Japanese Floor Lamps

A stunning vintage Japanese brass Search lamp paired with a wooden British antique surveyors tripod, to create a completely unique floor lamp. There is limited availability of this item. A reclaimed and professionally restored item ready for use. All brass components have been stripped down and polished to a high lustre and new electrics installed. The lamp is fitted with an Edison filament squirrel cage...

Large Oba-Q K series floor lamp by Shiro Kuramata. White acrylic shade with external light source. Excellent condition. Kuramata, one of the most influential post-modern designers, i...

Very rare and in great condition multidirectional floor lamp by Hannes Wettstein for Belux, circa 1980's base is steel with metal enameled p...

Designed in 1998 for MOJIKO HOTEL, Kitakyushu city, Fukuoka, the second hotel on which Shigeru Uchida collaborated with Aldo Rossi. The Mojiko lamps came in many versions, with co...

Akari model “S1” on “BB3” base by Isamu Noguchi Original shade in washi & bamboo rims Structure in black lacquered metal & pebble base in cast iron and bamboo stem Hand-made form ...

Akari model “33N” on “Single Stem Base” (T3) by Isamu Noguchi Original shade in washi & bamboo rims Structure in black lacquered metal & pebble base in cast iron and black lacquere...

Akari model “S2” on “BB3” base by Isamu Noguchi Original shade in washi & bamboo rims Structure in black lacquered metal & pebble base in cast iron and bamboo stem Hand-made form ...

Akari model “L2” on “BB3” base by Isamu Noguchi Original shade in washi Structure in black lacquered metal & pebble base in cast iron and bamboo stem Hand-made form realized by Ozeki...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Cardinal lamp Sculpture by Hiroyuki Nishimura. Material zelkova, washi Japanese paper, animal glue In case of ordering, we will make new one. Artist make...

Pair of Akari model “S2” on “Single Stem Base” (T3) by Isamu Noguchi Original shade in washi Structure in black lacquered metal & pebble base in cast iron and black lacquered metal...

Akari model 7A light sculpture by Isamu Noguchii. The shade is made from handmade washi paper, wood and bamboo ribs with authentic Noguchi Akari manufacturer's...

Late 19th Century Gilt Bronze and Japanese Satsuma Porcelain Floor Lamp The round lamp with painted scenes of men, women and children in landscape scenes and at leisure...

Bulge Lines: green. This sculptural lighting is made of mainly a lot of wires bonded each. Two light bulbs are inside. Some wood pieces are also bonded with wires. It is a lightin...

Cardinal lamp Sculpture by Hiroyuki Nishimura. Material cypress, washi Japanese paper, animal glue In case of ordering, we will make new one. Artis...

An Akari model "34N" on "T" base by the artist Isamu Noguchi (1904-1988) Original shade in washi & bamboo rims. Plate base in cast iron and black lacquered metal stem Handmade form...

Isamu Noguchi Akari 10A floor lamp with signature. The shades are made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's...

Isamu Noguchi Akari light sculpture. Model 1P. Early model, marked with iconic red sun and moon ideogram. Hand-made form by Ozeki Company, ...

Panzer Mast Sculptural lamp by Hiroyuki Nishimura. Material Washi Japanese paper, animal glue Big: H131 W29 D33 cm W11.4 /D13 /H51.57 inch E26,27 LED light bulb Available 100-...

Cardinal lamp Sculpture by Hiroyuki Nishimura. Material Cypress, washi Japanese paper, animal glue E26,27 LED light bulb Available 100-250V.

Torch floor lamp - Kaoyi Flacha - Circa 1980 Made in Japan In white and rose gold PVC in perfect condition. Electricity in perfect working order. ...

Cardinal lamp Sculpture by Hiroyuki Nishimura. Material Cypress, washi Japanese paper, animal glue In case of ordering, we will make new one. Artist mak...

Monumental Isamu Noguchi Akari 25N floor lamp. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. Akari lig...

Name: OBAKE UN Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass. Limited pattern painted model. Edition of 3+1AP E26,27 light bulb. Available to work with 100-250V. Artist statement In Japan, there is an animist belief that the soul dwells in old tools that have passed a long time and turns into spirits such as "Youkai" or "OBAKE." Its existence lurks in the darkness of everyday life, sometimes causing fear and sometimes entertaining. This lantern is not an old tool, but it is made by the historic "Kojima Shoten", where the 10th generation are craftsmen in Kyoto. It's rare nowadays, and it's a style in which lanterns are made from bamboo bones to assembling papers and painting in one workshop and go. So, I decided to transform the polite crafted Japanese lanterns, which have been run through a traditional history, into a modern and pop style. It's not just OBAKE lurking in the darkness, but an existence who snuggles up to us as a more sophisticated being. These one-eyed OBAKE have a meaningful look that originated in ancient Sanskrit culture. The red-eye "A [a]" is the facial expression that is the first pronunciation to make a sound in Sanskrit, which means "truth" and "spirit of inquiry" at the same time. The blue-eyed "UN [hu?]" expresses the pronunciation to close the sound, and at the same time means "wisdom" and "nirvana." There is also the idea that describing the beginning and end of the universe is represented by considering the "A" and "UN" as a pair. In Asia, it is a common sight to see a pair of guardian statues...

Name: Under the Hazy Moon Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass...

Floor or table lamp deigned by Masanori Umeda. This lighting consists of stainless frame and plastic covered washi Japanese paper shade. Shade has original washi texture.

Japan mid-century Floor lamp ghost (Fantasma) by Kuramata for Yamagiwa, 1972. Floor lamp ghost (Fantasma) in plexiglass. The white acrylic glass shade has the shape of a floating clo...

Pair of Isamu Noguchi Akari 10A floor lamps. The shades are made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp...

Cardinal lamp Sculpture by Hiroyuki Nishimura. Material zelkova, washi Japanese paper, animal glue Measures: Small: H80 W14 D11 cm W5.5/D4.3/H31.5 i...

Floor lamp from Kazuhide Takahama for Sirrat Edition Stainless steel and nylon Piece of collection circa 1975.

Name: OBAKE A Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass. Limited pattern painted model. Edition of 3+1AP E26,27 light bulb. Available to work with 100-250V. Artist statement In Japan, there is an animist belief that the soul dwells in old tools that have passed a long time and turns into spirits such as "Youkai" or "OBAKE." Its existence lurks in the darkness of everyday life, sometimes causing fear and sometimes entertaining. This lantern is not an old tool, but it is made by the historic "Kojima Shoten", where the 10th generation are craftsmen in Kyoto. It's rare nowadays, and it's a style in which lanterns are made from bamboo bones to assembling papers and painting in one workshop and go. So, I decided to transform the polite crafted Japanese lanterns, which have been run through a traditional history, into a modern and pop style. It's not just OBAKE lurking in the darkness, but an existence who snuggles up to us as a more sophisticated being. These one-eyed OBAKE have a meaningful look that originated in ancient Sanskrit culture. The red-eye "A [a]" is the facial expression that is the first pronunciation to make a sound in Sanskrit, which means "truth" and "spirit of inquiry" at the same time. The blue-eyed "UN [hu?]" expresses the pronunciation to close the sound, and at the same time means "wisdom" and "nirvana." There is also the idea that describing the beginning and end of the universe is represented by considering the "A" and "UN" as a pair. In Asia, it is a common sight to see a pair of guardian statues...

This is a Shonan Kosakusho daylight signalling lamp made in 1981, married with a Russian military gyroscope tripod. Reclaimed from Mid-Century war ship...

Lamp designed by Ryosuke Harashima. This work is made of antique Japanese bamboo basket and brass. Artist creates new style lamp by comb...

Contemporary Japanese style floor light. Rather sculpture than lighting. Made of rusted steel, ceramic, and wood. Base is metal. Ivory part is ceramic in Japanese traditional style. Top twin panels...

Japanese bronze cloisonne floor lamp, probably, circa 1930s. Beautiful patina to the bronze and intricate cloisonne work throughout. It has been r...

19th century antique Japanese Meiji bronze floor lamp. This finely cast, well composed, pedestal lamp depicts mythical creatures on the base, cranes in high relief on the stem are...

An Akari light sculpture, model UF3-Q, designed by Isamu Noguchi in 1951, and manufactured by Ozeki & Co. in Gifu, Japan. Comprising a coated metal folding tripod base, with remov...

Isamu Noguchi Akari Sculpture Floor Lamp Model 25N. Oversized floor lamp at a staggering 46” tall and 33” diameter puts off the softest light. Sculptural form appears to float above ...

Akari Light Sculptures by Isamu Noguchi are considered icons of 1950s modern design. Designed by Noguchi beginning in 1951 and handmade for a half century by the original manufacture...

Iconic Akari light sculpture known as Model 24N designed by Isamu Noguchi and handcrafted from traditional washi paper. Each Akari lamp shade is meticulously crafted by hand in the O...

Wonderful Pair Akari light sculptures (Model 14A) by Isamu Noguchi handcrafted from traditional washi paper and bamboo. Each Akari Light Sculpture was metic...

Akari Light Sculptures by Isamu Noguchi are considered icons of 1950s modern design. Designed by Noguchi beginning in 1951 and handmade for a half century by the original manufactur...

Bulge Lines: floor lamp yellow This sculptural lighting is made of mainly a lot of wires bonded each. Three light bulbs are attached. It is a ligh...

Iconic Akari light sculpture known as Model 10A designed by Isamu Noguchi and handcrafted from traditional washi paper and bamboo. Each Akari lamp shade is meticulously crafted by hand in the Ozeki...

Early important 10D Akari lamp in excellent condition. Designed by Isamu Noguchi in 1951 Produced by Ozeki & Co., Ltd. New old stock! Model 10D is a floor lamp with a metal frame and an oval shaped shade from the Akari series. This example features the earliest manufacturer's mark, a red sun and half-moon insignia. The lamp is made out of Japanese washi paper, bamboo and metal. In 1951 Isamu Noguchi visited the town of Gifu, Japan, known for its manufacture of lanterns and umbrellas from mulberry bark paper and bamboo. Noguchi designed the first of his lamps that would be produced by the traditional Gifu methods of construction. He called these works Akari, a term meaning light as illumination, but also implying the IDEA of weightlessness. The fabrication of Akari in Japan at Ozeki & Co. since 1951 followed the traditional methods for Japanese Gifu lanterns...

An Akari model « UF3-XN » by Isamu Noguchi Original shade in washi & bamboo rims Structure & base in black lacquered metal Hand-made form realized by Ozeki...

Pair of Isamu Noguchi Akari 14A floor lamp. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufactu...

Akari model 24N light sculpture by Isamu Noguchi. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. Akari l...