Earthenware Decorative Bowls

A wonderfully made and colored heavy bowl by Mexican born ceramic master Raul Coronel who played an important role in the American (he became a naturalized ...

This antique Historism centerpiece / pedestal bowl is made of polychrom glazed majolica and features four cartouches decorated with high relief knight helmets and dragons. The manufa...

French Faience Tureen Keller & Guerin Saint Clement Circa 1900. Small tureen with plate decorated with flowers and coat of arms Aurillac. Measures:...

382 Hand Crafted Springing Stoneware Bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay opening in natural speckled stoneware clay. Part of the Cros...

This elegant antique "Tian" (Provencal term for serving bowl), was crafted in Provence, southern France circa 1960. The round handmade terracotta bowl is dressed with two small handl...

20th Century Santa Clara Pueblo black on black with geometric designs by Genevieve Suazo. Bowl measures 1 3/4 x 4 1/4 in.

French mid-century Vallauris ashtray / bowl in multicolor glazed ceramic. Beautiful fat lava glazed ceramic ashtray in orange, amber, white and brown colors. Manufactured by Vallaur...

A Thomas-Victor Sergent nature plate in the style of Palissy, School of Paris, circa. 1875-79. An oval platter heaped with trompe l’oeil fish and crustaceans in the center, the ra...

341 Hand Crafted Gathering Stoneware Bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled stoneware clay. Part of the Cross P...

French mid-century Vallauris ashtray / bowl in multicolor glazed ceramic. Beautiful fat lava glazed ceramic ashtray in yellow, amber, white and brown colors. Manufactured by Vallaur...

394 hand crafted blossoming stoneware bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay rim in natural speckled stoneware clay. Part of the Cros...

464-G Hand crafted golden promise stoneware bowl with 22kt gold exterior Detail A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled stonewar...

Another sublime work by famed pottery masters Otto and Gertrud Natzler. This round-shaped, eggshell thin-walled bowl was hand thrown and formed by Gertrud and glazed by Otto with a beautiful pearl green/blue glaze. The bowl radiates in the light. This work is sure to give aesthetic pleasure for years to come and would be an amazing addition to any Natzler or modern ceramic collection...

432-G Hand Crafted Golden Springing Stoneware Bowl With 22kt Gold Detail by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled ston...

Minton Majolica Taza, molded as an inverted mushroom, the bowl interior glazed in orange, with three naturalistically modeled and glazed frogs around the stem,...

Minton Majolica figural bowl which features putti holding leafy garlands, supporting the bowl. Colouration: cobalt blue, green, cream, are predominant. The piece bears maker's marks ...

Rare & Important Antique English Large Wedgwood Queensware (Creamware) Centerpiece with influences by Robert Adam represented by the swags and fest...

A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled stoneware clay. Part of the Golden Promise Series- a theme of abstracted and stylized elemen...

Product Description:  Berndt Friberg was one of the most influential ceramists in mid-century Sweden, his works are still popular world-wide and are known for their elegance and bea...

Majolica dish hand made and hand-painted in Deruta, Italy, according to the original Renaissance painting technique. The dish is enriched by the presence of four metamorphic dolphin-...

A fine antique Delft figural tureen or box. In the form of a polychrome female duck with rich red, yellow, and purple plumage. The top half of the d...

Product Description:  At the age of 19 Stålhane joined Rörstrand as a decorator and was together with his teacher Gunnar Nylund responsible for Rörstrand's golden age. The work at s...

Arabia, Finland. Art Deco bowl in glazed faience. Beautiful marbled glaze. 1920s/30s. Measures: 20 x 4 cm. In excellent condition. Stamped.

Arabia, Finland. Art deco bowl in glazed faience. Beautiful marbled glaze. 1920s/30s. Measures: 27 x 5 cm. In excellent condition. Stamped.

A gorgeous mid-20th century French Moustiers faience square plate or shallow bowl. Hand painted maker's mark on reverse. This beautiful plate is hand painted with a bird and floral d...

5082 William Moorcroft vase decorated in the cornflower design on a white ground Circa 1920s. Dimensions 24cm high, 15cm wide Complimentary insured postage 14 Day money ba...

5862 Large William Moorcroft vase in the Claremont design Circa 1920 Dimensions 30cm high, 20cm wide Complimentary insured postage 14 Day money back guarantee BADA member...

5227 William Moorcroft Plate in the Pomegranate design in a colourway produced for Liberty & Co Circa 1910 21.5cm wide Complimentary Insure...

A gorgeous Japanese studio pottery chawan tea bowl that features a wonderful reddish-orange glaze with various shifts in colour and texture. This particular piece encompasses the...

Temptation 2 by Alice Reina Biancodichina Unique Dimensions: 13 x H 9 cm Materials: Paper porcelain, pigment, gold luster. Technique: Thin natural or colored paper-porcelain p...

Temptation 1 by Alice Reina Biancodichina Dimensions: 18 x H 13 cm Materials: Paper porcelain, pigment, gold luster Technique: Thin natural or colored paper-porcelain placed, ce...

This fine majolica centerpiece is made and hand-painted in Deruta, Italy. The Bowl recalls the ancient structure of the Greek cups that were used to mix wate...

This is a bowl by Clarice Cliff in the "Hydrangea" pattern, circa 1933. The Hydrangea pattern is a "Bizarre" pattern, produced in 1933. It is hand, in the green colourway, with fl...

This two handled, footed bowl with a lustre glaze is by Lorenzo Rubboli of Gualdo Tadino in Umbria, Italy. The centre of the bowl is decorated with a stylised flower which is contain...

Product Description: Berndt Friberg was one of the most influential ceramists in mid-century Sweden, his works are still popular world-wide and are known for their elegance and beat...

Arabia, Finland. Art Deco bowl in glazed faience. Beautiful marbled glaze. 1920s/30s. Measures: 27 x 5 cm. In excellent condition. Stamped.

Minton Majolica fruit bowl, 12-ins. Dia., formed as a blind latticework basket with a turquoise interior, with a daisy chain molded rim, supported ...

This brilliant orange bowl, created by Pilkingtons circa 1930 is dripping with the company's vermilion glaze. It's a fine example of Pilkington’s studio art pottery. Pilkington’s ...

A wonderful Joseon Dynasty (1392-1897) Korean pottery bowl - perhaps a monk's Chawan tea bowl. The work features a beautiful white glaze, wonderful organic shape, engaging design and...

A scarce Victor Barbizet covered terrine formed as a rustic basket of fish, France, circa 1870. The two piece terrine has a lid showing a variety of g...

The dish, made of majolica painted in duotone of blue and red, features dense decoration, inspired by the Moorish style, throughout its surface. The outer band of the brim is richly ...

Wilhelm Kåge (1889-1960) for Gustavsberg. Hand-painted faience bowl shaped like a seashell. 1920s / 30s. Measures: 24 x 11 cm. In excellent condition. Stamped.

Pair of Robert Maxwell decorative catch all bowls in stoneware pottery glaze and art glass. Studio pottery art from Santa Monica, California circa 1960s by renowned California art c...

Gabriele Koch (German, b.1948), large contemporary ceramic art pottery ornamental bowl, smoke-fired and burnished earthenware, with delicate mottled crea...

Nils Thorsson for Royal Copenhagen. Rare bowl in glazed faience decorated with butterflies. 1970s. Measures: 14 x 8 cm. In excellent condition. Stampe...

An exquisitely decorated and wonderfully executed ceramic Mingei glazed plate/ low bowl by Japanese National Treasure and Mashiko pottery master Tatsuzo Shimaoka. This work displays his famous Jomon Zogan rope inlay design, hand-painted decoration, and has his impressed "Ta" signature on the base. Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his pottery studio, has exhibited worldwide including in North America, Asia, and Europe. In 1996 he was bestowed the title of Japanese Living Treasure...

Minton Majolica figural bowl which features two rabbits amongst foliage, supporting a leaf. Colouration: turquoise, green, white, are predominant. The piece bears maker's marks for t...

Minton Secessionist No.8 chamber pot decorated with Art Nouveau style tree motifs. Glazed in blue, ochre and green with gray tube lining. Cream int...

Multi-lobed Satsuma cup decorated with signature characters in gold on the bottom, dimension height 60 mm diameter 145 mm. Additional information: Mate...

Famed California Mid-Century Modern artist Beatrice wood signed bowl featuring her highly coveted deep ash blue iridescent lustre/luster glaze. In certain light, the glaze radiates as a purple hue in some areas. The glaze runs down the sides and gathers in areas underneath. This piece comes with an interesting history/ provenance. This piece came from Beatrice's personal collection. She was using it as a coin and key holder in her Ojai house which accounts for the cracks in the glaze. It was gifted to Maria Anderson who assisted Beatrice around her home. We considered having the work restored but because of its history feel that it offers more value to the next owner as shown. This was apparently the condition it was given in as Wood was famous for noting about her work that objects that are not quite perfect are simply that...perfect because of their imperfections. A very Wabi-Sabi view. Flawed Beauty. We love the piece and the history. Signed with her customary "Beato" on the underside. Would be an amazing addition to any collection of her work or a fabulous, eye-catching Stand-alone piece in any setting, Mid-Century Modern or otherwise. Know famously in the art world as "The Mama of Dada...

SKY - Large ceramic bowl by Pantoù Ceramics, hand thrown and hand painted glazed earthenware. All unique pieces, Italy, 2021. Measure: 30cm diameter....

A green-glazed earthenware bowl designed by Eva Jancke Björk and produced by Bo Fajans, Sweden, 1940s.

Satsuma cup with multicolored butterfly patterns signature in gold under the bottom dimension height 52 mm diameter 123 mm Additional information: Mate...

Ceramic bowl with Sardines decor, full-fire reduction faience earthenware 20 cm diameter, hand painted unique piece, 2017. Perfect decor for the wall or simply placed on a coffee ta...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

A brown, beige, and orange stoneware decorative dish / vide-poche / bowl designed and produced by Höganäs Keramik, Sweden, c. 1940s.  

This is a high quality Earthenware Japanese Satsuma - Kutani large Bowl, beautifully hand decorated and dating to Circa 1940. This is a well potte...

This Copeland Spode wash jug & basin set is decorated in a pseudo Japanese style made popular after Japan was opened up to the West from the late 1850's. Japa...