Pierre Guariche G320 Large White Perforated Metal Wall Lamp, 1952, France
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Pierre Guariche G320 Large White Perforated Metal Wall Lamp, 1952, France
About the Item
- Creator:Pierre Disderot (Manufacturer),Pierre Guariche (Designer)
- Dimensions:Height: 9.85 in (25 cm)Width: 27.56 in (70 cm)Depth: 5.52 in (14 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:Metal,Lacquered
- Place of Origin:
- Period:
- Date of Manufacture:1952
- Condition:Wear consistent with age and use. very good condition minor scratches on the brass.
- Seller Location:Aix En Provence, FR
- Reference Number:1stDibs: LU2628310566033
Pierre Guariche
The architect Pierre Guariche was one of the leading modern furniture and lighting designers of postwar France. Guariche can, in some ways, be thought of as the French version of Charles Eames: with his lean and angular chairs and slender, sculptural table lamps, he helped introduce a new aesthetic to the country’s interiors — and he was an eager pioneer in the use of new industrial materials and production techniques that emerged in the 1950s.
Guariche studied at the École Nationale Supérieure des Arts Décoratifs in Paris (the national design academy) under René Gabriel — a designer known for his quality, mass-produced furnishings, who served as a director of the postwar Ministry of Reconstruction. Two years after graduating in 1949, Guariche opened his own design firm, and he was soon creating pieces for numerous companies, including the lighting manufacturer Disderot.
Wood and metal were rationed in the years following the war and Guariche learned to do more with less. His chairs of the early 1950s include several designs with narrow, softly angular wooden frames; others, like the Tonneau chair, feature a single piece of molded plywood set atop metal legs. His lamps of the period are likely his best-known works. They include delicate compositions of slender steel tubes, and more flamboyant pieces such as the Kite lamp, with its curved metal reflector panel.
Always on the lookout for new materials, Guariche spent several years in the mid-1950s operating a firm making furniture in fiberglass and other plastics, along with Joseph André Motte and others. After 1957 — when Guariche was named head of design for the Belgian company Meurop and given a brief to create stylish, up-to-date chairs and cabinets — he began to look to America for ideas.
In the mid-1960s, Guariche produced several lines of deeply upholstered, rounded lounge chairs inspired by the Space Age look, and gave them names like Jupiter, Polaris and Luna. While Guariche always kept pace with his times, throughout his career he showed a consistent talent for producing elegant, eye-catching forms using a minimum of materials.
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Pierre Disderot
The workshop of prolific designer Pierre Disderot was the birthplace of modern French lighting. The mid-century modern table lamps, floor lamps and wall lights that resulted from his collaborations with major names in design influenced lighting in the decades that followed.
Disderot was born in Paris in 1920. He studied engineering, but was drawn to design and architecture. He subsequently enrolled at L'École nationale supérieure des Arts Décoratifs and École Boulle, where he was inspired by the Scandinavian lighting designers of the 1940s. In 1948, he established his own manufacturing company, Atelier Pierre Disderot, in the Parisian suburb of Cachan.
In the early 1950s, Disderot met Pierre Guariche and Michel Mortier, two up-and-coming French designers. Together, the three luminaries launched a series of lighting fixtures featuring an updated modern style. Disderot, who had a knack for surrounding himself with the best, also established partnerships with Jacques Dumond, Joseph-André Motte, Pierre Gautier-Delaye, Pierre Paulin, Bernard Durussel and Roger Fatus.
Postwar exuberance marked the 1950s in France. Disderot’s studio reflected this attitude, creating designs that were more organic and colorful, with articulated pivots and arms for increased functionality and style. His openness to collaboration, and his willingness to provide designers with the tools and technology they needed, spurred both technical and aesthetic innovation in lighting.
In the 1960s, the growing company relocated to a large warehouse in Choisy-le-Roi. By this time, Disderot was taking orders from architects and interior designers as well as public commissions for buildings like Orly airport. He began buying licenses for products on the cutting edge of design, such as the Rotaflex line of chic, beehive-style lighting fixtures.
After more than three successful decades, Disderot sold his company in 1984 to focus on teaching and union activities. He died in 1991.
The company he started remains in operation today under the name Disderot, which continues to release updated models of fixtures from the 1950s through the 1970s.
On 1stDibs, find a collection of Pierre Disderot lighting.
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