Berte Jessen Bird Dish by Royal Copenhagen

Jug in a rare green color with an enamel finish. Each piece is signed "Jean Marais" on the lower part of the rounding. Made in Ateliers Vallauris.

beautiful set of blue ceramics by Pol Chambost from the 1950's original condition

Danish Ceramic from the 1970s in good condition Located in Brooklyn.

rare piece of blue enabled ceramic with fine crackles . Pig from Pol Chambost in good original condition from the 1960's

Beautiful size for the handkerchief vase signed by Elchinger, rare pattern. Vase is in good vintage condition , signed at the bottom . Fernand Elchinger (1911-1975) took over his f...

Rare set of form cups and udercups from he 1960's by Peter and Denise Orlando in very good condition . Born in the United States in New Jersey to Italian parents, Peter Orlando stud...

A vintage circa 1970s midcentury Danish modern faience ceramic box by Berte Jessen for Royal Copenhagen. This lidded circular box is fully marked and has a beautiful and colorful des...

Royal Copenhagen Faience pitcher by Berte Jessen, 1960s A lidded pitcher from the Danish manufacturer Royal Copenhagen, designed by Berte Jessen, during the 1960s. The lid is mark...

Blue and white dish with bird on a double ring Delft or Western-Netherlands, 1700-1750 Blue and white dish with a wide-spreading flange, painted in the centre with a bird on a double ring with leafy garlands. The decor on the flange is made up of a small band of scrolls and stylized leaves, framed within lines. The well halfway to the rim is left unpainted. Three stilt marks, which are characteristic for majolica, are visible in the centre. Dimensions: Diameter 31,5 cm / 12.40 in. The decor of a parrot on a ring is a well-known motif on plates and dishes...

White lobed dish. Delft, 1650-1700. Dimensions: diameter 33 cm / 12.99 in. The white lobed dish is composed of twenty-seven double lobes around a curved ...

Polychrome chinoiserie lobed dish. Delft, 1680-1690 The lobed dish is composed of nine wide lobes around a nine-fold centre and is painted with a chinoiserie decor in purple, yellow and green. Two Chinese figures in an eastern landscape are depicted in the centre, one of them carries a banner. The landscape is framed within lines and a white band. The border is decorated with a continuous landscape with two reclining and two standing Chinese figures. A lobed dish of the same shape and design in purple, blue and green is in the collection of the Victoria and Albert Museum in London. The Museum of Fine Arts in Boston, Massachusetts holds a variant in blue and yellow. In the same museum are three lobed dishes, each with twenty-seven double lobes with chinoiserie landscapes in the same colour scheme of purple, yellow and green. In the second half of the seventeenth century many lobed dishes were painted with Chinese motifs, mostly landscapes with Chinese figures. The vast majority are in blue. Two- or multi-coloured chinoiserie decorations were very fashionable during a short period of time, predominantly in the 1680s. In addition to lobed dishes, they also appear on wine jugs, beer mugs, butter pots, covered spiced-wine bowls and dishes. Some of this Delftware is still wrongly attributed to a factory in the German town of Frankfurt, and sometimes it is even considered to be English. An excavated chinoiserie butter pot in purple, green and yellow, found in a cesspit in the grounds of the Porcelain Bottle factory, proves otherwise. A beer mug with the portrait of the Dutch prince Willem III...

Polychrome lobed dish with horseman. Delft, 1690-1700. Dimensions: diameter 33,8 cm / 13 in. The lobed dish is composed of twenty-seven double lobes and is painted in polychrome with a central motif of a horseman. The border is decorated with a continuous frieze of simplified flowers and tulips. The horseman is standing on a green ground between two trees. This type of decoration harks back to maiolica plates...