Pair of Frits Henningsen Armchairs

Danish cabinetmaker Frits Henningsen never compromised on quality. His furniture is known for its impeccable craftsmanship, and unlike many designers of his day, Henningsen — a dogged perfectionist — rarely permitted any of his pieces to be built outside of his own workshop. Each of his elegant low-profile tables, chairs and sofas feature the clean lines and graceful curves typically associated with vintage mid-century modern and Scandinavian modern furniture.

Henningsen was born in 1889 and apprenticed as a cabinetmaker in the early 1900s. He was mentored by the well-known and respected cabinetmaker I.P. Mørck and completed his apprenticeship at the age of 22.

Henningsen also studied at the Royal Danish Academy of Fine Arts, where one of his teachers was legendary furniture designer Kaare Klint, who is frequently called the father of Danish modernism. Henningsen saw Klint as a friendly rival, which motivated him to refine his craftsmanship and technique.

Henningsen traveled throughout Germany, France, and Great Britain to gather knowledge, experience and inspiration. He returned to Copenhagen in 1915 and set up a furniture store and workshop to create and sell his own designs. He also developed relationships with Rud Rasmussen and Carl Hansen & Søn, the only furniture manufacturers he trusted to produce his designs.

Bucking the angular and geometric furniture trends of the time, Henningsen embraced fluid and organic forms. Much of his inspiration came from the Rococo, French Empire and British 17th-century styles he encountered on his travels. The 1930 Heritage chair is a prime example of these influences. It features soft, curving lines and has a sophisticated appeal.

Another piece that showcases Henningsen’s style and craftsmanship is the 1952 Signature chair. A striking work that features an inviting curved seat atop sinuous carved wood legs, the Signature chair was his last design.

The straightforward and timeless style of Henningsen furniture continues to enjoy popularity today. In fact, in 2015, Carl Hansen & Son reissued the iconic Signature chair.

On 1stDibs, find vintage Frits Henningsen seating, side tables and cabinets on 1stDibs.

When the Copenhagen-based furniture maker Fritz Hansen opened for business more than 140 years ago, the company — which today styles itself The Republic of Fritz Hansen — adhered to the traditional, time-honored Danish values of craftsmanship in woodworking and joinery. Yet thanks to the postwar innovations of Arne Jacobsen and others, Fritz Hansen would become the country’s leader in Scandinavian modern design using new, forward-looking materials and methods.

Fritz Hansen started his company in 1872, specializing in the manufacture of small furniture parts. In 1915, the firm became the first in Denmark to make chairs using steam-bent wood (a technique most familiar from birch used in the ubiquitous café chairs by Austrian maker Thonet). At the time, Fritz Hansen was best known for seating that featured curved legs and curlicue splats and referenced 18th-century Chippendale designs.

In the next few decades, the company promoted simple, plain chairs with slatted backs and cane or rush seats designed by such proto-modernist masters as Kaare Klint and Søren Hansen. Still, the most aesthetically striking piece Fritz Hansen produced in the first half of the 20th century was arguably the China chair of 1944 by Hans Wegner — and that piece, with its yoke-shaped bentwood back- and armrest, was based on seating manufactured in China during the Ming dynasty. (Wegner was moved by portraits he’d seen of Danish merchants in the Chinese chairs.) 

Everything changed in 1952 with Arne Jacobsen’s Ant chair. The collaboration between the architect and Fritz Hansen officially originated in 1934 — that year, Jacobsen created his inaugural piece for the manufacturer, the solid beechwood Bellevue chair for a restaurant commission. The Ant chair, however, was the breakthrough.

With assistance from his then-apprentice Verner Panton, Jacobsen designed the Ant chair for the cafeteria of a Danish healthcare company called Novo Nordisk. The chair was composed of a seat and backrest formed from a single piece of molded plywood attached, in its original iteration, to three tubular metal legs. Its silhouette suggests the shape of the insect’s body, and the lightweight, stackable chair and its biomorphic form became an international hit.

Jacobsen followed with more plywood successes, such as the Grand Prix chair of 1957. The following year he designed the SAS Royal Hotel in Copenhagen and its furnishings, including the Egg chair and the Swan chair. Those two upholstered pieces, with their lush, organic frames made of fiberglass-reinforced polyurethane, have become the two chairs most emblematic of mid-20th-century cool. Moreover, the Egg and Swan led Fritz Hansen to fully embrace new man-made materials, like foam, plastic and steel wire used to realize the avant-garde creations of later generations of designers with whom the firm collaborated, such as Piet Hein, Jørn Utzon (the architect of the Sydney Opera House) and Verner Panton. If the Fritz Hansen of 1872 would not now recognize his company, today’s connoisseurs certainly do.

Find a collection of vintage Fritz Hansen tables, lounge chairs, sofas and other furniture on 1stDibs.