Other Crystal Serveware

Group of Libbey Rock Sharpe cut crystal glassware with floral and pineapple motifs comprising (11) eleven champagne coupes, (16) wine glasses, (6) six tall wine glasses, (11) eleven ...

Antique early 20th Century British made claret jug, showcasing a cut glass body and silver plate top. The baluster body is intricately hand-cut in an antique style golf ball pattern,...

Set di due bicchieri da vino in cristallo saint louis colorato vintage

Antique 19th Century Austrian rare and unusual solid silver-gilt & enamel rock crystal dish. Enamelled with putti and pierced floral decoration, the frame set with blue cabouchon lap...

Antique 19th Century Austrian rare solid silver & enamel rock crystal set of three spoons. Scallop shaped carved rock crystal bowls set with highly decorative, pierced and enamelled, cast solid silver handles, comes in its original retail case. Hallmarked Austrian-Hungarian Dog...

Antique 19th Century Austrian rare and unusual solid silver-gilt & enamel rock crystal ewer. The rock crystal engraved with chimeras among scrollwork, silver gilt mounts pierced and ...

This is a delightful blue-lined cut crystal decanter, the "Eurydice" model. This model was featured in the 1904-1905 catalogue of the famous Belgian crystal manufacturer Val Saint Lambert. With its high, conical shape and rich workmanship, this model is one of the most famous by this great company.  Period: Early 20th century Dimensions: Height: 41.5cm - Base diameter: 10cm   In 1826, two employees of the Vonêche crystal works set up their own crystal works in the Val Saint Lambert abbey.  François Kemlin was a chemist and Auguste Lelièvre a polytechnician. The site on the banks of the Meuse was well chosen.   The region was active in metallurgy and it would be easy to obtain the lead needed to make crystal. Thanks to the financial support of Guillaume d'Orange and Baron Joseph de Bonaert, the Société anonyme des Verreries et Établissements du Val Saint-Lambert was created.  It was bought out in 1836 by Société Générale de Belgique, and its products were soon exported all over the world.  At the Brussels Exhibition of Belgian Industrial Products in 1841, Val Saint Lambert won a gold medal for its pure, refined and colourful crystal. At the end of the 19th century, Val Saint Lambert presented crystal creations with geometric motifs for the first time.  The success was phenomenal.  The company built huge hangars and a hundred houses for the workers. It modernised with electric lighting, a gasworks and a railway line to the factory. The factory was at its peak at the beginning of the 20th century. Crystal virtuosos such as Dieudonné Masson rubbed shoulders with the crème de la crème of designers, the Muller brothers from Nancy or Gallé and Daum...

Crystal dinner service, "Piccadilly" model by Baccarat, comprising 54 pieces. Here are the details of the pieces - 1 water jug - 12 liqueur glasses - 11 wine glasses - 12 water glass...

Boemo cristallo versaille blu Boemo cristallo versaille blu Boemo cristallo versaille blu Boemo cristallo versaille blu Boemo cristallo versaille blu Boemo cristallo versaille blu Bo...

Highly coveted and rare, this beautiful thirteen-piece set by T.G. Hawkes & Co. features the desirable Gravic Fruit pattern, one of the firm’s most collected and sought-after designs. Including one large serving platter and twelve smaller plates, each item in this set features different fruits. Founded in Corning, New York, T.G. Hawkes & Co. is one of the most esteemed American cut glass...

Set of crystal glasses model "Marguerite" including 8 fruit juice or cocktail glasses. In a perfect state. Signed Lalique R France.

Large round cut crystal vanity lidded container. It is perfect for cotton & q-tips. I am sure you have a few treasures that need a home. No makers mark could be found.

Fontana Arte.

A Late 20th Century decorative crystal bowl by Rosenthal, their "Blossom". Clear crystal round bowl with a blossom-like shape, flared out at top gently tapering to the base, smooth i...

A Late 20th Century decorative crystal bowl. Clear crystal round bowl with a square cut diamond pattern at rim with square cut beneath tapering narrower to bottom. Origin unknown, mo...

A Late 20th Century decorative crystal bowl. Clear crystal round bowl with flared out points at top that alternate in size and a cut pattern at base. Origin unknown, most likely the ...

A Late 20th Century decorative crystal bowl. Clear thick crystal round bowl with a narrow solid rim with cut ovals beneath tapering narrower to a solid bottom. Origin unknown, most l...

A fabulous, heavy crystal pitcher from late 19th century France. The vessel is ornamented with exceptional designs cut directly into the glass. Fluted details can be found around the...

Fontana Arte coat hanger for entrance or bathroom metal crome wood glass 1970 Italy.

Barovier e Toso Murano glass Rostrato centerpiece, 1940, Italy.

Cristal Arte umbrella stand brass glass, 1955, Italy.

Cenedese Antonio da Ros bird of prey Murano glass, 1960, Italy.

Fontana Arte Pietro Chiesa Centrotavola Glass Wood signed “FX”1938 Italy

Fontana Arte Coppa Cristallo di grosso spessore, curvato, molato, 1959, Italy.

Crystal bowl with silver and coral decorative elements Eliseo Mangili (1890-1977) Milan, circa 1940 It measures 4.8 in high x Ø 8.26 in; foot Ø 4.33 in (12.2 x Ø 21 cm; Ø foot 11 cm) 5.51 lb (2.55 kg) The rounded bowl narrows and rests on a flared foot with a polygonal section in blue crystal. The bowl itself is crafted in transparent crystal and continues the polygonal motif. The base of the bowl is decorated with a series of engraved blue arches which somewhat overlap creating a corolla and with five vertical cusps of the same colour. The rim is accented with a triple cut line around the entire circumference. A silver band representing a currant branch wraps the “waist” where the foot joins the bowl with currants made of orange coral. The bowl features the following marks along the silver band which defines its narrowing towards the foot. These help us date the work: 1) a lozenge with the abbreviation of the province (MI); Roman fasces; the number 08. This was the mark in force after the promulgation of the law of 5 February 1934 n. 305, which provided for the use of a uniform mark for the identification of the silversmith and of the province. In this case it is the Milanese smith Eliseo Mangili during the period 1935-1944. 2) 800 without a border. Title in thousandths of silver. Eliseo Mangili was one of the most talented goldsmiths flanking Alfredo Ravasco...