Pair of Large Chinese Cloisonné Oval Censers with Brass Elephant Handles, 1960s

An impressively sized and visually (and aurally) dramatic circa 1900 Chinese late Qing dynasty brass gong with hand-carved giltwood support piece and newer ...

A stunning 19th century Chinese Rosewood and inset Marble plant stand. Wonderful carved flower design on it's skirt, and on the outside of it's leg...

An exquisite late 1970s Asian black cerused wood wall mirror with relief carved Japanese crane and camellia flower motif. Black lacquered cerused...

A pair of monumental 1960s Marbro-style Hollywood Regency antiqued brass table lamps with silk shades. Very substantial and visual striking round brass bodies feature a quite uncomm...

Offered here is a monumental Japanese Imaxi porcelain jardiniere. Wonderful colors have been used, blue, both dark and light, gold, reds and white, depicting scenes of a pair of woman walking along a creek above a traditional Japanese bridge, with a small house across the creek. Add more Japanese and Asians motifs and you have this stunning work of art. Jardiniere sits on a simple round wooden stand...

A pair of chic 1960s lucite table lamps on black metal bases done in the manner of Charles Hollis Jones. Sculptural trio of lucite rods of graduated height and diameter on acrylic-c...

A large pair of Chinese cloisonné enamel bowl made with the technique of plique-à-jour (means "letting in daylight" in French), a challenging method similar to small scale stained windows...

Large pair of standing elephants having fitted vases on their backs on wooden display stands Measures: Height: 15 inches, Length: 14 inches, Wid...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

A large pair of Japanese Cloisonne Enamel vases attributed to Honda Yasaburo, 19th century. Finley decorated with the rich enamel colors of orange and green, these vases are desig...

A large pair of Meiji Period Japanese cloisonne enamel vases attributed to Goto Seizaburo, 19th century. These vases were made during the Meiji period (1868-1912) in Japan and are...