Gaultier 1980's 2 pc. Eiffel Tower lace dress + underdress
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Gaultier 1980's 2 pc. Eiffel Tower lace dress + underdress
About the Item
MEASUREMENTS
Beige underdress –
Bust – open back, bust varies – front section is - 15”
- Waist – 28”
- Low back to hem - 24”
- length of zip at back - 40”
- neck opening – 11”
Lace overlay
- bust – 35”
- underarm to underarm - 35”
- waist – 30”
- hip – 35”
- length from shoulder – 37.5”
- shoulder to start of back – 15”
ABOUT THE DESIGNER
Jean-Paul Gaultier (born April 24, 1952, in Arcueil, Val-de-Marne, FRANCE) is a French haute couture fashion designer.
Gaultier never received formal training as a designer but he started sending sketches to famous couturiers at an early age. Pierre Cardin hired him as an assistant in 1970. He worked with Jean Patou in 1971.
His first collection was shown in 1976 and he has long been known as the enfant terrible (bad boy) of French fashion. Many of Gaultier's later collections were based on popular culture. While his Haute Couture collections are very formal, he still infuses them with a unique and playful feeling.
Jean-Paul Gaultier was responsible for creating iconic images in the 1990's and made sculptured costumes for Madonna for her Blond Ambition Tour that included her infamous cone-bra.
Gaultier also has costume designer on his resumé having designed the wardrobe of Luc Besson's The Fifth Element and several other films.
He currently designs for three collections: Gaultier's own couture and ready-to-wear lines, as well as the clothing line for Hermès, which he took over in 2003.
- Designer:
- Brand:
- Dimensions:Marked Size: 42 or 44 (EU)
- Place of Origin:
- Period:
- Material Notes:Lace/silk
- Condition:Excellent.
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: U0907034947
Jean Paul Gaultier
Endeavoring to tear down gender stereotypes and sartorial norms on the catwalk, making underwear outerwear, putting men in skirts and models of all shapes and sizes on the runway, Jean Paul Gaultier has created wildly provocative, transformational designs for day dresses, gowns, tops and other garments that draw on numerous influences and boldly merge haute couture with street sensibility.
An only child raised in the suburbs of Paris, Gaultier didn’t have a formal fashion education. But he loved to sketch and was drawn to clothing, citing the corsets in his maternal grandmother’s closet as having a formative impact on his creative direction. He’s said that some of his earliest fashion work was for his teddy bear, and later he would send his sketches to designers he revered, including Pierre Cardin.
Gaultier began his career in 1970 as an assistant to Cardin, who admired the sketches the 18-year-old had sent for his appraisal. After Gaultier had his first runway show in 1976, featuring unconventional statements like pairing motorcycle jackets with ballerina skirts, it didn’t take long for his star to rise.
Gaultier's playful but exquisitely crafted reimaginings of classic Parisian styles — the striped mariner shirt, the trench coat — soon became recurring themes of his eponymous house, which he founded with his life partner and business associate Francis Menuge in 1982.
“He was absolutely peerless for the longest time in the late ’80s and early ’90s,” fashion editor Tim Blanks told the New York Times. This was the period of Gaultier’s most iconic designs.
In 1984, Gaultier’s “Boy Toy” collection challenged men’s fashion with striped shirts and skirts — and sold around 3,000 of them. He was hailed for spectacle-laden runway shows and superb tailoring. Gaultier began to work with Madonna during the late 1980s, and, at the pop star’s request, he designed the costumes for her 1990 “Blond Ambition” tour. Her pink corset became a cultural touchstone of the era.
Gaultier continued to expand his brand. There were the colorful all-over graphic prints in the sheer stretch-tulle fabric of his Soleil line — which have gained fans in millennials seeking the authentic, easy style of 1990s fashion — and he debuted his first couture collection in 1997. Gaultier created costumes for film and stage and was nominated for a César Award for Best Costume Design for The City of Lost Children (1995) and then a second for Luc Besson’s The Fifth Element (1997).
From 2003 to 2010, Gaultier was the creative director for Hermès. The first international exhibition of his work, “The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk,” debuted in 2011 at the Montreal Museum of Fine Arts and toured to cities including Stockholm, New York City, Dallas and London. Vintage Gaultier Birkin bags are unsurprisingly sought-after collectibles, and the So Black collection — a line that included the So Black Birkin, which featured black PVD-coated hardware — was among his last works for the brand before his departure.
Gaultier presented his last ready-to-wear collection in 2014 and in 2020 stepped down from his couture line, ending his boundary-pushing, industry-shaping reign with a raucous show of more than 230 outfits formed from fragments of collections from across his 50-year career.
One of fashion’s enfants terribles, Gaultier has never sought out pretty for pretty’s sake. Instead, he has challenged the traditional ideals of beauty. Today, the designer's vintage clothing designs — experimental undergarments cut from lace and suede, leather-trimmed evening dresses and jackets of denim, plastic or striped jersey — are as punk as they are high fashion.
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