North American Sculptures and Carvings

19th century Zinc Folk Art baby goose statue from a old fountain. The condition is good with some age wear.

Fabulous large brass Brutalist patchwork stallion horse with blown black glass eyes. Fantastic artistic piece by Luciano Bustamante of Mexico c1965. In excellent vintage condition wi...

Flight Risk, 2019 by Alex Hodge Carved porcelain 11.5 H in x 8.5 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values wom...

Snake Got Your Tongue, 2019 by Alex Hodge Carved porcelain 9.5 H in x 9.5 W in x 0.75 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that ...

Falling Backwards, 2019 by Alex Hodge Carved porcelain 15 H in x 10.5 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that value...

Stairway to Nowhere Girl, 2019 by Alex Hodge Carved porcelain 16 H in x 12.5 W in x 0.75 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way th...

Supporting Perspective, 2019 by Alex Hodge Carved porcelain 11.5 H in x 7.5 W in x 0.75 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way tha...

Bamboo Backbone Woman, 2019 by Alex Hodge Carved porcelain 12 H in x 8.5 W in x 0.75 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that v...

Stairway to Nowhere Girl, 2019 by Alex Hodge Carved porcelain 11 H in x 6.2 W in x 0.75 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way tha...

Protective Linings Portrait, 2019 Carved porcelain 14 inches x 9.5 inches x 0.75 inch Unique Her poetic porcelain plates examine and reimagine the history of art in a way that value...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...

Charming Iron Wire Haired Fox Terrier Door Stop with intact original paint attributed to Hubley circa 1910. Hard to find with original patinaed cold ...

Radial Glow, 2019 by Alex Hodge Carved porcelain 12 H in x 8 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values women, ...

Antique religious Spanish Colonial hand carved and painted archangel santo altar figure. circa 1800 Hand-crafted by Spanish settlers in North America (likely Southwestern United States, New Mexico...

Lead with the Heart, 2019 by Alex Hodge Carved porcelain 16 H in x 12 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that value...

A highly whimsical & amusing wall mounted diorama, featuring a mixed media three-dimensional interior depicting figures in a forested landscape who have happened upon a cache of lost parts belonging to the famous Canadian military aircraft ‘The Avro Arrow’. The scene is described by the artists hand in script, as observed on the outer front edge of the case which reads....“While deep in the woods on a fishing trip, Dave & Sydney stumble upon the lost cache of Avro Arrow parts”. Signed & dated 1992, and signed & dated again on the reverse. The multi-tiered case measuring 16” wide x 11.75” high x 7” deep. Terry Pfliger (1947-2016) was an American born and highly accomplished professional artist & educator. He taught visual arts at Loyalist College & Vocational Institute in Kingston, Ontario, Canada, before accepting the position as head of the art department at St. Lawrence College also in Kingston Ontario, which he held from 1973-95. Afterwards he moved to Michigan where he taught art at Southwestern Michigan College and was elected Professor Emeritus. He exhibited for several years in both solo & group exhibitions in Ontario Canada, and in Michigan, USA. Similar examples of the artists work are represented in the permanent collection of the Agnes Etherington Art Centre located at Queen’s University, Kingston Ontario. Terry Pfliger was part of a group of artists including Tobey Anderson, David...

Wishful Thinking, 2019 by Alex Hodge Carved porcelain 12 H in x 7 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values wo...

Heights to Reach, 2019 by Alex Hodge Carved porcelain 11.5 H in x 7 W in x .05 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values ...

Weave of the Universe, 2019 by Alex Hodge Carved porcelain 12.5 H in x 17 W in x 0.75 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that ...

Curled Girl, 2019 by Alex Hodge Carved porcelain 11.5 H in x 7 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values women...

Rattling Cages, 2019 by Alex Hodge Carved porcelain 10 H in x 10 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values wom...

Madonna with the Long Neck, 2019 by Alex Hodge Carved porcelain Height: 7 in x Width: 7 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of a...

Wishing Wanders Carved porcelain 9.5 inches x 13.5 inches x 0.75 inch Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values women, not on...

Mountain of a Woman, 2019 by Alex Hodge Carved porcelain 8.5 H in x 3.5 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that val...

Earnest Eve, 2019 by Alex Hodge Carved porcelain Height: 12 in x Width: 8 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in a way th...

Optional Omniscience, 2019 by Alex Hodge Carved porcelain Height: 10 in x Width: 10 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art i...

Reach Out, 2019 by Alex Hodge Carved porcelain Height: 8 in x Width: 12 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that...

Rain or Shine, 2019 by Alex Hodge Carved porcelain Height: 9 in x Width: 13 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in a way ...

Amazing ! Oversized Carved wood and painted Sheaffer Fountain Pen Store Display , Selling two pens. One 5" high 6 " in diameter.. other 50" h , 4" in diameter. Very well made, Qualit...

Room in a Room, 2019 by Alex Hodge Carved porcelain Height: 9 in x Width: 13 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in a way...

Mountain of a Woman, 2019 by Alex Hodge Carved porcelain Height: 15 in x Width: 9 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in ...

Nicely detailed diminutive metal owl sculpture for desktop or collection. Weighty - possibly pewter. Signed Clarence.

Celebrate the whimsical charm of American Folk Art with this hand-carved pine sculpture resembling a baguette, a delightful fusion of creativity and playfulness. Crafted with meticul...

This is a wonderful Inuit carving of an otter playing with a shell. 7” long by 3” by 3” tall. Signed on bottom.

A charming pair of vintage Mexican folk art hand carved and painted Infant Jesus religious figures. circa 1960 Handmade in Mexico, mid-20th centu...

This fun and folky cow was found on a dairy farm probably used as a advertising prop. or trade sign.It is hand painted pot metal and in very good con...

A most charming pair of two rare and whimsical indigenous Nahua peoples pottery animal folk art candleholders. Handmade in the village of Chililico, Hidalgo, Central Mexico, primiti...

One of only eight made !! Cardboard Chaise Lounge designed and created by Joel Stearns, similar to one in the Lois Lambert Gallery..Amazing modernist sculpture.. ,Joel Stearns, wh...

This hand carved & painted folky cow wood hanging double sided trade sign.This carved cow has the original metal chain and is in great as found condition.

Early 20Thc Hand carved head of Lincoln.This folky head has a black painted shirt.

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 06, 2021 found industrial objects 4.25h x 9.50w x 9.50d in 10.79h x 24.13w x 24.13d cm JR0300 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Impressive 1960s large Mexican folk art hand painted papier-mâché angel with 5 arm candelabra. Hand painted details over white robe, include hair, face, gold gilt rope collar, pink a...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

A beautiful majestic carved Owl in one piece in lovely old brown finish with interestingly carved ears and eyes colored in a yellow background with very dark pupils, very large claws...

Gorgeous Art Deco cement stone owl sculpture in the style of Constantin Brâncuși. Cement stone is cast around a glass bottle. Gorgeous homage to t...

Folk Art carved and painted owl decoy, USA 1900's A decorative barn owl carving decoy Original paint with even wear. Mounted over a new iron stand.

A Virgin Of Atocha - The Virgin Mary, 19th C. Wooden Sculpture believed to be from the 19th Century Mexico. The piece is all hand crafted and quite large at 45" tall. The crown, an...

About the piece: One-of-a-kind yellow birch burl wood bowl by famous American sculptor, Mark Lindquist. This rare piece is signed by the artist on the underside and dated 1979. It ...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 07, 2021 found industrial objects 3.25h x 8.25w x 8.25d in 8.26h x 20.95w x 20.95d cm JR0301 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

A scarce early Duluth Fish Decoy American folk art sculpture, depicting a Orca killer whale, hand-carved by the late David Earl Perkins (Duluth, Minnesota, 1934-2018), featuring the realistic original hand-painted black finish with cream white accents, glass eyes and metal fins, signed at the underside "DFD", on a lead weight. circa 1960s/1970s Originally based on lures used for winter spear fishing, see below for the Duluth Fish Decoy story. - Dimensions: (approx) 8" Wide, 3.25" High, 4.75" Deep - Provenance / Acquisition: Property from a prominent Dallas, Texas estate Acquired from highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas - Very good original vintage condition with beautifully aged patina and typical wear, character and charm - The Duluth Fish Decoys Story: (From the DFD website and in the words of Dave & Jim Perkins) "I guess it all started when I speared my first northern pike – what a thrill.  The only thing better was to spear one lured in with a decoy I made myself. I made more decoys to spear more fish and found out I liked making decoys as much as spearing northerns.  Well, soon enough, my decoy/lunch box had more decoys than lunch. So I laid off the making and stepped up the spearing. Then when the fish tore them up and they scraped up against each other in the lunch box and they rolled around on the floor of the dark-house they weathered with an aged, charactered, antique patina.  It wasn't long before friends paid more mind to my spearing decoys than my fish stories.  Said they’d like to have some to set on the mantle – said they were folky.  So I laid off the spearing and stepped up the carving. Now I've been making DFD (Duluth Fish Decoys) spearing  decoys for longer than I want to admit – they say you’re only as old as you think you are. Being on the north side of seventy, I been making them for… let’s just say a long time.   I don’t know a web site from a stick of fire wood but the kids and grand-kids have been pestering me to get one for years. In fact, I told Jim, you make the web thing and I'll make the decoys that go on it.  But with the demand being more than I can keep up with, he's been making them right alongside of me - just like when he was a kid. Great to keep it in the family - two generations of DFD. Who'd of thunk it.   What a hoot it’s been to create something so enjoyed by others. Along the way our DFD decoys have ended up in The American Museum of Folk Art, on a limited edition print, in a governor’s mansion, in Hollywood actors' homes, in fishing decoy books, with interior designers, in art galleries, on a DVD, and now in a coffee table book devoted entirely to DFD.  What a hobby it’s been – what a blessing of God.   I hope to continue as long as my health holds out.   Lo, these many years later our DFD spearing decoys are still hand-crafted with that aged, weathered, antique patina.  As with all folk art there’s no two alike.  The pictures give the length of the decoy but it may vary by a half an inch.  They all have glass eyes and are hand painted with a brush – no air brush for us. The lead belly...

A large vintage Spanish Colonial style Mexican religious folk art carved wood santo figure - bulto carving. Mid-20th century, Mexico, primitive hand-crafted construction, one-of-a-kind, likely depicting San Miguel Arcángel (Saint Michael the Archangel), hand carved gessoed polychromed solid wood figural sculpture, standing on integral plinth base, affixed with metal wings, right hand raised holding a sword. Provenance / Acquisition: From the estate of Margaret "Candy" Becker (Austin, Texas 1942-2022). She was an artist in all areas of her life who created art in many different media, including needlework, quilting, watercolor, acrylics, mosaic, and clay. Candy was a consummate traveler who spent time in Mexico, Guatemala, Japan, Iran, Turkey, Uzbekistan, Spain, England, and Ireland. Acquired from the highly reputable auction house Austin Auction Gallery, est.1983, Austin, Texas. Important Western & Religious Art catalog Dimensions: (approx) 16" High, 10" Wide, 6.5" Deep Condition: Great original antique / vintage condition with nicely aged patina. Includes the original sword, which is very rare. Wear consistent with age and use, including scattered chippy paint losses and worn paint, nothing that detracts from the display but only adds to the overall authenticity, character and old world rustic charm Interesting, colorful, with a unique sculptural form and rich history, this large wooden statue would make for a wonderful decorative object - curiosity in your authentic Mexican hacienda, Santa Fe New Mexico adobe...

Add rich decorative character, whimsical elegance and rustic warmth with this one-of-a-kind pair of two vintage American folk art candle sculptures. Primitive handmade slatted solid...

This superb rare figure group is a piece of Canadian folk art. It is beautifully hand carved in Canadian yellow maple wood, a heavy, dense timber. It depicts two young indigenous pe...

A fantastic vintage Boho sculpture. A chic stack on hand carved wood sphere and cradle. Turn the sphere to car pure different looks. Acquired from a Palm Beach estate.

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...

Set of five modernist carved Elephants in a mix of Woods. very nice carving and finish 1 - ebony - 3" d x 2.25" w x 4" tall (largest) - ebony lable on bottom 2 - yellow heart (?)...

This is a mid century hand carved solid oak figure of a bear. This modern impressionist sculpture of a bear is in Golden Oak with a rustic patina. This impression sculpture was made ...