Fine Vintage Japanese Surveyor's Transit Theodolite by Fuji Surveying Instrument

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

An antique American railroad yard switch sign on custom stand. A wonderful example of both Americana and industrial folk art! Born in the US in the early 20th century, the large, double sided, painted red iron circular disc shaped "target" sign; mounted to painted black cast iron central pedestal standard; surmounted by hand hammered and chiseled raw iron three inch tall finial; rising from a later five spoke pentagonal black iron base, elaborately shaped, fan form with niche curved flowing lines. The central standard can unscrew from the base for easy transportation and storage. Versatile, use it indoors as a decorative accent and quick way to add color, rustic texture, dimension, and interest, or use outdoors to brighten up your space as a garden ornament or statue. Original condition but we mildly sealed it to preserve the beautiful, warm rustic patina that enhances it so much. Now stable, it won't make a mess or deteriorate, while retaining the unique character and charm that can only be aquired from decades of use, being weathered, naturally distressed, with old chippy paint, that's elegantly aged, rich deep red color It is a full size, authentic railroad iron target...

A rare and historic diminutive hand-crafted and painted antique American country display model general store - mining trade mercantile cabinet. Mos...

Valentino Garavani Rockstud Leather Sandals in excellent condition, worn briefly by Tracy (actress Arielle Kebbel) on HBO's series BALLERS, Season 5. Tracy's dark red leather Valent...

A scarce 17th century Spanish Colonial carved wood santo with provenance from the National Museum of the Philippines Manila. circa late 1600s A large part of what makes this example so very rare is not just the age and condition, but the saint depicted, San Roque. The Hispano-Philippine (Spanish-Filipinos) hand carved hard wood religious altar figure presents splendidly, with scattered remnants of original gesso and polychrome pigments, the exceptionally sculpted religious folk art depicting San Roque (Saint Roch or Rocco), the 14th century Catholic patron saint frequently invoked against the plaque, various infectious disease, as well as patron saint of dogs, invalids, of falsely accused people, and of bachelors, amongst others. Provenance / Acquisition: Retaining registration - identification label to verso from The Republic of the Philippines (RP) National Museum of the Philippines Manila with hand written registration number. Acquired from highly reputable auction house, Austin Auction Gallery, est. 1982, Austin, Texas. February 2022 catalog. Dimensions: (approx) Overall: 15.75" High, 5" Wide, 4" Deep. Figure: 14" High 1.5lbs Great original antique condition, especially considering it's around 350 years old. Nicely aged patina over the whole. Presented on a later wood plinth base. Typical loss to right arm, minor finish losses, old tiny metal plate added to prevent age related splitting, all wear consistent with age, and only adds to the overall sophisticated character, authenticity, and charming rustic warmth that can only be acquired over long periods of time. We here at Lynx Hollow Antiques absolutely love religious antiques, from an antique altar, church architectural salvaged building and ornamental elements, reliquary, tabernacle cabinet...

A scarce antique Continental Baroque hand carved Eucharistic communion chalice and paten sacred vessel case. Born in the first half of the 19th ce...

Theodolite by Carl Zeiss Jena D.R.G.M. 1920s, light gray and black painted brass, internal horizontal and vertical circle with microscope readings, rack and pinion focusing. Very goo...

A 1912 Keuffel & Esser Co. railroad surveyor's transit. Includes outfitted mahogany case. All original with matching serials. Approximately 70 inches tall with a 24 inch leg sprea...

From Wikipedia: “A THEODOLITE is a precision optical instrument for measuring angles between designated visible points in the horizontal and vertical planes. The traditional use has been for land...

This is a vintage surveyor's level. An English, brass scientific instrument with enamelled finish, dating to the mid 20th century, circa 1950. Appe...

A fine working English surveyor's theodolite or transit instrument (aka a dumpy level or surveyors level) of brass, No.80148, by W.F. Stanley (Great Turnstile, Holborn, London), circ...

This is an antique surveyor's level. An English, brass scientific instrument by J. Halden & Sons of Manchester, dating to the early 20th century, circ...