Neoclassical Sculptures

One of the only known sculptures rendered in Blue John to exist in the world, this extraordinary George III panther exemplifies Georgian sophistication. Georgian — and later Regency — aesthetics revived classical themes of the ancient Mediterranean and Near East. With a proud stance, gaping jaw and unyielding gaze, the stately panther closely resembles the grand ancient Roman panthers often carved from marble as trapezophoros table supports. The regal cat rests atop a plinth, also made of Blue John, with Siena and Ashford marble detailing. The intrinsic and richly hued mineral inclusions of the Blue John replicate the textures and colors of the animal’s fur. The rare stone is a variety of natural calcium fluorite found exclusively in Derbyshire, England. It was first discovered in the early 18th century, but its mining did not being until circa 1760. Blue John was a wildly popular material in the decorative arts during the Georgian and Regency...

A near life size carved marble figure of the Crouching Venus. This late 19th century copy of the iconic Hellenistic original bases its form on the crouching Venus on permanent displa...

This roman style mosaic on stand is a fragment from history. It was reclaimed from a building in the southeast of England and includes a bespoke steel st...

A 19th century French very well cast Allegorical Bronze of Music and Poetry After Guillaume Coustou II.

Large French Neoclassical sculpture of Androcles and the Lion. Exceptional quality casting and patina. Mid 19th century. The runaway slave Androcles became friends with a wounded lion...

Pair of mid century Bucking Bronco horse figures with articulating back leg.

An Ormolu bust of a 16th century Prince, by Rancoulet French, Late 19th Century Height 72cm, width 42cm, depth 22cm Made by the skilled and renowned French artist and sculptor E...

A Large and Rare Patinated Bronze Bust of George Washington, after Houdon by F. Barbedienne Foundry, circa 1870. Very nice quality green patinated bronze bust of President...

This large French cherub or cupid statue from the 1800’s is made from plaster that has been tinted to mimic the natural color of terra cotta. The figure ...

After Jean-Baptiste CARPEAUX (1827 - 1875). "Woman's face", patinated plaster sculpture

This stunning stylized bronze stallion sculpture was realized in France by the renowned sculptor Pierre-Jules Mêne (1810-1879) in the mid 19th Century....

This is a rare and very well done bronze sculpture depicting a cowboy who is standing in the soil and has finally conquered a bucking horse in a rodeo. T...

This is a Mythological Meissen group Porcelain figurines depicting two semi nudes nymphs and a nude child holding a fishing net that catches a baby, some fi...

An impressive pair of Italian 19th century Neo-Classical st. white Carrara marble statues of Egyptian Sphinxes. Each Sphinx is sculpted out of one solid piece of marble and is raised...

Albert-Ernest Carrier-Belleuse (France, 1824-1887) A rare seated bronze statue of Benjamin Franklin holding his walking stick and hat, with a book in his ri...

This piece features an image depicting mythological creatures in plaster relief of two nude females and a man playing flute surrounded by bunch of grapes and leaves in gilt color. ...

Antique early 20th century set of four 800. Italian silver and ormolu figural groups. Made in Italy, Naples, first half of 20th century. Hallmarked with 800. Silver and 45NA maker's marks for Luigi Avolio...

A remarkable and high quality pair of Continental 19th century Neo-Classical st. patinated bronze and Rouge Griotte marble statues, attributed to J. Feiffer. Each statue is raised by...

An exquisite English Royal Worcester porcelain Samuel Clarke Commissioned "Cricklite" candle "fairy lamp" standard - base, the rare figural statue in the form of a Grecian water carrier, modeled by James Hadley (English, 1837-1903), the exceptionally executed, richly detailed Neoclassical figure holding a vessel in her left hand and carrying an urn upon her head, wearing flowing robes, the body in blush ivory, the robes of green/gold hue, with gilt highlights. Circa 1898 Signed, underfoot having green printed mark, "Worcester Shot Enamel England 2 125" and imprinted markings by its side. Dimensions: (approx) 9.5" High, 3" Diameter Provenance: From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi (1919-2014), founders of the Ishtar Gate...

A striking pair of Italian 19th century Neo-Classical st. polychrome, giltwood, and faux painted marble columns/floor lamps. Each unique lamp is raised by a wonderfully executed faux...

Bronze sculpture soldier in armor Onix base origin France circa 1900 natural wear Very good condition the measurements are with its base.

Italian neoclassic style cast bronze Poseidon bust with black metal stand (19th century).

An enchanting 19th century marble statue of a young maiden holding a bronze flower. Signed to the base. Batch 65.  

After brothers Louis & Francois Moreau, rare bronze sculpture of a maiden. In triumphant posture looking up to heaven, she is holding a wreath of laurel leaves in her right hand and a in the left one that is raised, a bouquet of flowers. She is standing over a rocky surface which in turn is over a round black marble base. She is wearing a long pleated dress.

This natural rock crystal sphere containing expected color changes and inclusions is a gem from nature. The sphere is 9 inches in diameter and runs from clear to crazed inclusions th...

Pretty alabaster sculpture of a young man removing a thorn from his foot. Theme taken up many times in the sculpture, the oldest known example of the boy with thorn...

Antique McClelland Barclay bronze figurine in the shape of a neoclassically inspired female figure without arms or head, embedded in a half r...

A very fine Grand Tour bronze study of the famous Venus de Milo with excellent rich brown patina and good hand finished surface detail. The casting is unusual in that it does not pretend to hide the many imperfections on the original. It is signed on the base with "Reduction Mechanique Ronald Collas, and for the foundry F.Barbidienne Fondeur. Foundry stamp on the base Considered by any to be the most beautiful Hellenistic statue to survive fro antiquity, the Venus of Milos...

An early 20th Century model of Discobolos of Myron raised on a marble base.

17th century iron dog collar, museum mounted on rectangular giltwood base. With two rows of neoclassic ironwork. The 6" x 2.25" W collar is removable...

A charming pair of cast iron putti figures. Early to mid-20th century, great untouched patina.

Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will Stand out in any kind of décor, with its Fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 Lumen and 100-240V voltage. The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries. Les First: Light of the Gods A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or Minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty. The Lamps 1. The idea: Les First – Top Quality Italian Craftsmanship 2. Technological Innovation: The Dimmable Touch Lamp Technical Information 3. Technical Features 4. Artisanal Production 5. Assembling 6. Packaging and Shipping 7. Maintenance 1. The idea: Les First – Top Quality Italian Craftsmanship All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures. Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops Craft to specification the various components, that are then assembled in the Les First atelier in Mantova. The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production. 2. Technological Innovation: The Dimmable Touch Lamp The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas. The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane. The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch. 3. Technical Features: Weight: 8 kg / 17,64 lbs Power consumption: 7 W (LED) LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W Lumen: 369 Colour temperature: 3000 K Color Rendering Index (CRI): 90 LED panel lifespan: 50 000 hours Dimmer: Included Voltage: 24Vdc Environment: Indoor Protection Rating: IP 20 Electric insulation class: 3^ Energetic class: A+ Power Supply Technical Data Supply included: Yes Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc Cord Lenght: 100 cm / 39,37 in Indoor use only. Psyche touch lamp is CE certified. 4. Artisanal Production Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic. Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition. 5. Assembling Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard. 6. Packaging and Shipping All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps. The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-Expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs. The weight of the packaging must be added to that of the lamp itself. Psyche lamp...

Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will stand out in any kind of décor, with its fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 lumen and 100-240V voltage. The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries. Les First: Light of the Gods A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty. The Lamps 1. The Idea: Les First – Top Quality Italian Craftsmanship 2. Technological Innovation: The Dimmable Touch Lamp Technical Information 3. Technical Features 4. Artisanal Production 5. Assembling 6. Packaging and Shipping 7. Maintenance 1. The Idea: Les First – Top Quality Italian Craftsmanship All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures. Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops craft to specification the various components, that are then assembled in the Les First atelier in Mantova. The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production. 2. Technological Innovation: The Dimmable Touch Lamp The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas. The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane. The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch. 3. Technical Features: Weight: 8 kg / 17,64 lb Power consumption: 7 W (LED) LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W Lumen: 369 Colour temperature: 3000 K Color Rendering Index (CRI): 90 LED panel lifespan: 50 000 hours Dimmer: Included Voltage: 24Vdc Environment: Indoor Protection Rating: IP 20 Electric insulation class: 3^ Energetic class: A+ Power Supply Technical Data Supply included: Yes Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc Cord Lenght: 100 cm / 39,37 in Indoor use only. Psyche touch lamp is CE certified. 4. Artisanal Production Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic. Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition. 5. Assembling Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard. 6. Packaging and Shipping All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps. The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs. The weight of the packaging must be added to that of the lamp itself. Psyche lamp...

19th Century bronze bust of Homer attributed to the attributed to the Chiurazzi Foundry, Naples, Italy. Homer was author of the epic poems the Iliad and the ...

Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will Stand out in any kind of décor, with its Fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 Lumen and 100-240V voltage. The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries. Les First: Light of the Gods A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or Minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty. The Lamps 1. The idea: Les First – Top Quality Italian Craftsmanship 2. Technological Innovation: The Dimmable Touch Lamp Technical Information 3. Technical Features 4. Artisanal Production 5. Assembling 6. Packaging and Shipping 7. Maintenance 1. The idea: Les First – Top Quality Italian Craftsmanship All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures. Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops Craft to specification the various components, that are then assembled in the Les First atelier in Mantova. The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production. 2. Technological Innovation: The Dimmable Touch Lamp The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas. The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane. The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch. 3. Technical Features: Weight: 8 kg / 17,64 lb Power consumption: 7 W (LED) LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W Lumen: 369 Colour temperature: 3000 K Color Rendering Index (CRI): 90 LED panel lifespan: 50 000 hours Dimmer: Included Voltage: 24Vdc Environment: Indoor Protection Rating: IP 20 Electric insulation class: 3^ Energetic class: A+ Power Supply Technical Data Supply included: Yes Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc Cord Lenght: 100 cm / 39,37 in Indoor use only. Psyche touch lamp is CE certified. 4. Artisanal Production Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic. Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition. 5. Assembling Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard. 6. Packaging and Shipping All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps. The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-Expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs. The weight of the packaging must be added to that of the lamp itself. Psyche lamp...

This incredible lifesize sculpture features a nude subject standing on top of a seashell. Please confirm item location with seller (NY/NJ).

Antique Italian true pair of lions crafted in terra cotta, decorated, glazed and forever in repose.

Decorate an office or study's shelf with this elegant suite of antique putti statues. Crafted in France circa 1870, and made of iron, each musical cherub stands on a rectangular base, and plays a different musical instrument; violin, flute, sitar and tambourine. The four seasons cherubs...

A splendid and true pair of French 19th century Neo-Classical st. patinated bronze statues of Hermes and a nobleman, signed and stamped by Susse Frère...

A complimentary pair of beautifully cast and rare standing Greco-Roman patinated bronze statues of winged mostly nude but partly classically draped male figures that are surprisingly unsigned. One of the figures is looking down and is holding a laurel branch across one shoulder, with the other hand holding and partly leaning on a sword with its tip on the ground for support. Set behind the figure and resting on his legs is a round embossed shield...

This pair of Limoges porcelain bisque busts featuring Brongniart children derives from a masterpiece of children's portraiture by Jean-Antoine Houdon (French, 1741-1828): the busts of Louise (1772-1845) and her brother Alexandre (1770-1847), children of the famous architect Alexandre-Théodore Brongniart. Crafted of terracotta, Houdon's busts were presented at the Salon of 1777. Very popular, the two busts were reproduced in bisque, terracotta, marble and bronze. They were acquired at the end of the 19th century by the Louvre Museum. Our Limoges busts...

Presenting a gorgeous American bronze sculpture of a “Rugged Outdoorsman” bronze by Lundeen. George Wayne Lundeen (b. 1948), American Sculptor … limited Edition No 10/12 … dated 1977. Fully and properly signed and marked on the rear of the head. This is an exceptional quality bronze with exceptional detail. It features the bust/head of a bearded and rugged American Frontiersman with rope over his shoulder. It sits on a granite base. George Wayne Lundeen, American sculptor (b. 1948 -). Born in Holdrege, Nebraska, George Lundeen has become a nationally known sculptor of realistic figures. He achieved the status of full Academician of the National Academy of Design in New York, which is the highest professional recognition bestowed on visual arts in America. One of his best known pieces is the seated, life-size figure in bronze of Benjamin Franklin at the University of Pennsylvania campus in Philadelphia. He also has work at the Capital Rotunda in Washington DC. and in 2001, his sculpture Thomas Jefferson was dedicated at the University of Missouri-Columbia. Lundeen served as the 2001 Thomas Jefferson Distinguished Visiting Lecturer and participated in the unveiling of the Jefferson sculpture. Recipient Pioneer award, Nebraska legislature, 1995, Distinguished Nebraskan, Governor Nebraska, 1995; Fulbright-Hays grantee, Florence, Italy, 1973-1974. Member of National Academy of Design (academician), Allied Artists American (Montana award 1982), National Sculpture Society (Bronze medal 1981, 1984, Silver medal 1982). UNIVERSITY OF NEBRASKA 1999 Honorary Doctorate of Humane Letters STATE OF NEBRASKA 1995 “Distinguished Nebraskan” by proclamation of the Governor of Nebraska LEGISLATURE OF NEBRASKA AND THE NEBRASKALAND FOUNDATION 1995 Pioneer Award NATIONAL SCULPTURE SOCIETY 1983 National Sculpture Society’s Prizewinner Exhibition, Bronze Medal: “Departure” 1982 National Sculpture Silver Medal: “Old Friends” 1981 National Sculpture Bronze Medal: “Departure” ALLIED ARTISTS OF AMERICA 1991 Associate Members Award: “Joy of Music-Bass Player” 1990 Helen Gapen Oehler Memorial Award: “Hearts on a Swing” 1987 Allied Artists Members & Associates Award: “Ben Franklin” 1981 Pietro and Alfrieda Montana Memorial Award: “Michelle” NORTH AMERICAN SCULPTURE EXHIBITION 1986 John Cavenaugh Memorial Award: “Flatlander” 1983 Art Castings of Colorado Award: “Lovers” 1981 Rocky Mountain Sculpture...

Italian Neo-Classic style (19/20th Cent) faux painted composition bust of a Roman Emperor wearing a red toga and mounted on a black square base.

Pair of early carved and giltwood Italian eagle wall brackets. Realistically carved wooden eagles with original bracket shelves. Mostly original gi...

A beautiful and very high quality Italian 19th century Neo-Classical st. white Carrara marble statue of Venus de Milo, signed G. Pettini & Figli Pisa. The statue is raised by a wonde...

This is a life size marble sculpture of Venus after “La Venus Italica” sculpture of Antonio Canova that is at the Palazzo Pitti in Florence. It depicts a...

An extremely elegant French 19th century Neo-Classical st. ormolu and Portoro marble statue of a maiden. The statue is raised by a rectangular Portoro marble base where the beautiful...

A high quality true pair of French 19th century neo-classical st. patinated bronze statues, signed DENIERE. Each statue is raised by a circular base where the signature as well as an...

Pair of rare 19th century Italian carved and gilt wood bat form wall brackets. Original gilding. As found. Rare and wonderful. Neoclassical and Gothic, in ...

A striking and high quality pair of French 19th century Neo-Classical st. ormolu, black Porphyry and fossilized marble statues of Minerva and Hermes. Each statue is raised by a beaut...

A striking pair of French 19th century Neo-Classical st. patinated bronze statues of Bacchus and Mercury. Each wonderfully executed statue is raised on a square base decorated with u...

Our magnificent bronze, entitled Der Gladiator, depicting a Roman gladiator preparing to fight was modeled by the German artist, Heinrich Baucke (1875-1915). Mounted to a green variegated marble plinth measuring 23 by 15 inches and with an overall height of 39 inches. Signed on the base with the stamped mark of the foundry, DUSSELDORFER BRONCEGIESSEREI G.m.b.H. The artist enjoyed a prestigious career.  According to the Benezit, Baucke studied under Karl Janssen at the Dusseldorf Academy of Fine Arts.  In 1903 Baucke moved to Berlin and executed several commissions for Kaiser Wilhelm II including a major work at the Royal Palace in Berlin (known since the end of the monarchy in 1918 as the Berlin Palace) and supervision of the development of the Schlossplatz palace square.  Commissions included the Monument to William I at Rotthausen, the bronze of King Friedrich Wilhelm III of Prussia at the town hall in Elberfeld, a statue of King Frederick I, a stone statue of Maurice of Nassau and marble busts of Helmuth von Moltke, Chief of the German General Staff, and German Chancellor, Otto von Bismarck...

A superb bronze model of a classical maiden and a putto entitled 'Le Merchand de Plaisir' the winged putto holding a posey vase, the maiden with a rose, on ...

A weathervane in the form of a running horse, that was likely modeled after "Dexter" circa late 19th century on a custom display stand. The full body molded horse has a gilt surface ...

Neoclassical bronze by Louis Alfred Habert (French, 1824-1893) late 19th century figure of the muse: Terpsichore. Classical female seated, holding a Lyre a...

Large Staffordshire figure of Benjamin Franklin, Named Franklin on base, mid-19th century This Staffordshire figure of Benjamin Franklin has a white base with the words Franklin mol...

A trotting horse weathervane likely modeled after "Ethan Allen" with its original mount and displayed on a custom stand in a slightly upslop...

Set of four large Academic style torchères emblematic of the continents French, late 19th Century Height: 228cm, diameter 50cm Torchères alone: Height 197cm, diameter 34cm Bases alone: Height 31cm, diameter 50cm The four large torchères in this set are designed in the manner of Mathurin Moreau, one of the leading Academic sculptors of the nineteenth century. The patinated metal sculptures were cast by Miroy Frères...