Mid-19th Century Tribal Art

19th-century bronze currency bangle / Manilla with a fixed opening. Minimalist, simple design work with engraved geometrical circles and lines. This type of bracelet was used and wor...

Manillas are horse-shoe shaped, made of an open circle of bronze, brass, or copper with enlarged finial terminations. They were used as a currency in West African countries from the ...

19th-century bronze currency bracelet / Manilla in horseshoe form with fixed opening. Intricate graphical swirled rope work design and tips are shaped with large flat ends with geome...

19th-century bronze currency bracelet / Manilla in horseshoe form with fixed opening. Intricate graphical design with lines and accent points on the top and at both tips. This type o...

19th-century bronze currency bracelet / Manilla in horseshoe form with fixed opening. Intricate graphical design with a lattice pattern. This type of bracelet was worn or used by the...

19th-century bronze currency bracelet / Manilla in horseshoe form with fixed opening. Intricate graphical swirl design and tips are shaped with large flat ends with cross pattern des...

19th-century bronze currency bracelet / Manilla in horseshoe form with fixed opening. Intricate graphical swirl design and tips are shaped with large flat ends with 5 beads on each s...

Early to mid-19th-century bronze currency bracelet / Manilla in circle form. Intricate graphical geometrical. This type of bracelet was worn/used by the Zaghawa People also called Bé...

Early to mid-19th-century bronze currency bracelet / Manilla in circle form. Intricate graphical geometrical. This type of bracelet was worn/used by the Zaghawa People also called Bé...

Amazing and scarce JUDAICA object, we have here one of the most touching jewish objects we had for a long time, this small silver dowry box was made in Algeria in the early 19th century, it is all covered with symbols of jewish faith and of couples, the sliding lid has 2 flanking birds with hamsa (protective hand) on each side and a flower vase in the middle. one side shows two flanking lions with a tree in the middle and the other side shows again two big and two small birds with a flower bowl in the middle, front side has a key hole and next to it there is the Hebrew inscription ס״ט״" which says Siman tov or in English "a good sign" it is taken from the wedding blessing, underneath the lock there is another inscription with the name ״עזיזה בת אברהם בן חמו״ which is the name of the bride, her father and her grandfathers name. the box is full marked a lot of times with the silversmith mark, every side of the box is marked. this box was probably ordered by the grooms family to hold the jewelry they are giving to the bride as dowry, this type of objects are rare and there are just a few of them on museum collections. DOWRY (Heb. נְדֻנְיָה), the property a wife brings to her husband at marriage; the Yiddish equivalent, nadn, is from the same root. The custom of nedunyah became clearly defined and institutionalized only in the talmudic period. In biblical times, mohar (מֹהַר), whereby the groom bought his wife from her father (Gen. 24:53; Ex. 22:15–16; Hos. 3:2), was the accepted practice. It was then customary that the groom give the bride gifts, and that she bring certain property to her husband's home upon marriage: slaves, cattle, real estate, etc. (cf. Gen. 24:59–61; 29; Judg. 1:14ff.; I Kings 9:16). Evidence of the custom of nedunyah is to be found in Tobit (7:14; 8:21) and in the Assuan papyri (Cowley, Aramaic, nos. 15, 18). Gradually, mohar was superseded by the ketubbah custom according to which the husband merely assumed the responsibility of compensation to his wife in case he divorced her: he had to pay her 200 zuzim if she had been a virgin at the time of marriage, and 100 zuzim if a widow or divorcée (see *Ketubbah). By talmudic times, the institution of nedunyah was prevalent; the father gave a dowry to the bride since the daughter was excluded from paternal inheritance. Fifty zuzim (equivalent to the worth of 180 grams of silver) was the minimum amount a father was obliged to give to his daughter (Ket. 6:5). Parents usually gave much more, according to their social standing. Community funds provided the dowry for an orphan or a very poor girl (ibid.; cf. Sh. Ar., YD 251:8). In case of her father's death, the brothers of a minor girl were obliged to give her the minimum dowry, and the court estimated how much her father would have given her above the minimum dowry. The sum was then taken out of the father's estate and given to the daughter upon majority (Ket. 6:6; 68a–69b). In the absence of such an estimate, each daughter was entitled to receive one-tenth of the value of her father's estate in money, or in valuables (Yad, Ishut, 20:4–7; Sh. Ar., EH 113:4). If the father was unable or unwilling to pay the promised dowry at the betrothal ceremony, the groom could refuse to marry his bride (Ket. 13:5; Ket. 108b–109a). Insistence on exact payment of the promised dowry, however, was frowned upon by later rabbinic authorities (Rema to Sh. Ar., EH 2:1). In certain communities it was customary for the groom's father to make a dowry contribution equal to that of the bride's father (Ket. 102b). The dowry, whether given in real estate, slaves, money, or chattel was recorded in the marriage contract (the ketubbah) and in some instances one-third or one-fifth of the actual value of the dowry was added to the sum mentioned in the ketubbah. Based upon a decree enacted by *Simeon b. Shetah (first century C.E.), the Talmud ruled that the husband and his entire property were liable for compensation as stipulated in the ketubbah, either in case he died (when she collected the sum specified in the ketubbah from the heirs) or in case he divorced his wife (Ket. 82b). For the status of the dowry and the husband's rights and obligations, see below. The rabbinic enactments (Takkanot Shum) by R. Jacob *Tam and by the rabbinic synod of the communities of Speyer, Worms, and Mainz (Germany) stipulated that if a woman died...

An exceptional and very rare prestige ibia axe DR Congo/Brazzaville of the Teke /Mfinu and Laali people. Axes like these type belonged to the Teke chiefs / Kings A museum quality and...

This is an antique hand carved pouring dish. An Indian, hardwood serving pot, dating to the early Victorian period, circa 1850. Eye-catching tribal appeal to the naive carved fini...

This is an antique ghee serving jug. An Indian, hardwood tribal libation cup or decorative candle nozzle, dating to the mid Victorian period, circa 1860. Fascinatingly naive treen...

A very rare find this mid 19th century unique berber scarf, sublime natural dye colors.

This is a large 'Dulang' from Lombok. Dulangs amid Indonesia serve a number of purposes depending on the region they originate from. In Lombok 'Dulang' Tray were used as small tables...

This is a very good example of a 19th century Zanzibar storage chest. The chest was created in the mid-19th century. The teak case is adorned with cut and open work brass strapping i...

This is an exceptionally large 'Dulang' from Lombok. Dulangs amid Indonesia serve a number of purposes depending on the region they originate from. In Lombok 'Dulang' Tray were used ...

Balinese offering tray; these trays known as "Dulangs" were used to carry offerings atop Balinese women’s heads during ceremonial processions. This 19th century "Dulang" features a f...

Balinese offering tray; these trays known as "Dulangs" were used to carry offerings atop Balinese women’s heads during ceremonial processions. This 19th century "Dulang" features a m...

Balinese offering tray; these trays known as "Dulangs" were used to carry offerings atop Balinese women’s heads during ceremonial processions. This 19th ...

Balinese offering tray; these trays known as "Dulangs" were used to carry offerings atop Balinese women’s heads during ceremonial processions. This 19th ...

Balinese offering tray; "Dulangs" served two main purpose, one purpose was to carry offerings atop woman’s heads during ceremonies. The present dulang was used exclusively in temples to display offerings. This dulang has faded polychrome and chipped wood...

Balinese offering tray; these trays known as "Dulangs" were used to carry offerings atop Balinese women’s heads during ceremonial processions. This 19th century "Dulang" features a f...

nr. 1034 - This horse saddle is rare because Turkoman nomads prepare this type of saddle only for their internal use, not for export. Besides its workmanship is very accurate: may be...

Balinese offering tray; these trays known as "Dulangs" were used to carry offerings atop Balinese women’s heads during ceremonial processions. This 19th century "Dulang" has lost mos...

Balinese offering tray; these trays known as "Dulangs" were used to carry offerings atop Balinese women’s heads during ceremonial processions. This 19th century "Dulang" features a f...

Balinese offering tray; "Dulangs" served two main purpose, one purpose was to carry offerings atop woman’s heads during ceremonies. The present "Dulang" was used exclusively in temples to display offerings and features hints of turquoise polychrome at its base. This "Dulang" has faded polychrome and chipped...

A Classic Period (Pre-Reservation era) knife sheath created circa 1870 by a Crow (Plains Indian/Native American) artist. Constructed of Native tanned hid...

The traditional form of the Senufo currency bracelet is stripped down in this more minimalistic version. Two gracefully upswept bands join to form a ...

These 31 Brazilian amulets, or balangada, were hammered from sheets of silver in the 19th century to form pomegranates, sugar apples, guava, and other...

Time honored texture and form define this Senufo sculptural object. The abstract etchings were achieved through a process known as scarification. The artisan meticulously traced and ...

A pair of gros – point stitched panels representing orientalist scenes: One with a tiger hunt and the other with a battle scene, both in a setting of tropical vegetation on a black g...

Time-honored texture and form define this Nigerian copper sculptural object. The intricate geometry was achieved through a process known as scarification. The artisan would meticulou...