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Superb 19th Century Victorian Carved Oak Figure of Sir Anthony Van Dyck

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  • Antique Large Carved Oak Figure of Saint Anthony of Padua, 18th-19th Century
    Located in New York, NY
    Fine hand carved oak figure of Saint Anthony of Padua Late 18th- Early 19th Century Saint Anthony is depicted with his head raised, mouth ajar, as if in the process of speaking. He stands upright wearing his traditional Franciscan robes and holding open a book. Beautifully carved with high level of detail, unusual for oak pieces. Oak is a dense hardwood which is difficult to carve and it's rare to see this level of detail in an early oak sculpture. Saint Anthony is the Patron Saint of lost things. While living at the monastery, he had a treasured book which contained psalms and personal observations. His book was stolen by a man who decided to leave the monastery and Anthony ferverently prayed for its return as the cost of a new book would have been beyond his means. The thief repented and returned the book which is believed to be preserved at the Franciscan Library in Bologna. He is one of the most popular Catholic saints...
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  • 19th Century Carved Oak Figure of a Saint
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    Very large 19th century carved oak figure of a saint in traditional dress all raised up on octagonal base. Dimensions: Height 60 inches Length 18 inches ...
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  • 19th Century Carved Alabaster Figure of a Woman
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  • 19th Century Detailed Bronze Study of Van Dyck by J.J Salmson circa 1860
    Located in Central England, GB
    A bronze study of Van Dyck, Signed Salmson A superbly detailed fine cast bronze study of Van Dyck by the French sculptor Jean Jules Salmson (1823...
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  • Late 19th Century Baroque Style Carved Oak Figure of Diana the Huntress
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    This figure carved to represent Diana the goddess of the hunt comes complete with bow. Carved in a Baroque revival style in France circa 1880 she may have once been a newel post fini...
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  • Early 19th Century Italian Carved Lion Figure
    Located in London, GB
    Early 19th century carved lion figure An early 19th century hand carved Italian or Spanish representation of a seated lion figure. Anthropomorphism features which are typical of this period. Polychrome paint still visible across its surface with aged repairs and wear as expected, the gesso is visible in sections. Visible ribcage typical of the regions, the possibility this figure could have been part of a larger carved piece of décor furnishing or architecture display...
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