16th Century Religious Items

A large and unusual Himalayan bronze and mixed metal nine prong vajra featuring wrathful faces. In the style of the Tangut (Western Xia) Kingdom (1038 to 1227), but probably later, most likely 15th-16th century. The body of the vajra crafted from a copper alloy, with five wrathful faces on either side and gold and silver inlays to the center. The prongs crafted of iron, with each side having eight prongs arcing outwards around a central prong before coming back to a copper alloy point. The vajra is meditational tool...

The bearded male figure appears with the angel, showing the wound or plague on his leg, with the hat and the pilgrim's cloak and the dog with the loaf of bread placed under one of his feet in a quite unusual way. All these attributes help to identify the image: Saint Roch (San Roque...

On one side of the pendant, Christ appears tied to a tall column in the center of the composition, being whipped by two sayones or soldiers with branches, following a customary compo...

This type of elements are basic in churches, chapels, etc. since they contain the Sacred Forms, reason why it is logical the abundance, with a series of typologies more habitual and traditional or old than others. There are also iconographies more common than others, a certain thematic preference according to the date or school to which the work belongs, etc., always related to the Sacrifice of Christ, Salvation, Transubstantiation, Eucharist, etc. for being a key element for Christianity (especially the Catholic) what they will always contain. The present work shows a chalice with Sacred Form in what would originally be the interior of the door (very usual iconography) and a somewhat more striking relief to the exterior. Inside that it is a Eucharistic Christ or Eucharistic Savior, the way of presenting it is more usual of the scenes of the Last Supper, being not so frequent to find it alone like this. Compare for example with works such as the door of the tabernacle attributed to Alonso Cano...

Exceptional pair of aigles of the 16th century of Italy Superbe pair of wooden sculpted aigles from the Italian Renaissance. Very Fine and delicate sculpture The pair of eagles se...

Crismera Silver in its color. 16th century. Cover not original. Silver chrome in color with a circular foot decorated with an engraved composition of vegetable elements and a flat circular body with two "ese" handles with vegetal motifs and a small neck at the top covered with a lid topped by a ring (which it is not the original of the piece). The body has engraved, on the one hand, a cross on a pedestal with a shroud hung from it, all within an engraved frame; On the other hand, with a frame similar to that mentioned, appear the letters "ihs" (cristogram of ancient origin, already used in the Early Christian, which gave rise to varied etymologies and was adopted as a seal by San Ignacio...

Thanks to the positions of the characters and the elements they have in their hands, it can be said that one of the panels shows the Flagellation and the other would be The Mocking o...

Bronze in its color and gold, lapis lazuli, rock crystal, enamel. In the centre of the work is presented, enthroned, the figure of Mary, with a mantel (fireplace) on her shoulders and hair and holding on her knees the child, who appears addressing one of the angels. The virgin is also sheltered by an ogee arch supported on turned columns, and raised visually by steps. This composition achieves a very striking contrast: the dark bronze figure, in contrast to the lapis lazuli background and the part of the arch and the outside of it, in gilded bronze. Under the steps there is a heraldic enamel shield with a key on an azure background. The angels, kneeling, are flanking this figure, and, appearing in dark bronze, visually share the "category" of religious figures with Mary, while their (lower) position gives more status to both the Mother and Jesus. The rest of the composition is completed with a delicate landscape: constructions and walls on mountains, clouds in the sky, plants, stones, etc. To the outside, another lapis lazuli frame is placed decorated in the corners with appliques, giving way to carved and polychrome wood. The lapis lazuli is a semiprecious stone already known in the seventh millennium BC., found in deposits from the Caucasus to Mauritania. From the end of the middle ages, it increased its export to Europe, its use being more frequent since then both to use it as a pigment in paintings after grinding it (giving rise to the finest and most expensive of the blues, and of the colors in many occasions), as for backgrounds of paintings, incrustations in works of art, jewelry and, a little later, in the well-known "hard stone works". The figure of Mary still shows an influence of Gothic models, although more European than Italian, along with elements that could already show a closeness to the Renaissance: although the nakedness of Jesus is already shown in Gothic works (Madonna with Angels by Fra Angelico ), the creation of space by playing with the cloth in front of Christ can be appreciated in more advanced paintings (Virgin with Child by Domenico Ghirlandaio, National Gallery of London); the presence of a powerful throne can be seen frequently in Italian Madonnas of the Quattrocento (and before), but not quite as presented here. As for the landscape, it is necessary to compare it, for example, with that of the fresco of the Condotiero Guidoriccio de Fogliano (Simone Martini, finished in 1328). This is a work of great technical and aesthetic quality, not to mention the materials chosen for its creation, comparable only to outstanding examples from around the world, such as those preserved in the Palazzo Madama in Torino (Italy), where the coral It also has an important role. It is essential to mention, also, works such as the plate of hard stones (lapis lazuli between them) with a relief of Mary with the Child in...

Alms collection dish made of gilded brass decorated with a series of moldings and details both on the edge and towards the center. In this area there is a figurative motif in light r...

With hallmarks. It is necessary to indicate the survival in this piece of some details from the Spanish Gothic silverware (cresting, which appears around the XV century; the endings ...

Saint Luke is often represented as a man of mature and bearded age, accompanied by the animal of the Tetramorphs with which he is related (Revelation 4: 67)...

Typologically, it is a partial architectural grating with an ornamental and defensive purpose at the same time. Likewise, it clearly shows some of the striking decorative and typolog...

San Miguel Arcángel in carved wood, polychrome, stewed and gold, castilla ff SX.

Hand Carved Santos in original condition. Beautiful old Patina.

This sculpture represents Santa Ana (Saint Anne) with the infant Mary. Verge

Hand carved Santos in original condition. Beautiful old patina.

Ball shaped, separating into two halves, the central detachable band chased with a crown flanked by Hebrew blessing of spices on a zig-zag ground, between applied ropework bands, on ...