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Romisches Marmor
By Martin Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Lithographs with Later Hand-Color.
Berlin, 1870.
13” x 19” Unframed.
A fine German work, the illustrations a...
Category
Late 19th Century Academic Prints and Multiples
Materials
Watercolor, Lithograph
Relief von Gerb Thon
By Martin Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Lithographs with Later Hand-Color.
Berlin, 1870.
13” x 19” Unframed.
A fine German work, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate.
Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum in Vienna (Plate 35) and the carved stone pedestal supports for a Roman table...
Category
Late 19th Century Academic Prints and Multiples
Materials
Watercolor, Lithograph
Marmor
By Martin Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Lithographs with Later Hand-Color.
Berlin, 1870.
13” x 19” Unframed.
A fine German work, the illustrations a...
Category
Late 19th Century Academic Prints and Multiples
Materials
Watercolor, Lithograph
Gemaltes Ornament. (Etruscan Vase Design),
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Chromolithograph.
Berlin, 1870.
13” x 19” Unframed.
A fine German work, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate.
Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Gemaltes Ornament. (Etruscan Vase Design),
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Chromolithograph.
Berlin, 1870.
13” x 19” Unframed.
A fine German work by, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate.
Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Acanthus (Architecture)
By Walter Gropius
Located in Florham Park, NJ
ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations are of cla...
Category
1870s Academic Prints and Multiples
Materials
Lithograph
Astronomie des Dames
By J. J. Grandville
Located in Florham Park, NJ
J. J. GRANDVILLE (1803-47).
aka Jean Ignace Isidore Gerard
Les Etoiles.
Text by Joseph Mery (1798-1865).
Engraved by Geoffroy.
Paris, 1849.
Steel engravings with original hand...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Gold Leaf
J.J. Grandville
By J. J. Grandville
Located in Florham Park, NJ
J. J. GRANDVILLE (1803-47).
aka Jean Ignace Isidore Gerard
Les Etoiles.
Text by Joseph Mery (1798-1865).
Engraved by Geoffroy.
Paris, 1849.
Steel engravings with original hand...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Gold Leaf
La Mauvais Etoile
By J. J. Grandville
Located in Florham Park, NJ
J. J. GRANDVILLE (1803-47).
aka Jean Ignace Isidore Gerard
Les Etoiles.
Text by Joseph Mery (1798-1865).
Engraved by Geoffroy.
Paris, 1849.
Steel engravings with original hand...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Gold Leaf
Les Nebuleuses
By J. J. Grandville
Located in Florham Park, NJ
J. J. GRANDVILLE (1803-47).
aka Jean Ignace Isidore Gerard
Les Etoiles.
Text by Joseph Mery (1798-1865).
Engraved by Geoffroy.
Paris, 1849.
Steel engravings with original hand...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Gold Leaf
L'Etoile du Berger
By J. J. Grandville
Located in Florham Park, NJ
J. J. GRANDVILLE (1803-47).
aka Jean Ignace Isidore Gerard
Les Etoiles.
Text by Joseph Mery (1798-1865).
Engraved by Geoffroy.
Paris, 1849.
Steel engravings with original hand...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Gold Leaf
Un Planete et ses Satellites
By J. J. Grandville
Located in Florham Park, NJ
J. J. GRANDVILLE (1803-47).
aka Jean Ignace Isidore Gerard
Les Etoiles.
Text by Joseph Mery (1798-1865).
Engraved by Geoffroy.
Paris, 1849.
Steel engravings with original hand...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Gold Leaf
Bernicla rufficollis... (Red Breasted Goose)
By John Gould
Located in Florham Park, NJ
JOHN GOULD (1804-1881)
Birds of Great Britain
Drawn and lithographed by John Gould, Elizabeth Gould,
H.C. Richter, W. Hart, Dr. Sharpe, and...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Lithograph
Oreo Trochilus Leucopleurus (Hummingbird)
By John Gould
Located in Florham Park, NJ
JOHN GOULD
A Monograph of the Trochilidae,
or Family of Humming-birds.
Drawn and lithographed by John Gould,
Elizabeth Gould, H.C. Ritcher, and W. Hart.
Richard Bowler Sharp supplement 1880-87.
Published by John Gould.
Printed by Hullmandel and Watson.
London, 1849-61.
Lithographs with original hand-color.
Excepting the supplement, most with gold leaf illumination.
418 plates.
John Gould was the most prolific ornithologist and recorder of birds in England during the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became a gardener at Ripley Castle, where he learned the art of taxidermy, a skill so useful in his future career. In 1827, N.A. Vigors required a taxidermist for the newly formed Zoological Society of London; the job came to Gould who moved to London and married Elizabeth Coxen. She was to become a skilled collaborator, both as draughtsman and as supervisor in the lithographic shop. It was Elizabeth who was responsible for transferring the drawings made by Gould, from the specimens sent to him from all over the world, onto lithographic stone.
Unable to find a publisher, Gould resolved to publish his works himself. Illustrating over 3000 species of birds and animals and producing over forty folio volumes, Gould's works became great financial successes. He realized a considerable fortune.
The most well known prints are from his outstanding monograph on hummingbirds. They are unequaled in the history of ornithology. The brilliant coloring is highlighted with gold and a transparent luster creating metallic hues, a technique which has never been successfully reproduced. The birds appear in charming groups of twos and threes surrounded by realistic foliage. Each bird is drawn to scale and is anatomically correct to the smallest detail.
References: John Gould’s Hummingbirds...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Gold Leaf
Schistes Personata (Hummingbird)
By John Gould
Located in Florham Park, NJ
JOHN GOULD
A Monograph of the Trochilidae,
or Family of Humming-birds.
Drawn and lithographed by John Gould,
Elizabeth Gould, H.C. Ritcher, and W. Hart.
Richard Bowler Sharp supplement 1880-87.
Published by John Gould.
Printed by Hullmandel and Watson.
London, 1849-61.
Lithographs with original hand-color.
Excepting the supplement, most with gold leaf illumination.
418 plates.
John Gould was the most prolific ornithologist and recorder of birds in England during the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became a gardener at Ripley Castle, where he learned the art of taxidermy, a skill so useful in his future career. In 1827, N.A. Vigors required a taxidermist for the newly formed Zoological Society of London; the job came to Gould who moved to London and married Elizabeth Coxen. She was to become a skilled collaborator, both as draughtsman and as supervisor in the lithographic shop. It was Elizabeth who was responsible for transferring the drawings made by Gould, from the specimens sent to him from all over the world, onto lithographic stone.
Unable to find a publisher, Gould resolved to publish his works himself. Illustrating over 3000 species of birds and animals and producing over forty folio volumes, Gould's works became great financial successes. He realized a considerable fortune.
The most well known prints are from his outstanding monograph on hummingbirds. They are unequaled in the history of ornithology. The brilliant coloring is highlighted with gold and a transparent luster creating metallic hues, a technique which has never been successfully reproduced. The birds appear in charming groups of twos and threes surrounded by realistic foliage. Each bird is drawn to scale and is anatomically correct to the smallest detail.
References: John Gould’s Hummingbirds...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Gold Leaf
Triptych of Pears.
By Rudolph Goethe
Located in Florham Park, NJ
RUDOLF GOETHE
HERMAN DENGENKOLB, REINHARD MERTENS
Aepfel und Birnen
Walter Muller, Illustrator
Berlin, 1849
Chromolithograph
Fascination with fruits, vegetables and spices ...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Lithograph
Triptych of Pears
By Rudolph Goethe
Located in Florham Park, NJ
RUDOLF GOETHE
HERMAN DENGENKOLB, REINHARD MERTENS
Aepfel und Birnen
Walter Muller, Illustrator
Berlin, 1849
Chromolithograph
Fascination with fruits, vegetables and spices ...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Lithograph
"Got 'Em" (Lake Fishing)
By Arthur Burdett Frost
Located in Florham Park, NJ
ARTHUR BURDETT FROST
A Book of Drawings
Collier and Sons
New York, 1904
Hand-colored Halftone
A.B. Frost, as he was to become known professionally, was born in Philadelphia...
Category
Early 1900s American Realist Prints and Multiples
Materials
Lithograph, Watercolor
Fore
By Arthur Burdett Frost
Located in Florham Park, NJ
ARTHUR BURDETT FROST
Harper’s Weekly
Harper & Brothers
New York, 1904
Hand-colored Halftone
A.B. Frost, as he was to become known professionally, was born in Philadelphia in 1851. His early years were spent as a student with Thomas Eakins at the Pennsylvania Academy of the Fine Arts. He was to go on as the primary illustrator of more than one hundred published books. Among the notable authors whose works he illustrated were Lewis Carroll, Charles Dickens, Joel Chandler Harris, Mark Twain, Theodore Roosevelt, William Thackeray and others. For nearly fifty continuous years his illustrations appeared in the leading magazines, including Harper's, Scribner's, Collier's, Century, Puck and Life. His own books--Stuff & Nonsense, The Bull Calf and Other Tales, and Carlo--were recognized as masterpieces of comedy. As a painter in oil, Frost exhibited in both the United States and abroad. The unforgettable Brer Rabbit...
Category
Early 1900s Academic Prints and Multiples
Materials
Lithograph
Monarda (aka Bee Balm, Bergamot)
By Georg Dionysius Ehret
Located in Florham Park, NJ
GEORGE DIONSYSIUS EHRET (1708-1770).
Plantae Selectae....
Text by Dr. Christoph Trew.
Drawn by Georg Dionsysius Ehret.
Engraved by Johannes Jacobus and Johannes Elias Haid.
Nure...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Gold Leaf
Pl. IX Manege (Horsemanship)
By Denis Diderot
Located in Florham Park, NJ
Denis Diderot (1713-1784
Jean le Rond d’Alembert (1713-1783)
Recueil de Planches, Sur les Sciences,
les Arts Liberaux, et les Arts Mechaniques,
avec Leur Explication.
Francois...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Pl. LIII. Fig.1. Le Turbot. Fig. 2. L'Orbis. Fif. 3. La Mole.
By Denis Diderot
Located in Florham Park, NJ
Denis Diderot (1713-1784
Jean le Rond d’Alembert (1713-1783)
Histoire Naturelle…
Recueil de Planches, Sur les Sciences, les Arts Liberaux
et les Arts Mechaniques, avec Leur Expl...
Category
Mid-18th Century Academic Prints and Multiples
Materials
Engraving, Watercolor
CCXLIV. Red Lily
By Johann Theodor De Bry
Located in Florham Park, NJ
JOHANN THEODOR DE BRY (1561-1623)
Florilegium Novum.
Oppenhiem, 1611.
Hand-coloured engravings.
Inspired by Vallet, Besler and Van de Pass, DeBry's Florilegium Novum remains o...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
CCXL. Red Lily
By Johann Theodor De Bry
Located in Florham Park, NJ
JOHANN THEODOR DE BRY (1561-1623)
Florilegium Novum.
Oppenhiem, 1611.
Hand-coloured engravings.
Inspired by Vallet, Besler and Van de Pass, DeBry's Florilegium Novum remains o...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
CCXLI. Lily
By Johann Theodor De Bry
Located in Florham Park, NJ
JOHANN THEODOR DE BRY (1561-1623)
Florilegium Novum.
Oppenhiem, 1611.
Hand-coloured engravings.
Inspired by Vallet, Besler and Van de Pass, DeBry's Florilegium Novum remains o...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Flower-de-luce. (Iris)
By Walter Crane
Located in Florham Park, NJ
This piece would pair well with Crane's "Pansies" which is also listed.
FLOWERS FROM SHAKESPEARE’S GARDEN:
A Posy from the Plays
Walter Crane, Illustrator
Cassell & Co., Publisher
Lithography
London, 1909
Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work.
As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...
Category
Early 1900s Academic Prints and Multiples
Materials
Archival Paper, Rag Paper, Archival Tape, Gesso, Plexiglass
Anemones
By Walter Crane
Located in Florham Park, NJ
FLORA’S FEAST
A Masque of Flowers
Walter Crane, Illustrator
Cassell & Co., Publisher
Color Lithograph
London, 1889
Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work.
As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Chrysanthemums
By Walter Crane
Located in Florham Park, NJ
FLORA’S FEAST
A Masque of Flowers
Walter Crane, Illustrator
Cassell & Co., Publisher
Color Lithograph
London, 1889
Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work.
As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...
Category
Mid-19th Century Academic Prints and Multiples
Materials
Lithograph
Strawberries
By Walter Crane
Located in Florham Park, NJ
FLOWERS FROM SHAKESPEARE’S GARDEN:
A Posy from the Plays
Walter Crane (1845 – 1915), Illustrator
Cassell & Co., Publisher
Lithography
London, 1909
Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work.
As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...
Category
Early 1900s Academic Prints and Multiples
Materials
Lithograph
Crocus
By Walter Crane
Located in Florham Park, NJ
FLORA’S FEAST
A Masque of Flowers
Walter Crane, Illustrator
Cassell & Co., Publisher
Color Lithograph
London, 1889
Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work.
As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Iris
By Walter Crane
Located in Florham Park, NJ
FLORA’S FEAST
A Masque of Flowers
Walter Crane, Illustrator
Cassell & Co., Publisher
Color Lithograph
London, 1889
Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work.
As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Buttercups
By Walter Crane
Located in Florham Park, NJ
FLORA’S FEAST
A Masque of Flowers
Walter Crane, Illustrator
Cassell & Co., Publisher
Color Lithograph
London, 1889
Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work.
As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...
Category
1880s Academic Prints and Multiples
Materials
Lithograph
Plate 1838. Cycad
By William Curtis
Located in Florham Park, NJ
This piece would pair well with "Plate 1851. Cycad." by William Curtis which is also listed.
WILLIAM CURTIS.
The Botanical Magazine.
Engravings with original hand-color.
9.5” x 5...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Watercolor, Rag Paper, Plexiglass, Handmade Paper, Archival Tape, Archiv...
Plate 1851. Cycad.
By William Curtis
Located in Florham Park, NJ
This piece would pair well with "Plate 1838. Cycad." by William Curtis which is also listed.
WILLIAM CURTIS.
The Botanical Magazine.
Engravings with original hand-color.
9.5” x 5...
Category
18th Century and Earlier Academic Prints and Multiples
Plate 856. Pitcairnia Latifolis. (Bromeliad)
By William Curtis
Located in Florham Park, NJ
WILLIAM CURTIS.
The Botanical Magazine.
Engravings with original hand-color.
9.5” x 5.75” Unframed.
London, 1787.
The long rich story of The Botanical Magazine, which was...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Watercolor, Engraving
Tycho Brahe Calculus
By Andreas Cellarius
Located in Florham Park, NJ
ANDREAS CELLARIUS. (1596-1665)
HARMONIA MACROCOSMICA.
(Celestial Atlas of Harmony).
Published by Gerad Valk and Pieter Schenck.
Amsterdam, 1708.
...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Typus Aspectuum.... (Astrological Planetary Aspects)
By Andreas Cellarius
Located in Florham Park, NJ
ANDREAS CELLARIUS. (1596-1665)
HARMONIA MACROCOSMICA.
(Celestial Atlas of Harmony).
Published by Gerad Valk and Pieter Schenck.
Amsterdam, 1708.
...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Watercolor, Engraving
Atlas Coelestis Harmonia (Celestial Atlas)
By Andreas Cellarius
Located in Florham Park, NJ
ANDREAS CELLARIUS. (1596-1665)
HARMONIA MACROCOSMICA.
(Celestial Atlas of Harmony).
Published by Gerad Valk and Pieter Schenck.
Amsterdam, 1708.
...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Watercolor, Engraving
Sciurus (Bushy-tailed Squirrel)
By Mark Catesby
Located in Florham Park, NJ
MARK CATESBY. (1682(83)-1749).
The Natural History of Carolina, Florida and the Bahama Islands.
Drawn by Mark Catesby and G.D. Ehret.
Etched by MarkCatesby.
London, 1731-43.
160...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Etching
Cancellus maximus Bahamensis: The Sea Hermit Crab
By Mark Catesby
Located in Florham Park, NJ
MARK CATESBY. (1682(83)-1749).
The Natural History of Carolina, Florida and the Bahama Islands.
Drawn by Mark Catesby and G.D. Ehret.
Etched by MarkCatesby.
London, 1731-43.
160...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Watercolor, Etching
Caput Phaenicopteri & Keratophyton (Flamingo Head with Coral)
By Mark Catesby
Located in Florham Park, NJ
MARK CATESBY. (1682(83)-1749).
The Natural History of Carolina, Florida and the Bahama Islands.
Drawn by Mark Catesby and G.D. Ehret.
Etched by MarkCatesby.
Original Hand-Colorin...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Watercolor, Etching
Podicipes (Grebe)
By Mark Catesby
Located in Florham Park, NJ
MARK CATESBY. (1682(83)-1749).
The Natural History of Carolina, Florida and the Bahama Islands.
Drawn by Mark Catesby and G.D. Ehret.
Etched by MarkCatesby.
London, 1731-43.
160...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Watercolor, Etching
Peaches XXXIV
By George Brookshaw
Located in Florham Park, NJ
GEORGE BROOKSHAW (1751 – 1823).
Pomona Britannica of a Collection of the Most Esteemed Fruits….
Engravers R. Brookshaw and H. Merke.
London, 1812.
Aquatint and stipple engravings...
Category
Early 19th Century Academic Prints and Multiples
Materials
Archival Paper, Watercolor, Archival Tape, Gesso, Handmade Paper, Plexig...
Pears LXXXII
By George Brookshaw
Located in Florham Park, NJ
GEORGE BROOKSHAW (1751 – 1823).
Pomona Britannica of a Collection of the Most Esteemed Fruits….
Engravers R. Brookshaw and H. Merke.
London, 1812.
Aquatint and stipple engravings...
Category
Early 19th Century Academic Prints and Multiples
Materials
Archival Paper, Archival Tape, Handmade Paper, Plexiglass, Rag Paper, Si...
Peaches XXVI
By George Brookshaw
Located in Florham Park, NJ
This piece would pair well with Brookshaw's "Pears LXXXII" which is also listed.
GEORGE BROOKSHAW (1751 – 1823).
Pomona Britannica of a Collection of the Most Esteemed Fruits….
En...
Category
Early 19th Century Academic Prints and Multiples
Materials
Watercolor, Archival Paper, Archival Tape, Handmade Paper, Plexiglass, R...
Pears LXXXII
By George Brookshaw
Located in Florham Park, NJ
This piece would pair well with Brookshaw's "Peaches XXVI" which is also listed.
GEORGE BROOKSHAW (1751 – 1823).
Pomona Britannica of a Collection of the Most Esteemed Fruits….
En...
Category
Early 19th Century Academic Prints and Multiples
Materials
Archival Paper, Archival Tape, Handmade Paper, Plexiglass, Watercolor
Plate 88. Apples.
By George Brookshaw
Located in Florham Park, NJ
GEORGE BROOKSHAW (1751 – 1823).
Pomona Britannica of a Collection of the Most Esteemed Fruits….
Engravers R. Brookshaw and H. Merke.
London, 1812.
Aquatint and stipple engravings...
Category
Early 19th Century Academic Prints and Multiples
Materials
Engraving
Cherries. Plate IX.
By George Brookshaw
Located in Florham Park, NJ
GEORGE BROOKSHAW (1751 – 1823).
Pomona Britannica of a Collection of the Most Esteemed Fruits….
Engravers R. Brookshaw and H. Merke.
London, 1812.
Aquatint and stipple engravings...
Category
Early 19th Century Academic Prints and Multiples
Materials
Watercolor, Engraving
Piper Indicum. Spanish Pepper.
By Elizabeth Blackwell
Located in Florham Park, NJ
ELIZABETH BLACKWELL (1707-1758)
A Curious Herbal containing Five Hundred Cuts,
of the most useful Plants,
which are now used in the practice of Physick.
London, 1739.
Copper en...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Amygdalus. (Almond)
By Elizabeth Blackwell
Located in Florham Park, NJ
ELIZABETH BLACKWELL (1707-1758)
A Curious Herbal containing Five Hundred Cuts,
of the most useful Plants,
which are now used in the practice of Physick.
London, 1739.
Copper en...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Watercolor, Engraving
Cinara. Artichoke.
By Elizabeth Blackwell
Located in Florham Park, NJ
ELIZABETH BLACKWELL (1707-1758)
A Curious Herbal containing Five Hundred Cuts,
of the most useful Plants,
which are now used in the practice of Physick.
London, 1739.
Copper en...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Vicinity of Flemington
By Julius Bien
Located in Florham Park, NJ
JULIUS BIEN (1826-1909)
Bien Atlas of New Jersey.
Geological Survey of New Jersey.
Chromolithography.
New York, 1883 - 1889
17 maps. 34” x 25” Paper Size.
A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America.
From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association.
Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation.
Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work.
For more than forty years following the Audubon folio...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Monmouth Shore
By Julius Bien
Located in Florham Park, NJ
JULIUS BIEN (1826-1909)
Bien Atlas of New Jersey.
Geological Survey of New Jersey.
Chromolithography.
New York, 1883 - 1889
34” x 25” Paper Size.
A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America.
From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association.
Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation.
Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work.
For more than forty years following the Audubon folio...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Egg Harbor and Vicinity (New Jersey)
By Julius Bien
Located in Florham Park, NJ
JULIUS BIEN (1826-1909)
Bien Atlas of New Jersey.
Geological Survey of New Jersey.
Chromolithography.
New York, 1883 - 1889
17 maps. 34” x 25” Paper Size.
A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America.
From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association.
Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation.
Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work.
For more than forty years following the Audubon folio...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Bergen, Hudson, and Essex
By Julius Bien
Located in Florham Park, NJ
JULIUS BIEN (1826-1909)
Bien Atlas of New Jersey.
Geological Survey of New Jersey.
Chromolithography.
New York, 1883 - 1889
17 maps. 34” x 25” Paper Size.
A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America.
From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association.
Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation.
Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work.
For more than forty years following the Audubon folio...
Category
Late 19th Century Academic Prints and Multiples
Materials
Lithograph
Solanum Pomiferum Tomato Vegetable
By Basilius Besler
Located in Florham Park, NJ
BASIL BESLER (1561 – 1629).
Hortus Eystettensis.
Konrad Bauer. Altdorf, 1613, 1640, 1713 – 50.
Copper plate engravings with modern hand-color
374 plates. 21 ¼” to 21 ½” x 16” t...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Melocactos Melocactus (Cactus)
By Basilius Besler
Located in Florham Park, NJ
BASIL BESLER (1561 – 1629).
Hortus Eystettensis.
Konrad Bauer. Altdorf, 1613, 1640, 1713 – 50.
Copper plate engravings with modern hand-color
374 plates. 21 ¼” to 21 ½” x 16” t...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Narcissus totos luteus (Daffodil)
By Basilius Besler
Located in Florham Park, NJ
BASIL BESLER (1561 – 1629).
Hortus Eystettensis.
Konrad Bauer. Altdorf, 1613, 1640, 1713 – 50.
Copper plate engravings with modern hand-color
374 plates. 21 ¼” to 21 ½” x 16” t...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Pseudo Narcissus (Daffodil, Buttercups)
By Basilius Besler
Located in Florham Park, NJ
BASIL BESLER (1561 – 1629).
Hortus Eystettensis.
Konrad Bauer. Altdorf, 1613, 1640, 1713 – 50.
Copper plate engravings with modern hand-color
374 plates. 21 ¼” to 21 ½” x 16” t...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
Alcea Syriaca (Hollyhocks)
By Basilius Besler
Located in Florham Park, NJ
BASIL BESLER (1561 – 1629).
Hortus Eystettensis.
Konrad Bauer. Altdorf, 1613, 1640, 1713 – 50.
Copper plate engravings with modern hand-color
374 plates. 21 ¼” to 21 ½” x 16” t...
Category
18th Century and Earlier Academic Prints and Multiples
Materials
Engraving
