Opaline Glass Wall Lights and Sconces

This Velella lamp can be used as sconce or as a ceiling lamp. It is made from a painted metal frame with adjustable holders, and with an opaline glass shade. This model provides onl...

Triplets Sconces by Patricia Bustos de la Torre Dimensions: D 18 x W 24 x H 260 cm. Materials: White opal glass and rope. These wrought ir...

A rare stunning light fixture designed by Wagenfeld for Peill & Putzler, Orion, Germany, 1950s He designed this model in the 1950s Very good condition. Socket: 1 x E26/ E27 standard...

Rare pair of Italian Mid-Century Modern sconces. Attributed to Luigi Caccio Dominioni. Price includes rewiring for US. These wall lights will ship from France and can be returned to...

Czech Opaline Pendant Light – A A vintage opaline glass pendant light salvaged from a school in former Czechoslovakia, featuring a lovely moulded decorative shape. The glass which h...

Model 1081 Design by Gino Sarfatti Model 1081 Floor is adding to the luxurious depth and versatility of Le Sfere collection. The strong visual presence of the floor light is a case s...

Wonderful and decorative ceiling light in opaline glass with chrome metal base. Designed and made in Norway from ca 1950s first half. The lamp is fully working and in good vintage co...

Steel frame lacquered fitted with one E27 porcelain socket and opaline glass front. Manufactured by Napako in the late 1950s.  

Set of 2 wall lamps made in Italy in the 1950s. Each individual wall lamp was made with a brass structure that supports an opal glass diffuser. Note: We try to offer our customers...

Hand patinated brass arm with opaline globe shade. Made in Italy Measures: 11.25" D x 10.5" H. *Please Note: This fixture is made to order in Italy, and comes newly wired (eu wiri...

Pair of Jonas Bohlin 'Oxid' Raw Copper Outdoor Wall Lights for Örsjö. Executed in raw unlacquered copper with an opaline glass diffuser. An ...

Rare set of 2 opaline glass wall lights produced and designed by Hans-Agne Jakobsson, Markaryd, Sweden, 1950s. Measures: Height 45 cm.

1950 s Large Brass and opaline wall sconce. Wall sconce is typical Italian simple line designee from 1950 s .Tarnish brass and tick opaline glass.

This pair of Wall Sconces designed and manufactured in Italy in the Sixties are iconic examples of lighting fixtures that emerged during the mid-20th century. These sconces combine e...

Triangle shaped wall lights in white opaline glass with brass details. Manufactured by Glashütte Limburg in Germany during the 1970s. (early 1970s). Nice craftsmanship. Minimal, geom...

This pieces are made of white milky opaline and chromed metal fabricated in the 1970's. It is blown murano glass, it is hold by three tighten screws to the fixture. It can be instal...

CORNEA 150 is a wall lamp designed by sculptor Henning Koppel in 1965. Editor: Lyfa DIMENSIONS Ø 15 x D 10,3 cm LIGHT SOURCE (NOT INCLUDED) Socket: G9 Max wattage: 28 Watt Energy class: The luminaire is compatible with bulbs of energy classes A++ – D COLORS Black and White CORD 2,5 m black/white plastic cord with switch CORNEA was designed by the renowned sculptor Henning Koppel in 1965 and is one of his rare lighting designs. The circular wall light is shaped with an inner, opal glass shade that provides a comfortable, diffused light. Its distinctive character is achieved by the asymmetric outer shade that encapsulates the soft, white light as two eyelids. The CORNEA lighting design is named as a reference to the transparent part of the human eye, which allows light to enter the inside and enhances sharpness. Henning Koppel was a renowned Danish sculptor who became known for his experimental approach to sculptural forms. As a visual artist, Koppel had a vast repertoire and worked with various materials within different categories - such as lighting...

Large quantity of beautiful hand blown opal glass wall lights. Designed and manufactured by Glashütte Limburg, Germany around 1970. Beautiful craftsmanship. These midcentury vintage...

Memoir 120 Wall Lamp signed by GamFratesi for LYFA. DIMENSIONS W 16 x D 12 x H 17.8 cm COLOURS Black or brass 2,5 m black/white plastic cord with switch Socket: G9 Max wattage: 28...

Beautiful wall or ceiling light. Produced in Czechoslovakia in 1960s. The base is made of off-white ceramic. The shield is in pure white opaline glass in a mushroom shape. The light ...

Pair of Jonas Bohlin 'Oxid' Verdigris Patinated Outdoor Wall Lights for Örsjö. Executed in rich verdigris patinated metal with an opaline glass diffuser. An incredibly refined and cl...

Model 1081 Design by Gino Sarfatti Model 1081 Floor is adding to the luxurious depth and versatility of Le Sfere collection. The strong visual presence of the floor light is a case s...

Jonas Bohlin 'Oxid' Raw Copper Outdoor Wall Light for Örsjö. Executed in raw unlacquered copper with an opaline glass diffuser. An incredibly refined and clean geometric design that ...

The wall base is composed of a rectangle in gilded brass and decorated on the front with a comma in blackened brass. Between the wall support and the decoration is placed a rod suppo...

Pair of 1950's Brass and Opaline Glass sconces by Lunel. The sconces have been newly rewired for the US with a candelabra socket that takes up to 40 Watts.

French pair of double sconces by Lunel in gilt bronze and two satin white opaline glasses.

Very elegant re-edition wall-lamp with an elaborate curved wall-plate and textured hand blown opaline-glass. Literature: compare Wandlampe for Landhaus Boehler, Baden bei Wien, in: W...

CORNEA 150 is a wall lamp designed by sculptor Henning Koppel in 1965. Editor: Lyfa DIMENSIONS Ø 22 x D 12,3 cm LIGHT SOURCE (NOT INCLUDED) Socket: G9 Max wattage: 28 Watt Energy ...

Prickly Pear Velvet Wall Light by Mickael Koska Dimensions: Ø 24 cm x H 40 cm. Materials: Opaline glass, velvet finish, ceramic, and textile cord. All our lamps can be wired accord...

Pair of vintage brass and opaline glass globes wall sconces, which shape reminds us of a grasshopper. These sconces were hung since 1954 in a movie theatre in Norway.

Porcelain industrial wall lamp. White porcelain, brass and cast iron White Opaline glass. 2 conductors, no ground. Diameter cast iron wall piece 10 cm. 2 holes to secure. Weight: 2...

Gorgeous luminaire from Maison Lunel, fully restored. Can be used as either a ceiling light or a wall sconce, featuring six lights with a maximum of 25 watts per light.

Model 1081 Design by Gino Sarfatti Model 1081 Floor is adding to the luxurious depth and versatility of Le Sfere collection. The strong visual presence of the floor light is a case s...

CORNEA 220 is a wall lamp designed by sculptor Henning Koppel in 1965. Editor: Lyfa DIMENSIONS Ø 22 x D 12,3 cm LIGHT SOURCE (NOT INCLUDED) Socket: G9 Max wattage: 28 Watt Energy class: The luminaire is compatible with bulbs of energy classes A++ – D COLORS Black and White CORD 2,5 m black/white plastic cord with switch CORNEA was designed by the renowned sculptor Henning Koppel in 1965 and is one of his rare lighting designs. The circular wall light is shaped with an inner, opal glass shade that provides a comfortable, diffused light. Its distinctive character is achieved by the asymmetric outer shade that encapsulates the soft, white light as two eyelids. The CORNEA lighting design is named as a reference to the transparent part of the human eye, which allows light to enter the inside and enhances sharpness. Henning Koppel was a renowned Danish sculptor who became known for his experimental approach to sculptural forms. As a visual artist, Koppel had a vast repertoire and worked with various materials within different categories - such as lighting...

A pair of circa 1900s Anglo-Indian single-light sconces with carved wood backplates and opaline glass hurricanes. Measurements: Height: 24" Width: 5.5" Depth: 11.5"

Large dual Wall sconce suitable as bathroom or outdoor lighting. Designed by Prince Sigvard Bernadotte for the swedish company Ifö during the 19...

Maison Lunel, Pair of Mid-Century Modern Wall lights, 1950s France Very nice pair of sconces with a 1950s design. They are very contrasted: the luminous and milky white of the o...

Very beautiful, elegant, Minimalist opal glass wall lamps from Staff Leuchten, Germany, 1960s. The lamps are executed with two E27 Edison screw fit bulbs. It is in working condition...

Model 1081 Design by Gino Sarfatti Model 1081 Floor is adding to the luxurious depth and versatility of Le Sfere collection. The strong visual presence of the floor light is a case s...

CORNEA 150 is a wall lamp designed by sculptor Henning Koppel in 1965. Editor: Lyfa DIMENSIONS Ø 22 x D 12,3 cm LIGHT SOURCE (NOT INCLUDED) Socket: G9 Max wattage: 28 Watt Energy class: The luminaire is compatible with bulbs of energy classes A++ – D COLORS Black and White CORD 2,5 m black/white plastic cord with switch CORNEA was designed by the renowned sculptor Henning Koppel in 1965 and is one of his rare lighting designs. The circular wall light is shaped with an inner, opal glass shade that provides a comfortable, diffused light. Its distinctive character is achieved by the asymmetric outer shade that encapsulates the soft, white light as two eyelids. The CORNEA lighting design is named as a reference to the transparent part of the human eye, which allows light to enter the inside and enhances sharpness. Henning Koppel was a renowned Danish sculptor who became known for his experimental approach to sculptural forms. As a visual artist, Koppel had a vast repertoire and worked with various materials within different categories - such as lighting...

Model 1081 Design by Gino Sarfatti Model 1081 Floor is adding to the luxurious depth and versatility of Le Sfere collection. The strong visual presence of the floor light is a case s...

Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...

Wall light by Ignazio Gardella, designed in 1954 for Azucena. Current production designed and manufactured in Italy. Glass, brass, painted metal. The Industrial glass was used to ill...

Set of 2 wall lamps attributed to Stilnovo and produced in Italy in the 60s. Each individual wall lamp was made with a structure and a curved arm in brass, an accessory in red enamel...

Model 2042/3 Design by Gino Sarfatti The two blown opaline glass spheres are gently held in place by two Black, or Champagne, painted aluminum rings. Each ring has a small cut, enabl...

This set of two sconces in the manner of Stilnovo, was produced in Italy during the 50s. Original vintage condition with trace of age and use. Made from lacquer, brass, wood and trip...

Superb large Italian wall lamp in the Scandinavian spirit. Teak base covered with a large white opaline which diffuses a very pleasant subdued light.

Memoir 120 II Wall Lamp signed by GamFratesi for LYFA. DIMENSIONS W 16 x D 12 x H 27.8 cm COLOURS Black or brass Textile wire (white) 600cm Socket: 2 x G9 Max wattage: 28 Watt Ene...

Opaque glass, chiseled glass, chrome plated brass Model 2441 table lamp by Max Ingrand for Fontana Arte. This style allows for multiple variations, within context. They have been ...

Illuminate Your Space with Mid-century Elegance: Arne Jacobsen's 'Eklipta' Wall or Ceiling Lights by Louis Poulsen Introduction: Discover timeless sophistication with the Mid-centur...

Memoir 120 Wall Lamp signed by GamFratesi for LYFA. DIMENSIONS W 16 x D 12 x H 17.8 cm COLOURS Black or brass 2,5 m black/white plastic cord with switch Socket: G9 Max wattage: 28...

In this listing you will find a pair of extra large and very elegant Space Age sconces done in opaline glass, featuring exquisite design with the glass shades that is cut on both end...

Beautiful Italian design stilnovo style set of four sconces with opaline glass and brass, 1950s. Perfect conditions fully functional.

Pair of vintage Italian sconces published by Stilnovo in the 50s. Structure of the sconces in solid teak and brass, diffusers in white opaque opaline. Sober and elegant design approa...

This is a pair of art deco style wall sconces, with white opaline glass shades with gold trim, with some wear to this trim over the years. Ideal to wear at the entrance of the house,...

Light lantern wall sconce, ceramic with painting of flowers and leaves, opaline, glass and iron. Good condition Shipping: 17 /23.5 / 38 cm 1 Kg.

Vintage Italian LP12 sconce by Ignazio Gardella, brass frame and opaline glass mushroom-shaped lightshades. Some collectors indeed nickname these lamps "funghi", Italian for mushroo...

Pair of memphis style colourful opaline wall lamps. The lamps emits a soft light thanks to the opaline shades. Good condition, tested and ready to use. 1980s - Belgium D...