French Inkwells

Investing in this Art Deco Porcelain Inkwell by A. Godard for Etling Paris, circa 1930, is an opportunity to own a piece of exquisite craftsmanship that encapsulates the essence of t...

Inkwell FRENCH MANUFACTURING OF THE EARLY 1900s Empire style inkwell in yellow Siena marble with gilded bronze inkwells and sphinx. 48 x 23 cm Height 20.

Handmade bronze inkwell consists of three removable cups, the largest of which has a removable top. Inkwell depicts leaves and flowers. Signed VieiAard.

Antique French Empire Cut Crystal and Gold Bronze Inkwell, Circa 1880.

Little is known about the origins of this amazing piece, apart from it being from France, circa 1900.

Little is known about the origins of this amazing lamp, apart from it being from France, circa 1900.

A most impressive fine quality antique Louis XV style French ormolu encrier / inkstand. Born in France in the 19th century, almost certainly Parisian work, exquisitely chased, chis...

A very rare and important exhibition encrier by François Linke and Léon Messagé. French, circa 1900. Index number 709. Signed to the edge 'F. Linke'. This exceptional and ambitious encrier is modelled as two putti, each holding a standard and sitting on the water's edge, the two inkwells with hinged spirally-fluted covers with glass liners. This important inkwell is based on Léon Messagé's celebrated sculptural group 'La Source' and was originally intended by Linke to form part of his spectacular Stand at the 1900 Paris Exposition Universelle. Like seven or eight other pieces originally intended for inclusion on the Stand, it would seem the encrier was a casualty of both Linke's over-ambitious production schedule and the financial burden that the manufacture of such ornate and high quality work imposed. It was eventually shown on the Stand in September after the gilding was finished by Picard at a cost of 90 French francs. The costs of the model were very high: some 2024 francs (of which Message's combined fee was 1158 francs 40 centimes), underlining the originality and complexity. The 1900 Exposition example was sold, along with three important pieces of furniture from the Stand (the Grand bureau and associated armchair, and the Bahut Louis XV Mars et Vénus), to the South African banker and diamond merchant Solomon Joel. A further six encriers were produced up until 1925. Object Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Époque of French Furniture, p. 90, pl. 97; p. 149, pl. 157; p. 150; pp. 182-183, pls 197 & 198 as exhibited at the Liege exhibition in 1905 & p. 480 for the original notes in Linke's Blue daybook of the late 1890s. François Linke (1855 - 1946) was the most important Parisian cabinet maker of the late nineteenth and early twentieth centuries, and possibly the most sought after cabinet maker of his period. He was born in 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinetmaker Neumann, then in 1875 at the age of 20 he arrived in Paris where he lived until he died in 1946. It is known that the fledgling Linke workshops were active in Paris in the Faubourg St. Antoine as early as 1881, and during this time he supplied furniture for other more established makers such as Jansen and Krieger. The quality of Linke's craftsmanship was unsurpassed by any of his contemporaries and reached its peak with his spectacular Stand at the Paris Exposition Universelle in 1900, where his Grand Bureau took the Gold Medal. He gambled his fortune and reputation on this Stand, exhibiting several breathtaking items of furniture with sculptural mounts of the most exceptional quality and proportion. His gamble worked and his reputation was established to such an extent that Linke continued to be the pre-eminent furniture house in Paris until the Second World War. As the Art Journal reported in 1900 on Linke's Stand: 'The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the Classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed....' The formation of Linke's distinctive style was made possible by his collaboration with the sculptor Léon Messagé. Together Linke and Messagé designed furniture for Linke's 1900 exhibition Stand, with exuberant allegorical figures cast in high relief, that exemplified Linke's ability to seamlessly merge the different mediums of wood carving, bronze and marquetry into a dynamic unified whole. Today Linke is best known for the exceptionally high quality of his work, as well as his individualism and inventiveness. All of his work has the finest, most lavish mounts, very often applied to comparatively simple carcasses. The technical brilliance of his work and the artistic change that it represented were never to be repeated. Bibliography: Payne, Christopher. François Linke, (1855 - 1946), The Belle Époque of French Furniture, Antique Collectors' Club, (Woodbridge, UK), 2003. Meyer, Jonathan. Great Exhibitions - London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors' Club, (Woodbridge, UK), 2006; pp. 298 - 300. LeDoux - Lebard, Denise. Les Ébénistes du XIXe siècle, Les Editions de l'Amateur, (Paris), 1984; pp. 439-43. Revue Artistique & Industrielle, (Paris), July-August 1900. Coral Thomsen, D. (ed), The Paris Exhibition 1900, The Art Journal, 1901; p.341. Léon Messagé (1842-1901) had a brilliant, but short lived career. He is best known for his incredible sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. A gifted sculptor, Messagé was also responsible for much of the design and creative work for Roux et Brunet and Joseph-Emmanuel Zwiener. Messagé enjoyed great success as a designer/sculptor before his collaboration with Linke. Indeed he was mentioned as a Gold Medal winner at the 1889 International Exhibition and was especially praised for his work on a cabinet by Zwiener. He came into contact with Linke in 1885 and it appears from then on Linke employed him on a regular basis. Messagé was primarily influenced by Rococo ornament but he strove to re-interpret it. He did not produce slavish copies, and his original approach can be appreciated in Linke's celebrated Grande Bibliothèque and Grand Bureau exhibited at the 1900 Paris Exposition Universelle. A number of drawings by Messagé are recorded and after his success at the exhibition of 1889 he was encouraged to publish his designs. 'Cahier...

French Art Deco palisander and pewter inlaid inkwell with 2 crystal wells.

We would like to present you with this magnificent 19th-century Empire-style inkwell from the Napoleon III era adorned with a raised imperial eagle motif positioned between the two i...

An object of art now, captures the period.

An Encrier set with richly-veined Verde Antico marble base mounted with pair gilt-bronze inkwells flanked on either side of a Napolean bust. The marble base with pen tray rest on sh...

Art Deco Desk Set is a captivating blend of timeless elegance and functional design. The centerpiece of this ensemble is the charming Penguin Statue, reminiscent of the iconic design...

A Napoleon III bronze inkwell Encrier. Three winged cupids holding up a bowl with masked faces with an eagle standing atop. Dimensions: H 16cm W 11cm D 8cm Origin: French Date: ...

Small inkwell crafted in porcelain, the paunch and lid decorated with a frieze of polychromatic floral motives highlighted with gold. The lid topped by a pine cone finial features a ...

Empire style table clock and inkwell Origin France Circa 1900 The watch has a Paris machine and it works Golden bronze and Onix materials Very good general condition the marble ...

This beautiful cameo glass inkwell displays the brilliance of the renowned Daum Nancy, a firm long celebrated for their masterful ability to recreate the beauty of nature in glass. A...

Rare and important French Napoleonic ink stand with female sculpture. This hand-crafted and sizable ink stand of marble and gilt bronze is signed by the renowned French sculptor Mar...

Napoleon III inkwell gilt bronz and champleve enamel Origin France perfect condition circa 1860. The Napoleon III style had its heyday during the 1850s and 1880s. Emperor Napoleon wa...

This French Lapis Lazuli and Silver Inkwell, crafted by Gustave Keller in the 1920s, stands as a truly exceptional piece of artistic and functional craftsmanship, radiating with a ti...

Antique French Sevrés inkwell offers porcelain construction in shaped form and having hand painted floral decoration and reserve with a bird, gilt highl...

Antique inkwell from gilded brass. France, 1840-1860.

Inkwell “Colbert” made in clear glass with sepia patina by René Lalique in 1924. Molded signature. Lalique made 50 pieces of this model. All are numbered and ours is N°2. Perfect c...

Beautiful antique inkwell with Cloisonné-Enamel, France circa 1880.

Beautiful antique glass inkwell. Stong blue colour of the glass and nicely hand painted accents. Zinc lids.

Exceptional beautiful inkwell by the french artist and sculptor Gaston Bigard. Signed at the lid "BIGARD". Ceramic with authentic craquele lacquer and a brass lid with beautiful Art ...

French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell France, circa 1870s A magnificent French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell, dating back to the...

Ink Pad by Le Verrier in Bronze Gold and Green Color France Signed

Beautiful Art Nouveau Inkwell from France, 1900- 1920s. This special inkwell is decorated all over with typical Art Nouveau ornaments. The attention to detail is reflected in the pen...

A bronze and marble inkwell. Add this to your desk for instant style.

Antique French Old Paris Porcelain & Gold Bronze Inkwell, Circa 1840.

A Rare Louis XV Style Gilt-Bronze Inkwell. Designed by Léon Messagé and Cast By The Ferdinand Barbedienne Foundry, Paris. Designed in the exuberant Rococo style surmounted by a sea...

Beautiful antique inkwell with Cloisonné-Enamel, France circa 1880. Stamped at the bottom "M B 5 9".

Beautiful travel inkwell with a silver plated lid and a bottom of black leather. On the lid are the initials of a former owner grounded in. Several stamps are on the side of the lid....

Art Deco full desk set in marble and brass, France, 1930s. Composed by: 2 Inkwells W 29.5 cm x D 18.5cm x H 8 cm Ashtray W 14 cm x D 14 cm x H 4 cm Envel...

Beautiful inkwell made of heavy crystal glass, high-quality workmanship with a gold-plated lid. The depiction of Hermes' head is finely crafted and in beautiful condition.

Wonderful antique travel inkwell in a cover of red leather. France, early 19th Century.

Porcelain and bronze inkwell in the taste of Asian Art. Inkwell decorated with a Buddha in white porcelain on a red lacquer tray mounted with gilt bronze and inkwells in porcelain a...

An antique ink stand, made of polished brass, completely in Renaissance style, with richly pieced scroll motifs. The inkwell has two removable ink we...

Cool Ink Well designed as a Godin iron stove from the late 19th Century. Made in France in cast iron and painted with a beautiful patina. Probably an advertising item from late 19th ...

Cute antique inkwell in shape of a shoe. The original ceramic ink insert is existing.

An Art Deco period inkwell, signed Franjou. With a figure of a woodpecker. Made of nickel-plated spelter. On a marble plinth with fluting for a pencil. Franjou is a pseudonym of the...

Inkwell Charles X French Gothic in Patinated Bronze, Early 19th Century Gothic inkwell in patinated bronze and fine chiseled bronze decorated with arcatures, rosettes, polylobed mo...

This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details. Product Details: Item #: S-21164 Artist: Eugène Feuillâtre Country: France Circa: 1900 Dimensions: 2.25" height, 3.5" diameter Materials: Enamel, Silvered Metal, Gilt Metal Signed: impressed Feuillâtre Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898. Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example). Macklowe Gallery Curator's Notes: Eugène Feuillâtre’s career began in René Lalique’s enamelling...

Beautiful inkwell with a small bust in the center and two glass inkwells on its sides. Nicely silvered and cleaned condition. France, 19th century.

A fine vintage Must de Cartier crystal inkwell. It is a melon shaped inkwell with a chunky ribbed crystal body, reflecting the light beautifully, the ...

Exquisite Antique French Gold Bronze, Hand-Painted Porcelain & Lacquer Inkwell, Circa 1870-1880.

Enamel cloissoné and gilt bronze inkwell. France, late 19th century.

The crescent shaped & dished ‘verdi alpi’ marble base affixed with a pair of lidded gilt bronze inkpots (glass inkwells absent), decorated with fine engine turned detail, flanking a ...

A refined antique inkwell, with two inkwells made of bronze, including glass cups. The base is made of veneered marquetry wood with a diamond pattern, framed in a bronze rim, resting...

Richly chiseled and gilded bronze inkwell. Basin with lion's mouth, arched feet with scrolls and acanthus leaves, resting on an oval marble base rimmed with bronze. 19th century peri...

This is an early 20th century highly decorative French gilt bronze, malachite and faux malachite inkstand with dual inkwells. The base is a mix of faux malachite and malachite veneer...

Émile Müller (21st september 1823 – 11th november 1889) was the architect of the workers housing estate in Mulhouse. He founded the “Grande Tuilerie” in Ivry Port (Seine), in 1854. A...

Stunning and Rare Example of a French Patinated Bronze Architectural Style Grand Tour Regency Period Double Inkstand of rectangular outline and compact proportions. First quarter of the Nineteenth Century. This stunning offering is modelled as an ancient Gothic Style Religious building ending on a well veined Sienna Marble platform base. The Ormolu dome top finial covers complete with their internal bronze linings. An early ormolu and Sienna Marble Watch stand is included. Condition: Good condition, original good surface patination, small repair to corner of marble base, see image. Baise underneath has been replaced, nicely done. Back and front views are similar, no visible foundry marks. Height: (inkstand) 5.25" (13.5cm). Width: (at base) 7" (17.5cm). Depth: (at base) 4” (10.25cm). Location: Dublin City, Ireland. Affordable Fixed charge Worldwide Store to door shipping offered by Seller. Please take time to scroll down below and click "View All From Seller" or favorite our Shop PATRICK HOWARD ANTIQUES...

Place this elegant antique signed inkwell in a man’s office. Created in France, circa 1870, the bronze desk accessory sits on four small curved feet, and f...

This piece of nineteenth-century French elegance is sure to be the envy of any collector. The Napoleon III gilt bronze inkwell is a prized find, crafted in circa 1840 France with int...

Place this elegant antique inkwell in a man’s office or study. Created in France, circa 1880, and built of spelter, the desk accessory sits on five small d...

A 19th century french champlevé enameled gilt bronze ornate with colorful blue, green, yellow enameling over the bronze base in a Sevres style decor with a pen rest. Width: 8,07 i...