Inkwells

Pre-War Metal Inkwell with Bird Figurine Metal inkwell with a bird figurine, dating back to the early 20th century. In good condition, one of the lids has ...

Beautiful Art Nouveau Inkwell from France, 1900- 1920s. This special inkwell is decorated all over with typical Art Nouveau ornaments. The attention to detail is reflected in the pen...

A wonderful antique bronze inkwell with a bronze dore statue of a lady and three inch deep ink dispenser. All on a rouge marble base that has an are...

Glass inkwell attributed to a design by Max Ingrand for Fontana Arte Thank you

Beautiful antique glass inkwell. Stong blue colour of the glass and nicely hand painted accents. Zinc lids.

A wonderful and very large example of a figural Black Forest inkwell in the form of a Dog's head, with a beautiful bright patina. He retains his original large glass eyes, without d...

Antique English Heavy Brass Alligator Inkwell, Circa 1880's.

The Inkwell of square shape made from glass with hand cut diamond quilt pattern to the exterior. The lid of the inkwell mounted with a Sterling Silver hinged lid is hallmarked to the...

Fantastic hand-forged Arts & Crafts figural Inkwell in shape of an owl, believed to be made by Goberg ~ 1900. The owl is made of forged iron with a lovely patina and bears yellow gla...

Inkwell “Colbert” made in clear glass with sepia patina by René Lalique in 1924. Molded signature. Lalique made 50 pieces of this model. All are numbered and ours is N°2. Perfect c...

French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell France, circa 1870s A magnificent French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell, dating back to the...

A bronze and marble inkwell. Add this to your desk for instant style.

Antique French Old Paris Porcelain & Gold Bronze Inkwell, Circa 1840.

Ink Pad by Le Verrier in Bronze Gold and Green Color France Signed

A graceful porcelain inkwell station, crafted from Meissen porcelain, features two inkwell compartments. The piece exhibits excellent condition, consistent with its age and boasts a ...

A George V silver double inkstand presented to Major Seymour Egerton, Coldstream Guards, by Prince Arthur Duke of Connaught & Strathearn, of rectangular fo...

Exceptional beautiful inkwell by the french artist and sculptor Gaston Bigard. Signed at the lid "BIGARD". Ceramic with authentic craquele lacquer and a brass lid with beautiful Art ...

Beautiful antique inkwell with Cloisonné-Enamel, France circa 1880.

Beautiful travel inkwell with a silver plated lid and a bottom of black leather. On the lid are the initials of a former owner grounded in. Several stamps are on the side of the lid....

A bewitching blend of form and function, this late 19th-century English Victorian Brass Double Inkwell Desk Stand is a splendid testament to the Vic...

A Rare Louis XV Style Gilt-Bronze Inkwell. Designed by Léon Messagé and Cast By The Ferdinand Barbedienne Foundry, Paris. Designed in the exuberant Rococo style surmounted by a sea...

Wonderful antique travel inkwell in a cover of red leather. France, early 19th Century.

Beautiful inkwell made of heavy crystal glass, high-quality workmanship with a gold-plated lid. The depiction of Hermes' head is finely crafted and in beautiful condition.

Antique Old Vienna Paris Porcelain Inkwell and Ink Blotter Desk Set - 2 Pc Set. item features Painted scenes, beautiful color, crown mark to inkwell, ver nice antique set. Circa Ear...

Inkwell Calamelli workshop (attr.). Faenza, second half of the 16th century Height 4.33 in; length 8.07 in; depth 2.95 in (11 cm; 20.5 cm; 7.5 cm) Weight: 0.800 lb (363 g) State of conservation: some chipping to the top of the mask around the mouth. Handle glued, without any restorations; minor chips in some raised areas. This object has the shape of a foot wearing Greek-style footwear, as can be seen in some raised areas. The foot is anatomically modeled with bare toes, while the ankle is partially covered by the footwear. On the heel, there is a small circular handle to support the object. The mouth of the container is shaped like a mask. The interior, completely enameled, suggests that the piece was intended to be used as an inkwell or to contain some other liquid. The base, however, is not enamelled. The painted decoration, scant and brief, consists of rapid cobalt blue shading between the toes of the foot, with more precise emphasis on the nails. It is accompanied by yellow citrine accents to enhance the forms. The mask is painted with the tip of the brush, to accentuate the tense nature of the eyes and to accentuate their outline. Thin strokes of yellow-orange line the interior of the mouth. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. This artwork finds parallels in similar objects all characterized by this refined style and produced in the city of Faenza and other Italian centers starting from the mid-16th century. The closest comparable example in majolica is a foot acquired by the British Museum in 2011 (inv. 2011, 8008.1). This was previously published by Carmen Ravanelli Guidotti in 1996 and later by Dora Thornton in 2016 during the conference on Renaissance ceramics...

An outstanding late Victorian inkwell made from two cattle horns and mounted with silver plated fittings, a stunning combination and always highly sought-after; I haven't had one of ...

Rare pewter inkstand, Firma Svenskt Tenn, Sweden -1925. Lid in the shape of a fish, relief decoration along the sides. The insert in glass is missing. Wear and patina consistent wit...

Beautiful antique inkwell with Cloisonné-Enamel, France circa 1880. Stamped at the bottom "M B 5 9".

Talavera Glazed Ceramic Inkwell in its characteristic tones

A gorgeous antique gilt bronze inkwell featuring Zodiac designs By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 4.25"W x 4.25"D x 2.25"H. ...

A very rare and important exhibition encrier by François Linke and Léon Messagé. French, circa 1900. Index number 709. Signed to the edge 'F. Linke'. This exceptional and ambitious encrier is modelled as two putti, each holding a standard and sitting on the water's edge, the two inkwells with hinged spirally-fluted covers with glass liners. This important inkwell is based on Léon Messagé's celebrated sculptural group 'La Source' and was originally intended by Linke to form part of his spectacular Stand at the 1900 Paris Exposition Universelle. Like seven or eight other pieces originally intended for inclusion on the Stand, it would seem the encrier was a casualty of both Linke's over-ambitious production schedule and the financial burden that the manufacture of such ornate and high quality work imposed. It was eventually shown on the Stand in September after the gilding was finished by Picard at a cost of 90 French francs. The costs of the model were very high: some 2024 francs (of which Message's combined fee was 1158 francs 40 centimes), underlining the originality and complexity. The 1900 Exposition example was sold, along with three important pieces of furniture from the Stand (the Grand bureau and associated armchair, and the Bahut Louis XV Mars et Vénus), to the South African banker and diamond merchant Solomon Joel. A further six encriers were produced up until 1925. Object Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Époque of French Furniture, p. 90, pl. 97; p. 149, pl. 157; p. 150; pp. 182-183, pls 197 & 198 as exhibited at the Liege exhibition in 1905 & p. 480 for the original notes in Linke's Blue daybook of the late 1890s. François Linke (1855 - 1946) was the most important Parisian cabinet maker of the late nineteenth and early twentieth centuries, and possibly the most sought after cabinet maker of his period. He was born in 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinetmaker Neumann, then in 1875 at the age of 20 he arrived in Paris where he lived until he died in 1946. It is known that the fledgling Linke workshops were active in Paris in the Faubourg St. Antoine as early as 1881, and during this time he supplied furniture for other more established makers such as Jansen and Krieger. The quality of Linke's craftsmanship was unsurpassed by any of his contemporaries and reached its peak with his spectacular Stand at the Paris Exposition Universelle in 1900, where his Grand Bureau took the Gold Medal. He gambled his fortune and reputation on this Stand, exhibiting several breathtaking items of furniture with sculptural mounts of the most exceptional quality and proportion. His gamble worked and his reputation was established to such an extent that Linke continued to be the pre-eminent furniture house in Paris until the Second World War. As the Art Journal reported in 1900 on Linke's Stand: 'The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the Classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed....' The formation of Linke's distinctive style was made possible by his collaboration with the sculptor Léon Messagé. Together Linke and Messagé designed furniture for Linke's 1900 exhibition Stand, with exuberant allegorical figures cast in high relief, that exemplified Linke's ability to seamlessly merge the different mediums of wood carving, bronze and marquetry into a dynamic unified whole. Today Linke is best known for the exceptionally high quality of his work, as well as his individualism and inventiveness. All of his work has the finest, most lavish mounts, very often applied to comparatively simple carcasses. The technical brilliance of his work and the artistic change that it represented were never to be repeated. Bibliography: Payne, Christopher. François Linke, (1855 - 1946), The Belle Époque of French Furniture, Antique Collectors' Club, (Woodbridge, UK), 2003. Meyer, Jonathan. Great Exhibitions - London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors' Club, (Woodbridge, UK), 2006; pp. 298 - 300. LeDoux - Lebard, Denise. Les Ébénistes du XIXe siècle, Les Editions de l'Amateur, (Paris), 1984; pp. 439-43. Revue Artistique & Industrielle, (Paris), July-August 1900. Coral Thomsen, D. (ed), The Paris Exhibition 1900, The Art Journal, 1901; p.341. Léon Messagé (1842-1901) had a brilliant, but short lived career. He is best known for his incredible sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. A gifted sculptor, Messagé was also responsible for much of the design and creative work for Roux et Brunet and Joseph-Emmanuel Zwiener. Messagé enjoyed great success as a designer/sculptor before his collaboration with Linke. Indeed he was mentioned as a Gold Medal winner at the 1889 International Exhibition and was especially praised for his work on a cabinet by Zwiener. He came into contact with Linke in 1885 and it appears from then on Linke employed him on a regular basis. Messagé was primarily influenced by Rococo ornament but he strove to re-interpret it. He did not produce slavish copies, and his original approach can be appreciated in Linke's celebrated Grande Bibliothèque and Grand Bureau exhibited at the 1900 Paris Exposition Universelle. A number of drawings by Messagé are recorded and after his success at the exhibition of 1889 he was encouraged to publish his designs. 'Cahier...

This exquisite inkwell by the legendary Grachev Brothers was made for Czar Nicholas of Russia. Featuring intricately cut glass in a star pattern, the inkwell rests upon an exquisite ...

Cute antique inkwell in shape of a shoe. The original ceramic ink insert is existing.

A gorgeous antique bronze doré inkwell featuring Greek key designs By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 3.5"W x 3.5"D x 2.25"H....

An exceptional, fine and impressive antique George V English sterling silver Art Deco ink box; an addition to our ornamental silverware collection This exceptional antique George V ...

Crystal Inkwell with stopper is a beautiful decorative object. The Inkwell is hexagonal and it is in good condition. Light oxidation at the base of the stopper.

Art Déco english square shapped cut crystal inkwell with brass/bronze spherical top By: unknown Material: brass, bronze, cut glass, glass, metal, crystal, copper, zinc Technique: ca...

art nouveau pewter inkwell, glass bucket, circa 1900

Cool Ink Well designed as a Godin iron stove from the late 19th Century. Made in France in cast iron and painted with a beautiful patina. Probably an advertising item from late 19th ...

Porcelain and bronze inkwell in the taste of Asian Art. Inkwell decorated with a Buddha in white porcelain on a red lacquer tray mounted with gilt bronze and inkwells in porcelain a...

An exquisite blend of elegance and functionality, this tortoiseshell double inkwell is a true collector's delight. With its stunning glass inkwells, brass accents, and convenient sto...

Wonderful inkwell made of heavy brass. Beautifully crafted and decorated with a dachshund figure. France, early 20th century.

A gorgeous antique bronze inkwell featuring the iconic Graduate pattern in verdigris green patina By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Me...

Beautiful inkwell with a small bust in the center and two glass inkwells on its sides. Nicely silvered and cleaned condition. France, 19th century.

A gorgeous antique gilt bronze large inkwell featuring Greek key designs By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 5"W x 5"D x 3.5"H...

An Art Deco period inkwell, signed Franjou. With a figure of a woodpecker. Made of nickel-plated spelter. On a marble plinth with fluting for a pencil. Franjou is a pseudonym of the...

A Vista Alegre Porcelain figurative inkwell. Meticulous detail in the casting and hand painted decoration. Retain all the pieces intact. Circa late 1940s.

An Encrier set with richly-veined Verde Antico marble base mounted with pair gilt-bronze inkwells flanked on either side of a Napolean bust. The marble base with pen tray rest on sh...

Empire style table clock and inkwell Origin France Circa 1900 The watch has a Paris machine and it works Golden bronze and Onix materials Very good general condition the marble ...

An inkwell and pen holder, made of painted ceramic, depicting the character of Pierrot from the Commedia dell'Arte. Austria circa 1930.

Introduce a touch of refinement to your desk or workspace with this English Silver Plated Gallery Top Rectangle Footed Holding Base, featuring an exquisite cut glass inkwell. The sil...

A fine vintage Must de Cartier crystal inkwell. It is a melon shaped inkwell with a chunky ribbed crystal body, reflecting the light beautifully, the ...

An antique ink stand, made of polished brass, completely in Renaissance style, with richly pieced scroll motifs. The inkwell has two removable ink we...

This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details. Product Details: Item #: S-21164 Artist: Eugène Feuillâtre Country: France Circa: 1900 Dimensions: 2.25" height, 3.5" diameter Materials: Enamel, Silvered Metal, Gilt Metal Signed: impressed Feuillâtre Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898. Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example). Macklowe Gallery Curator's Notes: Eugène Feuillâtre’s career began in René Lalique’s enamelling...

Exquisite Antique French Gold Bronze, Hand-Painted Porcelain & Lacquer Inkwell, Circa 1870-1880.

This is an early 20th century highly decorative French gilt bronze, malachite and faux malachite inkstand with dual inkwells. The base is a mix of faux malachite and malachite veneer...

In the manner of Paul Storr. A very rare George IV Bachelor Inkstand made in Sheffield in 1822 by Thomas & James Settle. This exceptionally rare Inkstand is modelled in the bachelor...

The crescent shaped & dished ‘verdi alpi’ marble base affixed with a pair of lidded gilt bronze inkpots (glass inkwells absent), decorated with fine engine turned detail, flanking a ...