MTB-4276 is one of Mack's strongest paintings. This piece part of his ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using...

"Velo - Primavera" Mixed media painting on canvas exploring reality behind nature’s appearance. Through marks, layers of paint, inserts of collage, I try to connect what we see with ...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint and collage, Kuttner is able to find personal expression in the clear colors and contrasting soft textures he creates. With a focus on subtle textures, Kuttner separately creates the colorful detailed top layers of each artwork in a separate process. Each of these applied mini paintings within the larger composition is a unique cutout of paint created with a flow of colors on an intermediary glass surface. This one-of-a-kind mixed media painting measures 28 inches high by 58 inches wide. It is wired and ready to hang. It is signed by the artist on the front and back. The sides of this artwork are painted as a continuation of the front and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Kuttner uses familiar yet abstract details to suspend the viewer in contemplation of the universality of imagery. Using negative shapes, repetition, and emphasizing spatial relationships, he carefully considers scale and balance. Works in this series are meant to be contemporary, clean, sophisticated, colorful, uplifting, soothing, and filled with positive vibrations. Kuttner’s artworks have been featured in Architectural Digest Magazine as well as in popular films and television shows including Two and a Half Men, Californication, and Nashville. Presently, Kuttner’s work is on display in a large number of private, royal, museum, and corporate collections worldwide. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, New York, NY Artplex Gallery, Los Angeles, CA 2023 Artplex Gallery, Los Angeles, CA 2022 “Outlook of Entity”, Artplex Gallery, Los Angeles, CA Affordable Art Fair New York, NY Winter Salon, Chicago Art Source Gallery, Chicago, IL 2021 Artplex Gallery, Los Angeles, CA Studio E Gallery, Palm Beach Gardens, FL 2020 Grace Renee Gallery, Cave Creek, AZ 2018 McVarish Gallery, Portland, OR Chicago Art Source Gallery, Chicago, IL 2017 Susquehanna Art Museum, Harrisburg, PA Ormond Art Museum, Ormond Beach, FL Kelsey Michaels Fine Art...

Steven Rehfeld's "The New York" is a 50" x 40" mixed media abstract that encapsulates the vibrant and frenetic energy of the city. The canvas bursts with a bold palette of sky blues,...

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Amorphe Mythen #7 Mixed Media Amorphous Myths is a continuous series in which the techniques of painting and collage mix form an organic universe of abstract landscapes with figurat...