French Inkwells

Inkwell with Cloisonné Enamel Origin: France Material: Bronze with polychrome cloisonné enamel Date: Circa 1870–1890 Dimensions: H × W × D: 8 × 8 × 8 cm Description: This small in...

Great fun for a gardening afficionado - a delightful desk accessory wether you're planning a beautiful garden, tending a beehive, ordering new seeds for the season or wish for a an uplifting reminder at your work space of the bounty and beauty of nature... France, 19th century This fabulous antique French gilt bronze inkstand has a beehive central well with a hay stack cover, several bees on the surface, flanked by two bronze baskets with covers laden with fruit, flowers and wheat sheaves, at the base of one sits a bird leaning over a large basket with a container for sand in the shape of a large bunch of wheat tied with a rope and a bird perched on top as a cover. The back of this fantasy is composed of a group of garden implements which include a sickle, a spade, a trowel, a scythe, ring pliers and a pitch fork tied with an attractive bow and hung with garlands of flowers, masses of grapes, wheat forming a support for a quill. The base designed as naturalistic wood logs topped with rustic wood...

Empire Inkwell on Circular Base Origin: France Material: Gilt bronze (Ormolu) Date: Circa 1800–1810 Dimensions: H × D: approx. 16 × 19 cm Description: Classical-style inkwell in t...

Art Deco inkwell, circa 1920. Portor marble base surrounded by a wrought iron frieze decorated with leaves. Stamped E. Brandt. In perfect condition. Height: 7.5 cm Width: 13.5 cm Le...

Exceptional antique Inkwell with rich bronze ornaments and three porcelain vessels. The ink jars are painted in a beautiful rich green and embellished with gold colour. France, 1839. On the lid is written "ENCRIER BOUQUET" "MEDAILLE D´ARGENT...

This exquisite antique inkwell is a stunning example of Art Nouveau design, shaped like a grotto shell and inscribed with "Souvenir du Croisir," capturing the romantic essence of a b...

Inkwell with Beetle Relief Origin: France Material: clear pressed glass, silver-plated metal lid Date: circa 1900 Dimensions: H × W × D: 11 × 8 × 8 cm Description: Square inkwell ...

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

This is an early 20th century highly decorative French gilt bronze, malachite and faux malachite inkstand with dual inkwells. The base is a mix of faux malachite and malachite veneer...

Little is known about the origins of this amazing piece, apart from it being from France, circa 1900. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, ...

This piece of nineteenth-century French elegance is sure to be the envy of any collector. The Napoleon III gilt bronze inkwell is a prized find, crafted in circa 1840 France with int...

Elegant tabletop inkwell made in France in the early 20th century, following the aesthetic of Belle Époque designs. The piece is structured around an iconographic motif with a long ...

These exquisite 19th-century bronze parakeet on perch candlestick inkwells showcase the fine craftsmanship of the era. Each inkwell features a beautifully designed parakeet with a hi...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Maritime Inkwell with Anchor Mount France, circa 1880 H × W × D: 12 × 10 × 8 cm Description: A rare maritime-themed inkwell featuring a prominent sculptural anchor motif. The dark...

The underside of the cherry-blossom decorated palanquin forming the shade over the court figure with phoenix resting on the gilt-bronze mounted carton Pierre panel.

Late 19th century Victorian brass inkwell with winged griffons and a integrated pen tray. This is an impressive large 19th century Victorian brass inkwell accompanied on each side by...

Empire period gilt bronze and bird's eye maple veneer inkwell. This model is an exact replica of the inkwell that belonged to Elisa Bonaparte, Princess of Lucca and Piombino, sister...

Great Baccarat inkwell with extensive crystal cut. Places for pens are at each side. France, late 19th century. .

Inkwell in gilded bronze and crystal from the second half of the 19th century Original gilding in perfect condition 19th century, Napoleon III 8.2 x 10.6 cm, total height 8.2 cm

Inkwell with Butterfly Finial Origin: Probably France Material: Gilded metal with floral engraving and enamel decoration Date: Circa 1870–1890 Dimensions: H × D: 11 x 15 cm Descri...

Antique French Heavy Glass Hand Blown Lidded Inkwell Impressive handblown clear glass heavy inkwell with bronze lid. The robust mushroom shaped inkwell is created with heavy handblo...

A charming antique French provincial faience Quimper style inkwell from the French province of Saint-Quay-Portrieux, circa 1900. Signed on reverse. Thi...

Stunning French Lavish Gilt Porcelain Ink Stand of Museum Quality and generous proportions, made by renowned French porcelain maker Jacob Petit. Last quarter of the Nineteenth Centur...

A richly detailed French Empire bronze and brass inkwell conceived in the archeological revival manner, after the form of ancient Roman oil lamps. The central reservoir, cast with a ...

French Art Nouveau (Secessionist-style) bronze dore double inkwell with floral design and green fabric under glass base.

René Lalique 1912 Biches Inkwell on Undertray This inkwell on undertray measures: 6 wide x 6 deep x 4.25 inches high Excellent Condition. We take our photos in a controlled lighti...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A 19th century French inkwell in Champlevé enamel and bronze, mounted on an integrated tray with pen holders, in the Napoleon III style. This elegant desk accessory showcases the cr...

Small famille verte porcelain inkwell decorated with enameled flowerpots, foliage, and stylized rinceaux. The inkwell is set on a gilt bronze b...

French Art Nouveau desk table lamp by Charles Schneider (Epinay-sur-Seine, Paris), France, C.1920 on stylised bronze base. The base also with concealed opening for an inkwell. The glass shade was made of blown double glass. Measures approximately 14.00 x 8.00 x 6.00 inches. Lamp shade, white, orange, and amber yellow. Signed Schneider on the shade (difficult to photograph see photos), also with signed base for probably the foundry. The Schneider Glassworks, established by brothers Charles and Ernest Schneider in Epinay-sur-Seine, France, in 1917. Very small chip to top shade fitting, see last photograph. The Schneider Glassworks, established by brothers Charles and Ernest Schneider in Epinay-sur-Seine, France, in 1917, was among the leading producers of fine-art glass between the two world wars, creating exuberantly colorful vessels...

19th century French etched crystal and doré bronze inkwell with bronze carved detail.

The black inkstand with a molded lion decoration with a shell pen tray. The two glass inkwells on either end.

This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details. Product Details: Item #: S-21164 Artist: Eugène Feuillâtre Country: France Circa: 1900 Dimensions: 2.25" height, 3.5" diameter Materials: Enamel, Silvered Metal, Gilt Metal Signed: impressed Feuillâtre Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898. Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example). Macklowe Gallery Curator's Notes: Eugène Feuillâtre’s career began in René Lalique’s enamelling...

Beautiful antique inkwell, made from glass with brass. France, circa 1880.

A fine vintage Must de Cartier crystal inkwell. It is a melon shaped inkwell with a chunky ribbed crystal body, reflecting the light beautifully, the ...

Second Empire green glass inkwell circa 1870 .rare color .Encased in gilt metal Empire styled mounts ,swans drinking from a fountain. The lid shows a woman with bust . The ovoid gree...

This is a vintage Parisian ink tray. A French, pewter brass desktop inkwell in Art Deco taste, dating to the early 20th century, circa 1930. Alluring tonality and form, to this fin...

FREE WORLDWIDE SHIPPING Modelled as a Peregrine Falcon Bird of Prey From our Decorative collection, we are pleased to offer this French Peregrine Falcon Bird of Prey Inkwell. The...

Place this elegant antique signed inkwell in a man’s office. Created in France, circa 1880, the pewter desk accessory sits on four small curved feet, an...

Cartier 'Must de Cartier' Crystal and Silverplate Melon Inkwell France, Circa 1989 Dimensions: 3.25" diameter x 2.75" high A refined and elegantly crafted melon-form inkwell from th...

19th C. Antique writing stand desk Office Inkwell Center Piece Chinese Porcelain . This beautiful garniture on a desk a table or a console will a...

This exquisite inkwell exhibits the mastery of Baccarat's workmanship. The molded crystal body is decorated in one of their more rare Classic patterns Moulure Russe with concentric swirling spirals...

A rare and magnificent fine quality antique French gilt bronze ormolu mounted André-Charles Boulle (1642-1732) style marquetry inlaid tortoise-shell sculptural encrier (inkstand). G...

French Victorian bronze square inkwell with 2 cornucopia pen holders. Previously broken hinge, inkwell lid is not attached

Small ormolu inkwell with a beehive-shaped system decorated with bees at the top, on a base animated with flowers and vegetation. The basket-shaped receptacle is decorated with wheat...

Inkwell with Enamel Decoration and Onyx Plate Origin: Probably France Material: Gilded metal, champlevé enamel, onyx Date: Circa 1870–1890 Dimensions: H × W × D: 9 × 12 ×13 cm Des...

A Very Fine Rouge Griotte Marble Inkwell with Bronze Statuettes representing "Night & Day" by Michelangelo, crystal ink containers with elaborate gilt bronze covers. France, circ...

French Victorian green marble double inkwell with bronze trim and centered figure of tiger.

The lacquer ground with a strong burgundy undertone. Well carved , colored and other wise decorated . The porcelain well in good Antique condition . Minor wear due to age and use .

Mounted horse hoof inkwell with horseshoe pen holder Inkwell shoe ferrer pen holder with beautiful finish, popular art work Shipping: L11 P19 ...

French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell France, circa 1870s A magnificent French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell, dating back to the...

This is a mid-19th century French gilt bronze neo-classical style ram form inkwell. It has dual rams to possibly hold the writing instrument.

Antique inkwell made from bronze, gilded. Very good condition of the bronze work.

This is a luxurious combination of colors in the form of a French champleve inkstand, with a square crystal inkwell with a champleve top. 19th century.

French Art Nouveau oval shaped bronze inkwell with pine cones and needles design (signed: ALBERT CHEURET)

French Victorian bronze square inkwell with 2 cornucopia pen holders.  

French Victorian Boulle-style square tortoise shell and brass inlaid inkwell with crystal well.

Beautiful 19th century French porcelain inkwell from the imperial manufacture of Sevres. Green and gold decor with dolphin's head. Stamped Sevres at the back. Rare item.

Wonderful antique travel inkwell in a cover of red leather. France, early 19th Century.