Bronze Desk Accessories

Literally built to last forever this mechanical paraffin table lighter by Tinos Copenhagen leaves no stones unturned. Very heavy solid bronze corpus, bronze liftarm and roll. It was ...

This very well executed cast and cold-painted bronze and brass book stand is unsigned, but presumed to have originated from Austria and dating to approximately 1920 and done in a per...

Cast bronze set of objects designed in the 1990s by French artists Elisabeth Garouste et Mattia Bonetti for Herbert Blome signed B.G. BLOME B.G.H. EDITIONS/BLOME. A set was sold by W...

Fore sale is a hunting motive inkwell. It is shaped like the head of a dachshund surrounded by reed. It was professionally crafted around 1900 and made from Vienna Bronze and chrome ...

Antique late 19th Century Victorian solid silver & bronze desk Inkwell in a shape of a 4lb weight. When you haven't seen a comparable in your lifetime, it is always exciting, and why...

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...

An Art Nouveau female bronze figurative bust sculpture of a young woman "Ethne" by Giovanni Schoeman (1940-1980.) Piece is marked at base "ETHNE" as shown in close-up last image. Ver...

This wonderful Antonio Gediaga Kieff abstract bronze sculpture is a limited edition. It is signed Kieff 2/6. The bronze has all been polished and sits on a black granite base all ori...

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

An exceptionally fine quality example of an English Ormolu Grand Tour circular desk single Inkwell of generous size, made by renown Silversmiths Elkington & Co. Mid Nineteenth Century The large circular outline superbly decorated with castings of Neoclassical images depicting Male Nudes within circles flanked by winged Sphinx, the central hinged lid with similar decoration. Condition: Good condition with nice patination, professionally re-gold plated. Lacking ink liner, no losses anywhere. Base marks as shown. Measures: Diameter: (entire as shown) 7.75" (19.5cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping. Note: The originators of silver-plating were George Richards Elkington and Henry Elkington who began their research in times of the Industrial Revolution. By the 1830's they had patented their processes and 1840 saw the technique of electro-plating brought to perfection. John Culme, in his Directory of Gold and Silversmiths, said that "Elkington Electroplate was soon accepted with the result that the firm allowed a number of manufacturers to use the technique under licence. Among the earliest granted were those of Christofle & Cie of France". The firm has a worldwide reputation for hand-crafted excellence. Today, the firm is busy making bowls, jugs, trays, candlesticks, ornaments and trophies for international sporting events as well as cutlery pieces. Royal Endorsements & Warrants In 1868, Queen Victoria permitted much of the royal plate...

Pair of Nronze padlocks in fish form.

Cloisonné bronze desk set, 19th century A cloisonné bronze desk set composed of a pair of candlesticks, an inkwell, a penholder, Napoleon III period, 19th century. Measures: Candle...

A 19th century cloisonné bronze watch-holder, onyx base, Napoleon III period.

Rustic weathered 1970s Spanish walnut carpenter's tool with bronze fittings and inserts decorations.

A beautiful, small, substantial bronze female head bust sculpture on cylindrical wood pedestal base, circa 20th century. Artist is unknow. Dimensions:...

A detailed figure of a standard poodle stands on this antique inkwell. All bronze with wood bottom. Interior holes for inkwells. No inserts. Acanthus l...

Artist: Franz Xaver Bergmann Sculpture: Crocodile This wonderful life-like little sculpture of a crocodile is actually a most convenient paperweight, and a perfect desk accesso...

Very elegant French Art Deco Inkwell in gilt bronze and portor black marble with its white and golden veins. The inkwell stands on three beautiful round gilt bronze feet. It has a pe...

What is better than a pair of two strong Greek athletes in sculpted in bronze on marble bases supporting your books ?

Scandinavian mid-17th century bronze iron, dated 1646.

This compelling, small scale bronze sculpture depicts ‘The Rape of the Sabines’, after a monumental work by the Renaissance artist, Giambologna (152...

Grand tour models of Trajan's column & Cleopatra's needle, a pair Both with fine detail, and remnants of a thermometer standing 7.5" H x 3" square black marble base affixed with a bronze fence...

A late 19th century French gilded cast bronze vide-de-poche "Les Lutteurs" ("The Wrestlers") by Gustave Frédéric Michel of two male wrestlers wrestlin...

A Tiffany Studios New York glass and bronze "Poppy" table lamp featuring a leaded glass shade depicting crimson red poppy blossoms with multi-hued green leaves against a mottled oran...