Charles Pollock Executive Armchair

Charles Pollock was a renowned but reclusive furniture designer. He rarely spoke to the media and instead preferred to let his iconic designs speak for themselves. Pollock’s name is ubiquitous with mid-century modern office furniture — while vintage furniture obsessives know the office chairs he made for Knoll, he designed armchairs and lounge chairs for domestic interiors as well.

Pollock was born in Philadelphia, Pennsylvania, in 1930. When his family moved to Michigan, he attended Detroit's Cass Technical High School, whose alumni includes artist-designer Harry Bertoia. For his extraordinary work at Cass, Pollock earned a full scholarship to Pratt Institute in New York City.

Industrial designer Lucia DeRespinis had been a classmate of Pollock’s at Pratt and got a job in architect George Nelson’s studio after graduation. Nelson, the design director at legendary mid-century furniture manufacturer Herman Miller, was always looking for new design talent. DeRespinis was struck by Pollock’s sculptures at Pratt and recommended Nelson hire him. Pollock, who had been working for Donald Deskey’s firm, took a job with Nelson and helped create the Swag Leg armchair (a full Swag Leg collection debuted at Herman Miller in the late 1950s). Soon afteward, Pollock opened his own studio and shared his portfolio with pioneering designer Florence Knoll at the modernist behemoth she cofounded with her husband Hans.

Pollock’s 657 Sling chair for Knoll debuted in 1960 and earned him a substantial contract with the brand. This paved the way for his most famous design: the Executive chair. Introduced in 1963, the Executive chair became one of the best-selling and most recognizable office chairs in history. Pollock devoted five years to perfecting the seat, and his patented rim technology allowed for simple assembly, which contributed to its success and popularity.

Pollock later returned to sculpting and explored other pursuits but never stopped designing furniture. In 1982, he created the Penelope chair for the Italian furniture maker Castelli. At 82 years of age, Pollock was commissioned by American manufacturer Bernhardt Design to create the CP Lounge chair, which was launched at the London Design Festival 2012. Pollock died a short while later, in 2013, but his seating is still produced by Bernhardt Design today.

Pollock received much acclaim throughout his career. He earned several awards, including the prestigious Red Dot Design Award and Pratt Institute's Rowena Reed Kostellow Award for outstanding work in industrial design. His Executive chair has been exhibited at museums around the world, including the Louvre Museum and the Metropolitan Museum of Art.

On 1stDibs, find vintage Charles Pollock seating and other furniture today.

Architect, furniture designer, interior designer, entrepreneur — Florence Knoll had a subtle but profound influence on the course of mid-century American modernism. Dedicated to functionality and organization, and never flamboyant, Knoll shaped the ethos of the postwar business world with her skillfully realized office plans and polished, efficient designs for sofas, credenzas, desks and other furnishings.

Knoll had perhaps the most thorough design education of any of her peers. Florence Schust was orphaned at age 12, and her guardian sent her to Kingswood, a girl’s boarding school that is part of the Cranbrook Educational Community in suburban Detroit. Her interest in design brought her to the attention of Eliel Saarinen, the Finnish architect and head of the Cranbrook Academy of Art.

Saarinen and his wife took the talented child under their wing, and she became close to their son, the future architect Eero Saarinen. While a student at the academy, Florence befriended artist-designer Harry Bertoia and Charles and Ray Eames. Later, she studied under three of the Bauhaus masters who emigrated to the United States. She worked as an apprentice in the Boston architectural offices of Walter Gropius and Marcel Breuer; Ludwig Mies van der Rohe taught her at the Illinois Institute of Technology.

In 1941, she met Hans Knoll, whose eponymous furniture company was just getting off the ground. They married in 1946, and her design sense and his business skills soon made Knoll Inc. a leading firm in its field. Florence signed up the younger Saarinen as a designer, and would develop pieces by Bertoia, Mies and the artist Isamu Noguchi.

Florence Knoll's main work came as head of the Knoll Planning Group, designing custom office interiors for clients such as IBM and CBS. The furniture she created for these spaces reflects her Bauhaus training: the pieces are pure functional design, exactingly built; their only ornament from the materials, such as wood and marble. Her innovations — the oval conference table, for example, conceived as a way to ensure clear sightlines among all seated at a meeting — were always in the service of practicality.

Since her retirement in 1965, Knoll received the National Medal of Arts, among other awards; in 2004 the Philadelphia Museum of Art mounted the exhibition “Florence Knoll: Defining Modern” — well deserved accolades for a strong, successful design and business pioneer. As demonstrated on these pages, the simplicity of Knoll’s furniture is her work’s great virtue: they fit into any interior design scheme.

Find vintage Florence Knoll sofas, benches, armchairs and other furniture on 1stDibs.