Chrome Jewelry Boxes

This is an incredibly rare 1930s Art Deco double compact by Richard Hudnut and is featured in many reference books on the subject of collectable compacts. One of the main criteria's ...

A fun and decorative cigarette box/ jewelry box in the shape of a boat. Probably from Italy or France during the 1940s-1950s. The boat is made of stained alder wood with chrome detai...

Hans Turnwald for Freddotherm pair of chrome petite boxes from Switzerland. The sweet boxes are polished chrome and are sweet jewelry boxes or as accent decor. Both boxes bear fur in...

Decorative chromed keepsake, presentation box with multicolor murano glass weight.

For your consideration is this virtually mint condition Art Deco ladies combination compact dating to 1930's. This is a classic Art Deco compact features powder, rouge and mirror com...

Chromed rectangular velvet lined keepsake, jewelry box with a polished shell.

Chromed rectangular velvet lined keepsake, jewelry box with a polished shell.

Elegant and edgy python snake skin covered box by Karl Springer. The top is arched and the interior is blue suede. Chrome piano hinge allows the box to open fully. The azure blue pyt...

Decorative keepsake chrome box with a polished white shell, lined in velvet.

A lovely French Venetian style vanity or table mirror on a jewelry drawer case. This petite swivel vanity mirror features round beveled edges with chromed metal holders. The base is ...

For your consideration is this superbly iconic looking Art Deco wooden box which is either for cigars or cigarettes. The lid has an inlaid sunray e...

Wonderful Gabriella Crespi signed and midcentury Lucite plexiglass, polished chromed metal box. This amazing item was made in Italy during 1970s. This box is cylindrical with Lucite element at both ends and signed chromed metal body. This is your chance to own a Gabriella Crespi original piece! Bronze discs that open up like clamshells for storage and fold back in to become side tables. Sleek cubes barely suspended off the ground that transform into full-size dining tables. Clean-lined boxes that contain multilevel shelving. Looking at the work of Italian designer Gabriella Crespi, born in 1922 and still producing furniture in her Milan studio, it’s hard to believe that many of these highly functional pieces — modernist Rubik’s Cubes of materials, colors and ergonomics — were created decades ago. Among her best-known creations, the bronze Ellisse table, 1976, and her bronze-and-lacquer Yang-Yin bar, 1979, encapsulate a designer who had a strong dualism in her vision, mixing humble and precious materials, for instance, or creating geometric shapes that were softened by sensual surfaces. Crespi began studying architecture in 1944 at the Politecnico, in Milan, where she was among just a handful of women, and became profoundly influenced by the work of Le Corbusier and Frank Lloyd Wright. After getting married and having children, she launched her own collections, from jewelry to furniture, and soon gained a loyal following, with design houses such as Maison Dior snapping pieces up for their own lines. She began work on her most iconic collection, “Plurimi,” in the late 1960s, and the series — including her Dama table...