Bentley Gallery Prints and Multiples
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Becoming the Clown
By Hector Ruiz
Located in Phoenix, AZ
Copper etching with aquatint
The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...
Category
Early 2000s Street Art Figurative Prints
Materials
Copper
Daybed Daydream
By Hector Ruiz
Located in Phoenix, AZ
copper etching with aquatint
The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...
Category
Early 2000s Outsider Art Figurative Prints
Materials
Copper
Rubbles
By Dominique Blain
Located in Phoenix, AZ
acrylic, LED lamps, transformer, aluminum
edition 1 of 3
For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as ra...
Category
2010s Contemporary Landscape Prints
Materials
Metal
Untitled Etching / Suite of 4
By Martin Mull
Located in Phoenix, AZ
etching; unframed
available editions: 1, 2 and 3 of 20
Category
1990s Abstract Prints and Multiples
Materials
Archival Paper, Etching
Homesick 4
By Hector Ruiz
Located in Phoenix, AZ
monoprint with drypoint and chine colle; unframed
image size: 10 x 7 inches
Category
Early 2000s Contemporary Prints and Multiples
Materials
Drypoint, Monoprint
A Painting of a Soup Can Used to Hang Here (229/250)
By William Anastasi
Located in Phoenix, AZ
silkscreen, unframed, edition 229 of 250
In 1968 Andy Warhol exhibited at the Philadelphia Museum of Fine Arts. Since Warhol's show was seminal in the development of Pop Art, there was a lingering presence that could not be denied, even after the work was no longer in the space. Anastasi went to a sign maker and had a plaque made that read, "A Painting of a Soup Can Used to Hang Here". The reference to the soup can and the fact the sign was not made by the artist was the development of Warhol’s subject matter as well as a Duchamp reference. It was pure genius. An edition of this work was produced years later. William Anastasi is one of the founders of both Conceptual and Minimal Art. A “classmate” of Andy Warhol, Sol LeWitt, and Hans Haacke...
Category
1990s Pop Art More Prints
Materials
Screen
A Painting of a Soup Can Used to Hang Here
By William Anastasi
Located in Phoenix, AZ
silkscreen, unframed, edition 231 of 250
In 1968 Andy Warhol exhibited at the Philadelphia Museum of Fine Arts. Since Warhol's show was seminal in the development of Pop Art, there was a lingering presence that could not be denied, even after the work was no longer in the space. Anastasi went to a sign maker and had a plaque made that read, "A Painting of a Soup Can Used to Hang Here". The reference to the soup can and the fact the sign was not made by the artist was the development of Warhol’s subject matter as well as a Duchamp reference. It was pure genius. An edition of this work was produced years later. William Anastasi is one of the founders of both Conceptual and Minimal Art. A “classmate” of Andy Warhol, Sol LeWitt, and Hans Haacke...
Category
1990s Prints and Multiples
Materials
Screen
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