Earthenware Vases

A cream-colored glazed vase produced by Upsala-Ekeby, Sweden, 1940s.  

BOHEMIAN FLUX: A VASE, kuk Fachschule für Keramik und Verwandte Kunstgewerbe, Turn-Teplitz, c. 1905; the ceramic vase with a dark underglaze ground has a matte orange peel overglaze in ochre, apricot, lapis and celadon; the shape of the vase resembles a Japanese Saki bottle with the addition of four long and slender handles at the top third; incised before firing on the base in script lettering,“P.W.”, stamped before firing with the Fachschule mark and 73, and marked “G2.” in black ink; the vase measures: 13” high. Flux- continuous moving, a glazing method, fusion- the artist who produced this remarkable vase has presented a profoundly poetic and technical meditation on this subject. Moving way beyond the pursuit of creating only functional objects, the student ceramists at Fachschule Teplitz had ingrained in them the Europeans’ fascination for Japanese objects “from the floating world” and the design aesthetic known as Japonisme. Truly modern interpretations of Japonisme had begun to evolve into an internalizing of the aesthetic principles and a shift away from imitation of Japanese style applied to a Western format. This vase is noteworthy in that it illustrates this important Modernist shift in European ceramics. The elements of the saki bottle can be divided into three key components which taken as a whole create a rather feminine line. In keeping with this approach, the Fachschule student presents a slender bare neck, like décolletage, which flares ever slightly and then narrows to a high waist before voluptuously widening down and terminating gracefully to a round base. The ceramist gives special emphasis to pleasing proportions and the complementary relationship to the number 3; the measurement at the widest section of the vase equals the same distance from that point up to where the bottoms of the handles join to the body of the vase as well as the full arms’ length. Instead of inscribing the vase with Japanese calligraphy denoting a saki shop, the student takes a radically modern approach by attaching the vase with four handles. And yet, this act is every bit a form of written identification. The arms are the embodiment of the idea of flux in that they are a substance applied to a surface by the welding together to promote their union. The handles serve a new and surprising function. They are carriers of a concept. Fluidity- flux -can be created when an artist joins disparate elements into a harmonious whole. Flux is also a substance used to promote the fusion of minerals and metals and a term describing ceramic glazing. The presence of silica in glazes creates a glassy finish when fired at high temperatures. Matte glazes result from the presence of crystals under the surface and the balance between silica, flux and alumina in the glaze materials. By deliberately under-firing this vase and playing with a combination of additives forming the flux glaze, the end result appears matte and textured. The orange peel quality and alluring color palette are transformative. The effect evokes a waterfall or another continuous moving flow of water like a stream - in flux. So not only does this artist take a Meiji Period saki bottle and the aesthetic tenets of Japonisme as the formal and theoretical points of departure, the artist infuses the work with the symbolism of skill itself where artistic mastery as the embodiment of flux becomes the subject to ponder. As a fully realized and beautifully rendered piece, the vase attests to the artistic prowess of its creator. No longer a mere student working in the shadows of the teacher and no longer simply imitating or replicating past styles, this emerging artist shows the complete fluid transfer from student to master ceramist. Seen in this light, the vase represents a significant and pivotal achievement in Modern European ceramic ware. Fachschule für Keramik und Verwandte Kunstgewerbe (the Imperial School for Ceramics and Associated Applied Arts, 1875-1917) was a powerhouse of the ceramics industry. Located in the Turn-Teplitz region of Bohemia near the German border of what is today The Czech Republic, this was Europe’s largest pottery center in the first part of the 20th century. The school played an integral role in the center’s internationally regarded success as it provided the foundation of sourcing and training new talent for noted local manufacturers such as Amphora. It was at the Fachschule that master artists from these local ceramics houses enjoyed teaching and lecturing posts, and in true synergistic spirit, the big ceramics...

A large and handsome Delft lidded baluster vase, in the traditional blue and white colour scheme of this Dutch pottery producer. The vase dates from the second half of the 20th centu...

Large Free-Form Ceramic Vase, from the 1970s. A one-of-a-kind piece with an organic feature. The general shapes gives it a seashell or mushroom look that makes it so special. The v...

GOLDEN GARDEN VASE, by Odette Chatrousse Heiligenstein and possibly Auguste (Claude) Theodore Heiligenstein (1891-1976) In 2015, Brigitte Patin, the granddaughter of Auguste and Ode...

A beautifully crafted, wonderfully designed, large Mid-century Modern California Studio pottery vase by famed California ceramic artist Robert Maxwell featuring a radiant pale grayis...

Theodore Deck (1823-1891) A deep green enameled faience miniature pair of vases molded in the Chinese Archaistic Taste. Coves in the shape of elepha...

This early 19th century Wedgwood slip decorated vase has an elegant design. It is decorated with ochre-colored slip on the outside and features unpainted white grooved columns that r...

Danish midcentury wheel thrown ceramic vase. Earthcolored glaze in asymmetrical lines of olive green, light blue and brown colors. Angled unglazed base with signature. Beautiful vi...

Lele Maria Victoria s a beautiful decorative clay sculptural piece made by expert Mexican artisans that is part of the Lele's Collection by Raíz. Lele is a word of Otomi origin that ...

Lele Maria Fernanda is a beautiful decorative clay sculptural piece made by expert Mexican artisans that is part of the Lele's Collection by Raíz. Lele is a word of Otomi origin that...

Lele Maria Paz is a beautiful decorative clay sculptural piece made by expert Mexican artisans that is part of the Lele's Collection by Raíz. Lele is a word ...

Lele Maria de Jesus is a beautiful decorative clay sculptural piece made by expert Mexican artisans that is part of the Lele's Collection by Raíz. Lele is a word of Otomi origin that...

A rare, large vase in a classical shape, decorated with figures in a landscape. Large pieces of delftware are not often found. See CIRC 43-1963 in the V&A for a similar example.

A green-glazed earthenware vase designed and produced by Upsala Ekeby, Sweden, 1930s.

Upside Down Head Vase by Di Fretto Dimensions: W 23 x D 16 x H 25 cm Materials: White Faience (not glazed / glazed inside only) The upside down vase is scul...

Brent Bennett hand glazed earthenware umbrella stand.

Very nice art deco vase signed Boch la Louviere in speckled blue earthenware. Very good condition.

For sale a rare & iconic Post-Modern “FISCHIETTO” ("Whistle" in Italian) vase designed by Ettore Sottsass, produced by Habitat in 2000 and made of earthenware, glazed in light & dark...

This important antique vase was crafted in France, circa 1780. Octagonal in shape with gadrooned body style and a tall neck, the elegant potiche features a hand painted medallion dep...

A large octagonal green glazed earthenware vase with blue glazed squares, marked Austria and numbered 7143. These type of vases were made in the Vienna School of Applied Arts (Wiener...

Nils Thorsson for Aluminia. "Marselis" faience vase in deep blue glaze with stylized pattern. Model 2645. Mid-20th century. In good condition with minimal crack at the top of the vas...

A green and brown-glazed earthenware vase designed by Erik Mornils and produced by Nittsjö, Sweden, c. 1930s.

A pair Dutch Royal Delft vases. Tall decorative vases on an octagonal foot. The vases are hand crafted and hand painted in enchanting blue colors, blue camaieu. Floral decoration wit...

Pair of black glazed ceramic vases with silver decoration, art deco These 2 vases bear the ODYV brand underneath, with the number 492 The ODYV brand is a collection of art deco obj...

Monumental Longwy Musique Faience Vase Designed by Danillo Curetti, late 20th century Marks: FOLMOUTH'S, jm, TIRAGE NUMEROTE No 8, DECORÉ à la MAIN, (crown-coat of arms), EMAUX DE LO...

Early 20th centuyr Art Déco blue glazed ceramic/earthenware vase by french designer Charles Catteau for belgian factory Boch Frères Keramis By: Charles Catteau, Boch Frères Keramis,...

A green-glazed earthenware vase designed and produced by Upsala Ekeby, Sweden, 1930s.

A 19th Century Majolica glazed ceramic begonia leaf plate by Griffen Smith & Hill. A nicely textured Etruscan majolica plate with overlapping green...

Lovely vase by Hans Hedberg, made in faience. Striking organic form with olive colored glaze and litchen-like flecks.

Aluminia faience vase. Modernist design. Glaze in shades of brown. Mid-20th century. Marked. In perfect condition. Dimensions: Height 12.5 cm x Diameter 8.0 cm.

Artist/Designer: Grueby Faience Co. Additional Information: Fine example of a two-color Grueby vase Marking(s); notes: marking(s) Country of origin; materials: USA; glazed earthen...

A Taste of Exile is a reminder that we all come from a uterus; we are all embedded in nature and in the mystical cycle of life and death. The representation of this symbol strives to create a supportive coven, united by the loving and protective symbol of origin. Charlotte Colbert...

A green-glazed earthenware vase designed and produced by Upsala Ekeby, Sweden, 1930s.

These matching green pillar vases' bases are painted black and contain various geometric designs that work their way up the shaft of the vase, eventually becoming less concentrated....

Ceramic vase with deep blue glaze decor signed Pol Chambost, circa 1950 This is a beautiful vintage ceramic from the 1950s. You can recognize Pol Chambost's work by the color of the...

Product Description: This is a unique piece designed by arguably Sweden's most famous artist Lisa Larson. The signature of Lisa Larson and the hand of the studio Gustavsberg are clea...

Magnificent large decorative ewer, handmade and hand-painted in Italy by the artist G. Mengoni for deBlona. His creativity was inspired by Middle Eastern ceramic tradition, whose orn...

Lavenia Angelo Biancini Maiolica vase, 1930, Italy.

Contemporary handmade Italian Work of Art, a decorative vase in the shape of a crown in majolica, exclusive for Cosulich Interiors & Antiques by Ceramica Gatti, a long tradition Stud...

Signed on the underside by Gaetano Battaglia of Manifattura Battaglia, this tall hand-painted majolica ewer originates from Naples, Italy, circa 1870. Known as an istoriato (loosely ...

Marcello Fantoni early cubist vase, Italy 1950s Fully signed

On offer is a humble and honest piece of traditional European kitchenware. This stoneware pot has a beautiful natural beige color and its cracked glaze gives this pot its character....

Contemporary handmade Italian Work of Art, a decorative vase in the shape of a crown in majolica, exclusive for Cosulich Interiors & Antiques by Ceramica Gatti, a long tradition Stud...

A yellow-glazed earthenware vase designed and produced by Upsala Ekeby, Sweden, 1930s.

A simple beauty by Anna-Lisa Thomson. Cream glazed earthenware vase with incised pattern, made for Upsala Ekeby in Sweden, circa 1937. The last photo shows the artist in 1937, with ...

A green-glazed fluted earthenware vase, designed and produced by Upsala Ekeby, Sweden, 1930s.

PB33 Peter Beard Undulating Vase in a Wax Resist Glaze 2024 19cm high, 14cm wide, 12 cm deep

A twin-handled cylindrical biscuit barrel and cover decorated in the 'Eventide' pattern, in shades of ochre, rose, and petrol blue, impressed factory marks, signed in blue. Glazed ea...

A sizeable green-glazed vase designed and produced by Upsala Ekeby, Sweden, 1930s.

Undulating free-form earthenware vase with graduated hand-piercings by Gilles Caffier. In off-white earthenware. The vase somes with a glass insert for flowers. From and edition of 9...

Painted with Continuous Scenes From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase Pair by Gyokuzan. The vases of squat bulbous form with pinched neck...

PB37 Peter Beard Vase with an Inverted Rim in a Manganese Wax Resist Glaze 2024 20cm x 16cm

Attributed to Lucien Levy Dhurmer for Clement Massier. An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which in...

Model #4619 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Model #1049. Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written abou...

PB 36 Peter Beard Conical Vase in a Wax Resist Glaze 2024 24cm high, 15.5cm wide

An orange and green-glazed earthenware vase designed by Anna-Lisa Thomson and produced by Upsala Ekeby, Sweden, 1930s.