Japanese Lacquer

Japanese Inro from the Meiji Period (1868-1912). Beautiful Inro, created in Japan during the Meiji imperial period, circa 1870. It was carefully crafted in carved precious wood with...

Pair of antique Japanese Lacquer Trays, Taisho period (1912-1926) beautifully decorated with a miniature landscape of pea pods on the vine and a gold cricket set...

The highly decorated tray in the form of a table frames a series of three stacking boxes, a further three lidded boxes and a tray concealed within, raised on ogee bracket feet. This...

A simply gorgeous pair of Asian black lacquer and gold leaf floral decorated tazzas. A tazza can be just for decorative value, while a compote is used to hold something such as food....

A Japanese lacquered tea caddy (known as Natsume) with fine Maki-e decoration circa 18-19th century Edo to Meiji period. The large-sized nat...

A good Japanese carved cinnabar three case inro with mixed metal ojime, Meiji period, late 19th century, Japan. The three case inro of standard form, comprised of three container se...

Japanese Inro from the Edo period (1615-1868) created by Kajikawa. Beautiful Inro, created in Japan by one of the Kajikawa family during the Edo period (1615-1868), circa 1810. Has been carefully crafted in carved precious wood with applications of gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Edo period (1615-1868). Shogunate. Approximate Date: 1790-1810 Motif: A family of birds consisting of a cockerel, the hen and three chicks. Drawers: Five. Shape: Rectangular navette. Technique: Carved wood, lacquer and decorated in iroe-hiramaki-e on a gold ground. Ojime: 15mm 20mm, oval carved from natural translucent agate. Netsuke: None Weight: 47.70 Grams. Measurements: Inro is 78 mm by 55 mm by 18 mm (3.07 x 2.17 x 0.71 Inches). Signatures: Kajikawa Saku, in the underside with the signature KAJIKAWA. By a member of the Kajikawa family, signed Kajikawa 梶川 Japan, late 18th century to early 19th century, Edo period (1615-1868). The Kajikawa family Kajikawa family, flourished in the 19th century, they was Japanese lacquerware artists whose school in Edo (now Tokyo) flourished for more than 200 years. This family is perhaps the most famous of all the dynasties of Japanese lacquer artists, and certainly the name most often found on inro. The family is said to have been founded by Hikobei at Edo in the early 17th century, although some claim that the family’s great reputation really stemmed from his son and pupil Kyujiro. In any event, Hikobei worked for the shogunate, as did his successors until well into the 19th century. Kijirō excelled in designing particularly delicate lacquer inrō, portable medicine cases...

A rare Japanese export lacquer medical instrument box Edo-period, 1650-1700 L. 19 x W. 6 x H. 8.5 cm This unconventionally shaped lacquer b...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

Japanese Inro from the Edo Period (1603-1867). Beautiful Inro, created in Japan during the Edo period (Shogunate), circa 1800. It was carefully crafted in carved precious wood with ...

Oriental Pair of Hand-Painted Lacquer Vases with Wooden Base

DIMENSIONS Height: 9.25 inches Width: 11.5 inches Depth: 10.5 inches ABOUT MEIJI PERIOD The Meiji Era was the 44-year period of Japan's history from 1868 to 1912 when the country was under the rule of the great Emperor Mutsuhito. Also called the Meiji Emperor, he was the first ruler of Japan to wield actual political power in centuries. It was during the Meiji period that Japanese art students first went to Europe to study Western painting, and developed a new style of painting based on these techniques, known as yoga (or ‘Western style’). Yoga painting...

Japanese lacquered box decorated with birds and foliage signed Lacquered inside and outside Late 19th Century Without key Some scratches and losses Ideal for storing jewelry.

Precious and rare small kazaridana lacquered on all sides with two drawers and three panels decorated with fish, landscapes and birds. The removable panel reveals a locker with a sma...

Kobako box decorated with stylized foliage in black and gold hiramaki-e lacquer. The motif is karakusa, a growing plant extending in all directions. It symbols prosperity and longevi...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

Great used condition.

Pair of magnificent hibachi (fire bowls) shaped like chrysanthemum flowers (kiku) and finished with high quality ‘bordeaux red’ lacquer. Each is carved from a solid piece of wood with fine elegant lobes representing the petals. The interior fitted with a copper lining, for the coals, with a nice patina. A pair of hibachi in this colour and with this kind of quality of Material is rare to find! In Japan chrysanthemums are believed to represent happiness, longevity, rejuvenation and nobility. Including original wooden tomobako (storage box). In Western culture these bowls are often used as decorative flower pots...

Japanese 19th century miniature lacquer chest with waterfall. Late Edo to early Meiji period lacquer chest (mid to late 19th century) with two characters on the front reading Nuno an...

Nice black lacquer tea caddy (natsume) with a colourful hiramaki-e (low-relief design) of a folded yellow kimono with a silver and red chrysanthemum flower pattern. The base with a few golden stylized ‘fog’ streaks. The interior finished with shiny black lacquer. Including original wooden signed and sealed tomobako (storage box) with a leaflet about the artist Takahashi Masayoshi. Who became an independent lacquer artist in 1975 and lives in the town Yamanaka, Ishikawa prefecture. Period: Japan – Late Shôwa period/Heisei period (Late 20th century/Modern). Japanese natsume...

Natsume in dark red lacquer, decorated with autumn leaves and cherry blossoms in hiramaki-e and nashiji. Interior in black lacquer. Maple leaves (Momiji) are celebrated in literatur...

A Japanese lacquered Sake Drinking set circa late 19th century (end of Meiji period), The assemble consists of a red lacquer stand open frame support and a lid that encloses a storage space with black lacquered interior. The lid features a and a cup holder in the center and four heart shape cutouts on the corners. There are three maki-e decorated sake cups with gradual sizes. The cups showcase on the red background elaborate gold hiramaki-e paintings...

This is a beautifully designed and fabricated Japanese pagoda-shaped tall chest of drawers. The chest dates to the late 20th or early 21st century and is in very good to excellent ov...

Hiramaki-e lacquer, nashiji and fundame Edo period, 19th century Length: 10.5 cm, height: 6.5 cm Since the Heian period, The theme of deer and autumn plants has been ut...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Hailing from illustrious Meiji-period Japan, this lacquer tray showcases the mastery of Japanese craftsmen. Precious materials are precisely inlaid in the lacquer base, creating an a...

Black and gold maki-e and hirame-ji lacquer box representing a branch of plum tree in bloom which is entangled in a low wall, highlighted by mother-of-pearl inlay (raden). Inner cover made of nashi-ji lacquer with mizuhiki threads and folds. These are elements, made of silk and washi paper, supposed to bring luck and happiness, intended to seal envelopes on the specifics events (gift, new year, birth, marriage, death, etc.). Shape and color of the threads vary according to the occasion celebrated and the desired meaning. Interior in nashi-ji lacquer, with water cup...

Superb late 16th century signed colonial Japanese Namban export lacquer coffer Momoyama period, late 16th/early 17th century, inscribed 'Arisato' on the bottom H. 30.5 x W. 43...

A rare Japanese lacquered wood fubako decorated in Kodaiji maki-e style circa early 17th century the beginning of the Edo period, possibly early toward the end of the Azuchi-Momoyama period. The rectangular, long and slim box features a deep lipped lid with slightly rounded corners, a conforming lower box with two bronze medallion rings with tasseled...

Pretty Japanese lacquered box decorated with birds and foliage. signed Lacquered inside and outside Late 19th century Without key Nice lock Ideal for storing jewelry.

Black and gold lacquer sageju-bako (picnic box) decorated with floral motifs in hiramaki-e. It includes a sake bottle, a four-compartment box with nashi-ji lacquer inside, a simple tray and a hollow tray. At the top, there is a bronze handle for transport. The sageju-bako is divided into four superimposed boxes for food on the left; a simple tray, a sake bottle and a hollow tray on the right. They are in the shape of a plum blossom. On the top, on both sides a phoenix. The phoenix (hôo) has an imperial and solar symbolism. This auspicious bird also embodies virtues taken from the teachings of Confucius (such as goodness, righteousness and wisdom). The left boxes are patterned with turtles, plum tree, bamboo, cherry blossoms, water plantains near rivers. The two trays on the right have a shell and seaweed pattern. The sake bottle is decorated with a plum tree and bamboo. On the sides, calabash decoration. Borders in saya (or sayagata) pattern, composed of Chinese swastikas...

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...

A Japanese export lacquer tripod table with feet shaped as bats Nagasaki, 1850-1860 H. 73 x diam. 108 cm The six-lobbed top is decorated with reverse-painted mother-of-pearl in a sprawling motif of plum blossom, bamboo, and peonies, surrounded by fluttering sparrows enhanced by details in maki-e. The table, made to appeal to a foreign audience, incorporates a curious mixture of seasonal references. In addition to the decoration of foliage from late winter and spring, the column is decorated with grapes and a rabbit pounding rice, both Japanese motifs for autumn and the month of September. The feet, shaped like bats that almost appear to wake up from hibernation, symbolise luck and happiness in Japan. The present flamboyant Nagasaki-style table is depicted in the Asada workshop drawings of 1856. These drawings, titled Aogai makie hiinagata hikae (memorandum of designs for lacquer with inlaid pearl...

Beautiful set of three black Japanese lacquer nesting boxes with their two keys. Decorated with birds and orange, gold and green foliage. The 3 boxes fit together. The escutcheon ...

Kushibako (comb box) in black lacquer with gold lacquer decoration of arrows and my in the shape of three assembled commas " mitsudomoe " (Okabe; Itakura; Kuki; Hijikata; Arima famil...

Rectangular and flat lacquer Kobako (small box) representing a furoshiki knot seen from above. Fundame background, furoshiki in takamaki-e with floral pattern, inside the folds of the fabric with black and gold sayagata pattern with togidashi maki-e technique. The saya (or sayagata) pattern is composed of Chinese swastikas...

Uncommon ecru lacquer tea caddy (natsume) with a nice golden hiramaki-e (low-relief design) of cart wheels submerged in a wild swirling stream. The design...

A Japanese Nagasaki export lacquer box with mother-of-pearl depiction of the Amsterdam ‘Trippenhuis’ Edo-period, circa 1830 H. 12.5 x W. 24 x D. 15 cm ? The house depicted on t...

Set of bundai, ryoshibako and fudebako in wakasa lacquer with an old rose background and black traditional Japanese patterns. The saya pattern (or sayagata) is composed by Chinese s...

Late 18th century Inro by Kajikawa. Edo period Beautiful inro in gold lacquer representing a continuous landscape on both sides. The interior in Nashiji lacquer. Some small traces...

A Japanese export Nagasaki lacquer tobacco box with the portrait of Napoleon Bonaparte Edo-period, circa 1810 The box in black lacquer on copper, ...

A Japanese lacquered wood fubako (a box used to store document or small scroll painting), circa second half of 19th century late Edo period. The rectangular box features an unusually deep lipped lid with slightly rounded corners, a conforming lower box that is almost entirely covered by the lid which has two bronze medallion rings with tasseled...

Tiny suzuribako (writing set) in black and gold hiramaki-e lacquer with water plantain (Alisma plantago-acquatica) decoration. Interior in nashi-ji lacquer, with a rectangular water cup...

A high quality Japanese Tansu. The motives goes all around and is meant to be used as a free standing piece. The motives with a base of black lacquer with motives of cranes and phoen...

Miniature hanagamidai cabinet from the Japan meiji (1858-1912) period. Gorgeous and rare miniature drawers hanagamidai (cosmetic cabinet), created in the imperial Japan during the...

A Japanese lacquered wood Naga Fubako (a long box used to store document or large scroll painting), circa 19th century Meiji period. The rectangular box features an unusually deep lipped lid with slightly rounded corners, a conforming lower box with bronze medallion rings with tasseled...

Pretty little Japanese lacquered box. On a golden metal medal inside we can read the royal motto of the Netherlands, adorned with a lion: "Je maintiendrai...

This stunning lacquer worker bowl is a true work of art, expertly crafted using the Kanshitsu bachi technique. Kanshitsu bachi is a unique Japanese lacquerware...

Welcome to our antique store, where we offer a very special piece for collectors and those in search of unique interior items. We present to you a rare and exquisitely crafted lacque...

A Japanese red burgundy, gold and black lacquer box with round corners and silk cloth interior lining, circa early-20th century, 1920s, Japan. Box was desi...

Two big eight-sided kaioke boxes in black lacquer, decorated with mon and maple leaves in golden lacquer. These are usually octagonal boxes containing the painted shells used in ...

Handwarmer/Censer Japan circa 19th century Bronze Measures: H: 5.5 in x D: 8 in :: 14 cm x 20.3 cm Happy Tibetan New Year of the Water Rabbit! ...

Black and gold lacquer suzuribako (writing set) in takamaki-e on a nashi-ji background representing two tigers near rocks, bamboos and plum blossoms in a night landscape. Inside of the lid with a lake landscape. The interior of the suzuribako is composed with an inkstone, topped by a copper water bucket in the shape of a chrysanthemum on the left side, with a brush and a small knife. It includes in the right part a storage compartment. Inscription under the inkstone "Inkstone made by Nakamura Chobe". Although the tiger is not native to Japan, it has a high symbolic. The figure of courage was introduced by Buddhism from China. According to the Chinese tradition, the tiger is from one of the stars of the Great...

A remarkable red-colored signed lacquer worker bowl crafted using the traditional Japanese lacquer technique Kanshitsu bachi. The Japanese lacquer technique, also known as urushi, is a time-honored process that involves coating objects with layers of sap derived from the lacquer tree. The lacquer dries to form a durable and glossy finish that is resistant to water, heat, and acids, making it a valuable addition to any collection. The stunning red color of this worker bowl is sure to make it a standout piece in any interior design, while its signed lacquer and skilled craftsmanship showcase its unique value as a collector's item. Investing in this Kanshitsu bachi lacquer worker bowl is a wise choice for both collectors and those looking for a unique and elegant item to add to their interior. Its rich cultural and artistic history, combined with its exceptional beauty and durability, makes it an investment that will be cherished for years to come. Don't miss this opportunity to own a piece of Japanese lacquer art and add a touch of sophistication to your home or collection. *Kanshitsu bachi. Kanshitsu is a Japanese lacquerware technique that involves the use of hemp cloth, linen or paper to create a base layer, which is then coated with multiple layers of lacquer. The result is a highly durable and decorative surface that can be shaped and carved into various forms. "Bachi" can refer to the wooden bowl used for mixing pigments in the process of making lacquerware, so it's possible that Kanshitsu bachi refers to an artist who specializes in lacquerware bowls...

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

A fine antique Japanese Meji Period lacquer box decorated with a fan and a stylized star shaped window in the maki-e technique. The fan at the top right corner, fully opened depictin...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

Japanese inlaid, lacquered and gilded tray. Possibly for the sacred tea ceremony. This tray has beautiful geometric inlays with a gilded edge and a bla...