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In the Sea
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation."
It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
With 2 Heads
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Green streak
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Pillow Talk
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Pinnacle Expectations
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Canvas, Resin, Vinyl
Eye for Eye
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Prop Green
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Chesapeake Blue
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation."
It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category
2010s Abstract Abstract Sculptures
Materials
Steel
L V Silver
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Resin, Vinyl, Canvas
Strawberry Shortcake
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation."
It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Horse Blue
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Space Dust
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Betegeuse Purple
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation."
It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
When It's Said You're Square
By Jeremy Thomas
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Abstract Sculptures
Materials
Cotton, Resin, Vinyl
Napthalene Magenta
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category
2010s Abstract Abstract Sculptures
Materials
Stainless Steel
Sky Grey (Just Wait)
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category
2010s Abstract Abstract Sculptures
Materials
Stainless Steel
Isolation Blue
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category
2010s Abstract Sculptures
Materials
Stainless Steel
6 Kackle
By Ed Moses
Located in Phoenix, AZ
Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are for...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic
Overarching
By Jake Fischer
Located in Phoenix, AZ
oil on panel
Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fie Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...
Category
2010s Impressionist Still-life Paintings
Materials
Oil, Wood Panel
Lofty
By Jake Fischer
Located in Phoenix, AZ
oil on panel
Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fie Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...
Category
2010s Contemporary Landscape Paintings
Materials
Oil, Wood Panel
Schema
By Jake Fischer
Located in Phoenix, AZ
oil on panel
Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fie Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...
Category
2010s Paintings
Materials
Oil, Wood Panel
Drawing 02-02-16
By Jun Kaneko
Located in Phoenix, AZ
sumi ink and oil stick on Korean paper (72 x 61.5 x 1.5 inches, framed)
b. 1942, Nagoya, Japan
Jun Kaneko’s most recognized sculptural form is the boldly glazed, monumental dango (...
Category
Early 2000s Abstract Abstract Drawings and Watercolors
Materials
Oil Crayon, Sumi Ink, Handmade Paper
Geomorphology 1427
By Andy Moses
Located in Phoenix, AZ
acrylic on canvas, over concave wood panel
Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process.
Born in Los Angeles in 1962, Moses attended California Institute of the Arts...
Category
2010s Abstract Expressionist Paintings
Materials
Wood Panel, Acrylic
Fractal Dance IX
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper
Mark Pomilio’s method, motives, and conceptual considerations are centered on visually articulating recent developments in the life sciences. It is not his intent ...
Category
2010s Abstract Geometric Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Fractal Dance VIII
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper
Mark Pomilio’s method, motives, and conceptual considerations are centered on visually articulating recent developments in the life sciences. It is not his intent ...
Category
2010s Abstract Geometric Abstract Drawings and Watercolors
Materials
Charcoal, Archival Paper
Geodesy 1506
By Andy Moses
Located in Phoenix, AZ
acrylic on canvas, over circular wood panel
Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process.
Born in Los Angeles in 1962, Moses attended California Institute of the Arts...
Category
2010s Abstract Paintings
Materials
Wood Panel, Acrylic
Nocturne 902
By Andy Moses
Located in Phoenix, AZ
acrylic on canvas, over concave wood panel
Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process.
Born in Los Angeles in 1962, Moses attended California Institute of the Arts...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic, Wood Panel
Geodynamics 705
By Andy Moses
Located in Phoenix, AZ
acrylic on canvas, over hexagonal wood panel
Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process.
Born in Los Angeles in 1962, Moses attended California Institute of the Arts...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic, Wood Panel
Geodynamics 901
By Andy Moses
Located in Phoenix, AZ
acrylic on canvas, over hexagonal wood panel
Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity di...
Category
2010s Abstract Paintings
Materials
Wood Panel, Acrylic
Geomorphology 1426
By Andy Moses
Located in Phoenix, AZ
acrylic on canvas, over concave wood panel
Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity disp...
Category
2010s Abstract Abstract Paintings
Materials
Panel, Acrylic
Geomorphology 910
By Andy Moses
Located in Phoenix, AZ
acrylic on lucite panel
Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process.
Born in Los Angeles in 1962, Moses attended California Institute of the Arts...
Category
2010s Abstract Paintings
Materials
Lucite, Acrylic
CHRYSALIS
By Jim Waid
Located in Phoenix, AZ
b. 1942, Elgin, OK
Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canvases barely contain ...
Category
2010s Abstract Landscape Paintings
Materials
Acrylic
Bi-Fold IX
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper mounted to silk foam core and wood
Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious.
His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Archival Paper, Silk, Wood, Charcoal, Foam Board
Early Catastrophe III
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper, mounted to curved wood
Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a...
Category
2010s Abstract Geometric Abstract Drawings and Watercolors
Materials
Wood, Paper, Charcoal
Early Catastrophe I
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper, mounted on curved wood
Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as ...
Category
2010s Abstract Geometric Abstract Drawings and Watercolors
Materials
Wood, Paper, Charcoal, Panel
Muley Point II
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper, mounted to board (two panels)
Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings se...
Category
2010s Abstract Geometric Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Panel, Board
Untitled 2
By Danielle Hacche
Located in Phoenix, AZ
pastel and micro pen on paper
b. 1979, Poole, Dorset, UK
Danielle Hacche was born in Poole, Dorset in the Southwest of the United Kingdom. After moving to the United States with he...
Category
2010s Abstract Geometric Drawings and Watercolor Paintings
Materials
Paper, Pastel, Pen
U 30
By Nellie King Solomon
Located in Phoenix, AZ
acrylic, ink and mylar on aluminum
Category
2010s Abstract Mixed Media
Materials
Mylar, Ink, Mixed Media, Acrylic
U 29
By Nellie King Solomon
Located in Phoenix, AZ
acrylic, ink and mylar on aluminum
Mind (Two)
Located in Phoenix, AZ
oil and acrylic on canvas, over wood panel
Category
2010s Abstract Geometric Abstract Paintings
Materials
Canvas, Oil, Acrylic, Wood Panel
Twilight Arch
By Travis Rice
Located in Phoenix, AZ
acrylic on linen over panel
Travis Rice received his MFA from Arizona State University’s Herberger Institute for Design and the Arts. Influenced by his background in architecture, h...
Category
2010s Abstract Geometric Landscape Paintings
Materials
Linen, Acrylic, Panel
The Alphabet of Silly Colors
By Jan Maarten Voskuil
Located in Phoenix, AZ
b. 1964, Arnhem
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Mobile Exhibition Unit - Part II
By Jan Maarten Voskuil
Located in Phoenix, AZ
b. 1964, Arnhem
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Cut In Greys
By Jan Maarten Voskuil
Located in Phoenix, AZ
b. 1964, Arnhem
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Cuts In White
By Jan Maarten Voskuil
Located in Phoenix, AZ
b. 1964, Arnhem
Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
The Skies of Sky #3 (white)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
The Skies of Sky #2 (blue)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
The Skies of Sky #1 (black)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvas...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Geodesy 1219
By Andy Moses
Located in Phoenix, AZ
acrylic on canvas, over circular shaped wood panel
Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and grav...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic, Wood Panel
Dakota
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas
Category
2010s Abstract Abstract Paintings
Materials
Silver
Bell Diamond
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas
Category
2010s Abstract Abstract Paintings
Materials
Silver
Luna
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas
Category
2010s Abstract Abstract Paintings
Materials
Silver
Hemispheres (diptych)
By Mark Pomilio
Located in Phoenix, AZ
oil on canvas - diptych (27.25 x 21.25 x 1.75 inches, framed, each)
Mark Pomilio’s method, motives, and conceptual considerations are centered on visually articulating recent develo...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Canvas, Oil
Primal Drawing IV
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper (41.75 x 36.75 x 1.75 inches)
Mark Pomilio’s method, motives, and conceptual considerations are centered on visually articulating recent developments in the life ...
Category
2010s Abstract Geometric Drawings and Watercolor Paintings
Materials
Archival Paper, Charcoal
Clumsy Sky Grey
By Jeremy Thomas
Located in Phoenix, AZ
cold rolled steel, powder coat, and urethane
Category
2010s Abstract Abstract Sculptures
Materials
Steel
Don't You Forget About Me, Grey
By Jeremy Thomas
Located in Phoenix, AZ
cold rolled steel, powder coat, and urethane
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Steel
All the Summers are Hers
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
The Quiet Breath
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Return to Me
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
Days Sliding By
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia
Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form.
To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.”
The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners.
Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Linen, Acrylic
