Louis XVI More Clocks

21st century Hand carved clear crystal, golden bronze clock and "Capodimonte" biscuit roses. This clock is in hand-carved clear crystal. This clock has the quarts and mechanical move...

21st century Hand carved clear crystal and golden bronze clock. This clock is in hand-carved clear crystal. This clock has the quarts and mechanical movement. On request to customer...

A beautiful and original antique French portico clock, crafted from white marble mounted with ormolu (finely gilded bronze). The face of the clock is daintily painted with floral swa...

21st century Hand carved clear crystal and golden bronze clock. This clock is in hand-carved amber crystal and the dial is in white porcelain decorated in pure gold. On request to c...

21st century Hand carved amber crystal and golden bronze clock. This clock is in hand-carved amber crystal and the dial is in white porcelain decorated in pure gold. On request to c...

21st century white veined marble and golden bronze clock. This clock is finely chiseled lost wax castings. This clock has a mechanical 8 days wind movement and separate winding for a...

A fine quality Louis XVI style bronze ormolu mantel clock. The case is made of gilt brass and bronze ormolu casted ornaments, Roman numerals in white enameled cartouches. On top of t...

21st Century violet porcelain and silver bronze table clock. This clock is finely chiseled lost wax castings and the porcelain is decorated in plati...

21st century Hand carved amber crystal and silver bronze clock. This clock is in hand-carved amber crystal and the dial is in black porcelain dec...

21st century hand carved clear crystal and golden bronze clock. This clock is finely chiseled lost wax castings and hand-grounded crystal. This clock has a mechanical 8 days wind mov...

A Very Fine French 19th Century Louis XVI Style Plum-Mahogany and Ormolu Mounted Tall-Case Regulator attributed to Revollon. The Roman numeral dial signed: Revollon - M. Lion, with h...

A French 19th Century Dore Bronze Chinoiserie Style Figural clock with a Woman Resting on a Seat. This is a beautiful example of French dore bronze craftsmanship mixed with the Chino...

19th Century John Bennett , Paris alabaster with Gilt brass design detail mantel clock . The clock features an alabaster case with turned columns and gilt brass metal mounts on a det...

This elegant portico clock crafted in transitional Louis XVI – Empire style from ormolu, white and black marble, is signed on the dial “Arnoux à Paris”. Decorative motifs of Louis XV...

Portico clock signed “Persevalle à Reims” This refined portico clock crafted in transitional Louis XVI – Empire style from ormolu and black marble is signed on the dial “Persevalle à Reims”. The Empire style was based on elements of the Roman Empire and its culture, which had been rediscovered starting in the eighteenth century. Bronze was the main material used in Empire style timepieces and both the patina and ormolu techniques were vastly used for ornamentation during this period. As for the source of inspiration for decorative motifs of Louis XVI style, it was coming from nature and antiquity thus many characteristic elements would reoccur in architecture, interior decoration and furniture. Many ornaments were borrowed from flora, and this love for nature appeared into decoration by the presence of a wreath of roses, baskets, palmettes, bows and ribbons. The portico clock is mainly crafted from black marble and ormolu bronze embellishments, which with their minimalistic touch compliments one another. As mentioned before, the source of inspiration for this portico clock derived from antiquity. The columns which are a key feature of portico clocks are constructed in Greco-Roman architecture. The two front black pillars are made in Tuscan style with gilded capital and base, they are also entwined with an acanthus spiral around the pillar. The back columns, in contrast to the front one, are square and has only a face adorned with a gilded bronze floral garland. The four columns are connected on top with an entablature with a cylinder-shaped dial in the middle cast from bronze. The entablature is adorned on both sides with gilded lyres and flower vases. The dial of the clock is signed ‘Persevalle à Reims’ and consists of blue Breguet-style hands that indicate hours laid out in Roman numerals and minutes in Arabic numerals on the enamel dial. The Breguet hands have a circle with a filled crescent shape on the side and have been featured its founder's watch hands for over two centuries now. This unique shape is sometimes referred to by the French word for apple, pomme. Above the dial is situated a small black marble plinth and a marble medicis vase...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

This clock was made by Jean-Baptiste Baillon III, one of the most skilled and innovative makers of his day. He supplied the most illustrious clientele, not least the French and Spanish royal family as well as distinguished members of Court and the cream of Parisian society. This is a unique, authentic antique French table or mantel clock, which is in finely chiseled and gilded bronze. The dial has outer Arabic numerals and inner Roman numerals with a fine pair of pierced gilt brass hands for the hours and minutes. Next to the clock is a tall lady figurine, accompanied by a child. The woman is holding a book in her right hand and a feather pen...

Ferdinand Berthoud (18 March 1727, in Plancemont-sur-Couvet (Principality of Neuchâtel) – 20 June 1807, in Groslay (Val d'Oise)), was a scientist and watchmaker. He became master wat...

Antique French Louis XVI bronze d'ore 3-piece garniture clock set, Circa 1880.

This is a delicately gilded clock. Designed in the Louis XVI style, it is a very similar barometer. Originating from France in the 18th century, this watch gives the viewer an extrem...

The fine quality Sèvres-style Louis XVI gilt-bronze and jeweled porcelain turquoise mantel clock. Surmounted with a twin handled urn with grapes, the central enamel dial with Roman n...

An exceptional quality three-piece clock set designed in a grand neoclassical style by 'Domange Rollin Rue de Bretagne Paris'. France. The set is comprised of a central clock and tw...

A 19th century gilt bronze and white marble portico clock.

Gilt bronze mounted continental Porcelain clock. Porcelain and doré bronze mounted continental clock. Loius XVI style. Figural and floral painted scenes. Features open escapement...

A large and important Louis XVI style carved giltwood clock and barometer set. Each with circular enamel dials, the clock with Roman and Arabic numerals and pierced scrolled hands. The companion barometer with indications for the weather and inscribed 'BAROMÈTRE / SELON TORRICELLI...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

A fabulous and quite important 18th century Louis XVI period Carrara marble and dore bronze mantle clock, signed F. Berthoud, Paris. The body of the clock is exceptionally cast and f...

A gorgeous and large E.F. Caldwell black veined marble and dore bronze mounted sphinx legged clock. This is a beautiful mantle clock designed by the great, E.F. Caldwell and Co. The ...

Exceptional 19th century, French 'Three Graces' annular dial clock, bronze and marble clock, with Roi-de-bleu enamel globe surmounted by Cupid. The ...

French neoclassical style lyre-form gilt bronze clock French, 19th century Measures: Height 50cm, width 19cm, depth 13cm This wonderful mantel clock, crafted entirely from gilt bronze, is a magnificent example of the Louis XVI style. The clock is designed about the motif of the lyre—a popular form for Louis XVI style clocks. The clock features a stepped plinth-form base, raised on four bun feet. The base supports the clock case itself, which is wrought to resemble a lyre: the dial is set into the body of the lyre, while the twin lyre arms spring from the shoulders of the case. The arms are joined above by a garland held by scrolled swan’s head finials, between which is situated an Apollo sunburst mask. The gilt bronze surrounding the dial is richly moulded with scrolled forms and grasping acanthus leaves. The dial itself, with a pierced centre, features Arabic numeral hour marks on individual circular enamel cartouches. The movement is signed ‘Le Roy a...

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and accompanying candelabra dressed with blue 'Sevres' style hand ...

Established in the early 1800s, Raingo Frères (Raingo Brothers) was one of the leading makers of precision clocks and astronomical “orrerey” devices du...

Elegant mantel clock in very good condition with front glass and rich bronze decoration in Louis XVI style, having hand painted porcelain front part and raised on a white marble stan...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Clock in fine, gold-plated brass c...

A rare Louis XVI style gilt-bronze mounted marble annular dial pedestal clock in the manner of Jean-André and Jean-Baptiste Lepaute, attributed to Dufaud, Paris. The eight-day twin-train movement with circular plates and lateral lever escapement on a gilt platform, with cut bimetallic compensation balance, flat balance spring and index regulator, striking the hours and half-hours on a bell. The dial having twin revolving chapter rings with white enamel cartouches with Roman numerals on a revolving ring, with a revolving minute ring above with Arabic numerals, the time indicated by Cupid pointing with an arrow. This fine annular dial or ‘cercles tournants’ clock...

This neoclassical style French mantel clock is crafted from patinated and gilt bronze in addition to flecked black and grey marble. The clock body is formed from a lopsidedly mounted...

A Louis XVI period mantel (fireplace) clock by Bruel of Paris Constructed in Carrara marble and ormolu, rising from an ormolu dressed elliptical base supported by bronze toupie feet, the figures of Psyche and Cupid rest on a rocaille ground, housing the eight day twin train clock...

A fine Louis XVI style gilt-bronze mounted mahogany cartel clock and barometer, after the model by Martin Carlin. French, circa 1870. The dial sig...

Remarkable 19th century French Louis XVI style ormolu mounted white marble clock with love birds. Retailed by Tiffany. The clock is surmounted...

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

Comprising a central clock and a pair of flanking candelabra, the ormolu clock with circular dial and roman numbers signed 'F. Barbedienne', decorated with foliate scrolls and shells, surmounted by a putto, the pair of flanking three light candelabra similarly decorated on scrolling feet. The elegance of this beautiful antique ormolu clock...

Exceptional 19th century, French 'Three Graces' annular dial clock, bronze and marble clock, with Roi-de-bleu enamel globe surmounted by Cupid. The ...

A French Louis XVI style ormolu and patinated bronze pendule au lion The clock surmounted by a covered urn, mounted on the back of a patinated bronze lion with mane and serpentine ta...