Pair of Large Patinated Bronze Figural Torcheres Cast by Barbedienne, Dated 1872
About the Item
- Creator:Émile Guillemin (Metalworker),Ferdinand Barbedienne (Manufacturer)
- Dimensions:Height: 88.98 in (226 cm)Width: 19.69 in (50 cm)Depth: 29.14 in (74 cm)
- Sold As:Set of 2
- Materials and Techniques:Bronze,Patinated
- Place of Origin:
- Period:
- Date of Manufacture:1872
- Condition:
- Seller Location:Brighton, GB
- Reference Number:
Ferdinand Barbedienne
Founded by one-time Parisian wallpaper dealer Ferdinand Barbedienne and engineer Achille Collas, one of the most revered foundries in 19th-century France began with the invention of a revolutionary 1830s-era device that could produce proportional reproductions — large or small — of sculptures. Collas’s machine, which yielded miniature likenesses of antiquities for the interiors of homes the world over, was pivotal to the success of the F. Barbedienne Foundry. The successful firm earned prestigious awards and critical acclaim and created exquisite bronze candleholders, clocks and lamps for a range of wealthy and prominent clients.
The duo first launched their company under the name Société Collas et Barbedienne, and early on, they optimized chemical processes for pigmenting and patinating their bronze statuettes. After Collas died in 1859, Barbedienne forged on alone, and the company’s name changed to simply F. Barbedienne.
Barbedienne employed more than 300 workers at that point, and the Maison created a range of furnishings and decorative objects that featured the integration of marble and ormolu accents. However, with the onset of the Franco-Prussian War of 1870, the foundry was forced to retrofit its molds, and the production of cannons replaced sculptures, furniture and vases.
When Ferdinand Barbedienne passed away in 1891, his nephew and heir, Gustave Leblanc, took over as president, changing the name to Leblanc-Barbedienne. Leblanc expanded production into Germany, the United Kingdom and the United States, carrying on the company's legacy with monumental sculptures, and models and securing production rights for famous statues. Paul-Alexandre Dumas, an Art Nouveau maker and student of Louis Majorelle, succeeded Leblanc until the company's closing in 1952.
Barbedienne pieces had been exhibited regularly in the 19th century and were especially prevalent at Europe’s international expositions and world’s fairs, where they received numerous prizes. Today, the Musée d’Orsay in Paris holds dozens of Barbedienne works in its collection, including intricate mirrors, vases and cups created by Louis-Constant Sévin at the foundry. For more than two decades, Sévin created lamps, boxes and more at Maison Barbedienne. Working alongside award-winning chaser Désiré Attarge, Sévin designed Napoleon III-era works that greatly appealed to European nobility.
Other notable artists who collaborated with Barbedienne included Eugene Aizelin, Emmanuel Fremiet, Antonin Mercié, Emile Guillemin, Edouard Lievre, Ferdinand Levillain and Auguste Rodin.
On 1stDibs, find a collection of antique Ferdinand Barbedienne decorative objects, lighting and more.
Émile Guillemin
Émile Guillemin was a celebrated 19th-century French sculptor whose Victorian-era masterpieces showed a deep love and appreciation for Asian and Middle Eastern cultures. He worked with the esteemed Barbedienne Foundry to create bronze figurative sculptures of exquisite detail. He also made statuesque bronze floor lamps and glinting silver centerpieces that retain their luster and charm to this day.
Guillemin was born in Paris in 1841. His father was sculptor Auguste Guillemin, who worked for aristocrats producing copies of ancient busts. Guillemin studied under his father and under sculptor Jean-Jules Salmson. He first exhibited his work at the Paris Salon of 1870 with two statues of Roman gladiators and continued showing his work at Paris Salons over the next three decades.
Although Guillemin was a prolific sculptor with a wide-ranging repertoire, he is most known for his Orientalist-style pieces, a term denoting the exoticization of Asian and Middle Eastern art in the West. What made Guillemin's work stand out was the great sensitivity and care he put into depicting his subjects in an accurate manner. From Japanese courtesans to Indian falconers, his subjects don accurate re-creations of the clothing, hairstyles and accouterments of their cultures.
Today, Guillemin's pieces remain in high demand. In 2008, a pair of busts he crafted in 1884, called Femme Kabyle d'Algerie and Janissaire du Sultan Mahmoud II, sold at auction for more than $1 million.
On 1stDibs, find Émile Guillemin sculptures, lighting and tableware.
- ShippingRetrieving quote...Ships From: Brighton, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
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S, Lami, ‘Dictionnaire des sculpteurs de l'Ecole française au dix-neuvième siècle’, Tome III. G.-M., Paris, 1914, p. 432. Peter Fusco and H.W. Janson, The Romantics to Rodin: French Nineteenth Century Sculpture from North...Category
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