Walter Gropius Art
German, 1883-1969
As the founder of the Bauhaus — the German art and design school that was one of the chief crucibles of modernism — Walter Gropius had a central and enduring impact on the architecture and design of the 20th century and beyond. Along with fellow Bauhaus principals such as Ludwig Mies van der Rohe and Marcel Breuer, Gropius championed a philosophy of design focused on simplicity, efficiency and the inherent beauty of steel, glass and other industrial materials.
Born in Berlin, Gropius followed in his architect father’s footsteps and after completing his studies was employed by the brilliant proto-modernist designer Peter Behrens. Gropius’s early architectural work demonstrated many of the aspects that define the modernist aesthetic: ribbon windows, an emphasis on light and minimal decoration. Gropius became known primarily as a great organizer, writer and teacher. After military service in World War I, he developed concepts of what are now called the applied arts — a marriage of creative imagination with practical skill and technology. These notions drove Gropius’s founding of the Bauhaus in 1919. The school would welcome many of the great creators of the 20th century, including Paul Klee, Laszlo Moholy-Nagy and Josef Albers. After the independent-minded college fell afoul of the Nazi regime in the 1930s, Gropius immigrated to the United States, and finished out his years on the Harvard faculty.
Gropius produced far fewer furniture designs than his fellows on the Bauhaus faculty, but what he did make has a purity of form and spirit. As you will see from the works offered on 1stDibs, Walter Gropius never compromised his vision of design that encompassed beauty, creativity and the highest level of technical skill.
to
10
6
4
10
Overall Height
to
Overall Width
to
7
1
1
1
1
1
10
10
23
23
16
16
9
1
Artist: Walter Gropius
Dealer: Danielle Ann Millican, Inc.
Acanthus (Architecture)
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations are of cla...
Category
1870s Academic Walter Gropius Art
Materials
Lithograph
Acanthus Kelch
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
W. Gropius, L. Lohde, P. Lehfeldt.
Lithographs with Later Hand-Color.
Berlin, 1870.
13” x 19” Unframed.
A fine German work, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate.
Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...
Category
Late 19th Century Academic Walter Gropius Art
Materials
Lithograph
Tudor Rose
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Lithographs with Later Hand-Color.
Berlin, 1870.
13” x 19” Unframed.
A fine German work, the illustrations a...
Category
Late 19th Century Academic Walter Gropius Art
Materials
Lithograph
Frieze 1
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed.
See images for similar works by Groupius. All images are priced individually.
A fine German work, the illustrations are of classical and neo-classical decorative designs in architecture. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...
Category
1870s Academic Walter Gropius Art
Materials
Lithograph
Gemaltes Ornament. (Etruscan Vase Design),
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Chromolithograph.
Berlin, 1870.
13” x 19” Unframed.
A fine German work by, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate.
Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum in Vienna (Plate 35) and the carved stone pedestal supports for a Roman table...
Category
Late 19th Century Academic Walter Gropius Art
Materials
Lithograph
Column with Rosettes
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed.
See images for similar works by Groupius. All images are priced individually.
A fine German work, the illustrations are of classical and neo-classical decorative designs in architecture. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...
Category
1870s Academic Walter Gropius Art
Materials
Lithograph
Acanthus Leaf
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed.
See images for similar works by Groupius. All images are priced individually.
A fine German work, the illustrations are of classical and neo-classical decorative designs in architecture. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum in Vienna (Plate 35) and the carved stone pedestal supports for a Roman table...
Category
1870s Academic Walter Gropius Art
Materials
Lithograph
Frieze 2
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed.
See images for similar works by Groupius. All images are priced individually.
A fine German work, the illustrations are of classical and neo-classical decorative designs in architecture. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...
Category
1870s Academic Walter Gropius Art
Materials
Lithograph
Frieze 2
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed.
See images for similar works by Groupius. All images are priced individually.
A fine German work, the illustrations are of classical and neo-classical decorative designs in architecture. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...
Category
1870s Academic Walter Gropius Art
Materials
Lithograph
Gemaltes Ornament. (Etruscan Vase Design)
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Lithographs with Later Hand-Color.
Berlin, 1870.
13” x 19” Unframed.
A fine German work by, the illustration...
Category
Late 19th Century Academic Walter Gropius Art
Materials
Engraving
Related Items
After the Bath (Edition 19/250)
By Jan De Ruth
Located in New York, NY
Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century
Colors: Blue, Yellow, Red, Grey, White, Purple
Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today.
It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest.
To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try.
De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting.
In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948.
There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter.
His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club.
De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity."
Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint."
AWARDS
Butler Institute of American Art Purchase Prize
Oguniquit Art Center
Knickerbocker Artist 1964
Audubon Artist, Grumbacher Purchase Prize
National Arts Club of America Gold Medal
Windsor-Newton Award of the National Arts Club
ONE MAN MUSEUM EXHIBITIONS
B'nai B'rith Museum - Washington D.C.
Florida Gulf Coast Art...
Category
1970s Academic Walter Gropius Art
Materials
Lithograph
Overlooking Wadi, Saudi Arabia - Signed Lithograph, Royal Art, Mountains, Asir
Located in Knowle Lane, Cranleigh
Overlooking Wadi, Asir Province, Kingdom Of Saudi Arabia by His Majesty King Charles III, (created when he was HRH The Prince of Wales) - ...
Category
Early 2000s Academic Walter Gropius Art
Materials
Lithograph
H 23.23 in W 20.87 in D 1.19 in
"Grey Rabbit, " Animal Study Original Color Lithograph by John James Audubon
By John James Audubon
Located in Milwaukee, WI
"Grey Rabbit" is an original color lithograph by John James Audubon. One rabbit near the top of the print is jumping towards the leaf patch on the right. Another rabbit is near the b...
Category
1840s Academic Walter Gropius Art
Materials
Lithograph
Original Marines World War 1 poster. E-E-E-YAH-YIP Go over with U. S. Marines
Located in Spokane, WA
Original World War One: Go Over With U.S. Marines. E-E-E-YAH-YIP. This charging leather neck holds his Springfield high. The cropped design was influenced by candid photography, ...
Category
1910s Academic Walter Gropius Art
Materials
Lithograph
H 28 in W 21 in D 0.1 in
Seated Nude
By Beth Rundquist
Located in Sag Harbor, NY
Edition 7/22
A resident of East Hampton, New York, Beth Rundquist paints portraits, still lifes, figures and plein air landscapes. Its refreshing to see an academically trained pai...
Category
Early 2000s Academic Walter Gropius Art
Materials
Lithograph
Giorgio De Chirico ( 1888 – 1978 ) – Autoritratto – hand-signed lithograph –1970
By Giorgio De Chirico
Located in Varese, IT
Original color lithograph , edited in 1970
limited edition
signed in pencil in lower right corner and numbered as: 72/110
paper size: 70 x 53,5 cm
framed size: 93,5 x 77 cm ( origina...
Category
1970s Academic Walter Gropius Art
Materials
Lithograph, Paper
H 36.82 in W 30.32 in D 1.97 in
"Fruit & Flowers, " Original Hand-colored Lithograph signed by Nathaniel Currier
By Nathaniel Currier
Located in Milwaukee, WI
"Fruit & Flowers" is an original hand-colored lithograph by Nathaniel Currier. It features a still life with grapes, roses, and other botanical objects. The colors are muted blues and yellows. The artist signed the piece in plate lower left.
11 3/4" x 8 1/2" art
22 1/8" x 18" frame
Nathaniel Currier was born March 27, 1813 to Nathaniel and Hannah Currier in Roxbury, Massachusetts. At the age of fifteen he was apprenticed to William S. and John Pendleton of Boston who had set up the first lithographic establishment in America. His apprenticeship served him well as he went on to be the largest publisher of lithographs. Mr. Maurer described Nat Currier as being very gentlemanly and liberal. As is evident to the success of the firm of Currier & Ives he was very devoted to his business.
Nat Currier had many friends including Horace Greely and P.T. Barnum. He was well known for his sense of humor and Harry T. Peters tells one story about P. T. Barnum. "Currier had heard that one day his friend, the great showman, had rushed into the barber shop of the old Park Hotel, at Beekman and Nassau Streets, to get a shave. Barnum had hurried up to Tom Higginson, the barber, and said, 'Tom, I'm in a hurry.' 'Sorry for it,' said Tom, 'but it's that gentleman's turn next.' 'That gentleman' was an unshaven irshman waiting for a ten-cent shave. Barnum turned to him and said, 'My friend, if you will let me have your turn, I'll pay for what you have done.' The gentleman consented, and, as Barnum found out later, had a full job done - absolutely everything the house had. The check was for a dollar and sixty cents. When Currier heard this story he found the very Irishman and had him pose. The result was the famous cartoon, "The Man that Gave Barnum 'His Turn.'"
Nathaniel was married twice; his first wife was Miss Eliza West of Boston. He had one son with Eliza, Edward West Currier. In 1847 he married Miss Laura Ormsbee of Vermont. Laura and Nathaniel are memorialized in the famous N. Currier lithograph The Road Winter...
Category
1840s Academic Walter Gropius Art
Materials
Lithograph
Tetbury Church - Signed Lithograph, Royal Art, Royal Heritage, Cotswolds, British
Located in Knowle Lane, Cranleigh
Tetbury Church by His Majesty King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associated with ...
Category
1990s Academic Walter Gropius Art
Materials
Lithograph
H 14.57 in W 16.15 in D 1.19 in
Ben Avon - Signed Lithograph, Royal Art, Scotland, British, Braemar, Mountains
Located in Knowle Lane, Cranleigh
Ben Avon, Near Braemar, January by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Sign...
Category
Early 2000s Academic Walter Gropius Art
Materials
Lithograph
H 20.08 in W 22.45 in D 0.79 in
Jay Antique Print
Located in Sydney, NSW
Chromolithograph of a Jay bird
Matt size 24.5cm x 29.5cm
Image Size 10.5cm x 17 cm
Category
1920s Academic Walter Gropius Art
Materials
Lithograph
Highgrove - Signed Lithograph, Royal Art, Royal Homes, Highgrove House, British
Located in Knowle Lane, Cranleigh
Highgrove by His Majesty King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associate...
Category
Early 2000s Academic Walter Gropius Art
Materials
Lithograph
H 20.08 in W 24.02 in D 1.58 in
Balmoral Winter Scene - Signed Lithograph, Royal Art, Scotland, Season, Landscape
Located in Knowle Lane, Cranleigh
Balmoral Winter Scene by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Signed Limited...
Category
Early 2000s Academic Walter Gropius Art
Materials
Lithograph
H 19.69 in W 18.12 in D 1.19 in
Walter Gropius art for sale on 1stDibs.
Find a wide variety of authentic Walter Gropius art available for sale on 1stDibs. You can also browse by medium to find art by Walter Gropius in lithograph, engraving and more. Not every interior allows for large Walter Gropius art, so small editions measuring 21 inches across are available. Customers who are interested in this artist might also find the work of Matthäus Merian the Elder, Martin Gropius, and Kono Bairei. Walter Gropius art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $650 and tops out at $675, while the average work can sell for $650.