Living Room Sets

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair...

Restored single-strand rattan living room set designed by John Wisner with Campaign-style anodized goldtone capped armrests and beautiful zen-style arched poles. The set features a t...

Wicker lowboy dresser and set of nightstands in a tropical mid-century style. These pieces feature a metal pull handle and are made in a medium oak color wood. Dimensions Dresser: H...

3 piece mid 20th century shell back living room suite circa 1950. Elegant lounge suite to give any interior that hotel look and very much in the art deco taste. Concave seats with s...

Vintage Comfort Designs Inc. Pencil Reed Love Seat & Lounge Chair Set Adrian Pearsall designed for Comfort Designs Inc. but could not determine if these were his. Loveseat 52” wide x 32" deep x 26" high Lounge Chair 28” wide...

This rare find is a 3-strand 3/4 pretzel arm rattan 3-seat sectional sofa paired with a spacious 2-tier side table, seamlessly fitting on the armle...

Living room set, France, circa 1870. Very good condition, after renovation and replacement of upholstery. Wood: oak dimensions : sofa height 100 cm seat height 39 cm width 171 cm...

Living room consisting of a sofa and 2 armchairs, with elegant lines that reflect the classic Italian furniture of the 1950s, attributable to Bruno Munari.

Black leather couch and 2 armchairs, Germany 1960s. This set of seats made of genuine leather is in a good condition with traces of use according to its age. Dimensions: Armchair -...

We present you this set of living room furniture, composed of a round table and four chairs. This suite is from the 1950s, stylized as Biedermeier. The table is round, supported on...

This leatherette modular living room set is a typical example of furniture design of the 1970/1980´s It was made in Western Europe. It can used as a) 4-seater sofa, b) corner sofa ...

As pioneer and master of the Modern, Otto Wagner seized the then rather new technique of bending wood for his furniture designs. Occasionally These furniture are attributed to Koloma...

De Pas, D’Urbino and Lomazzi for Zanotta, living room set consisting of a sofa and an armchair, model 'Onda', blue leather, chrome, Italy, 1985 Rounded and curved ‘Onda’ sofa by Jon...

Rare dining room set by Rainer Daumiller for Gramrode Møbelfabrik from the 1970s. The high quality set consists of a dining table with solid pine tree wood frame and table top and fo...

Counter chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture Wool, Calico 29. Dimensions: Height: 101 cm / 29,13 in Width: 57 cm / 22,44 in Depth: 57 cm ...

Objekt: Wohnzimmer-Set (Vitrine, Sitzbank mit Vitrinenverbau, Spiegel mit Sitzbank, Tisch, vier Sessel) Entwurf: Julius und Josef Herrmann, Wien um 1905 Modell-Nummer: - Ausführung: Julius und Josef Herrmann, Wien um 1905 Maße in cm Vitrine (H x B x T): 182 x 115 x 39 Maße in cm Sitzbank (H x B x T): 180 x 205 x 65 Maße in cm Spiegel (H x B x T): 220 x 115 x 35 Maße in cm Tisch (H x DM): 75 x 85 x 85 Maße in cm Sessel (H x B x T x SH): 89 x 41 x 40 x 42 Material: Mahagoniholz massiv und furniert, Weißmetall (geometrisch intarsiert), Messing, eingefärbtes geschliffenes Glas in Weißmetall gefasst, facettierter Spiegel, Stoff Zustand: sehr gut, mit minimalsten Gebrauchsspuren (2004 restauriert) Provenienz: Wiener Privatbesitz Literatur: Das Interieur, 1906, S. 72 (Tisch), Bel Etage...

Nice pair of Post Modern Leather Loveseats made in Germany. Sofas are in overall good condition. There is some wear to the leather as seen in the last few photos, but they are fr...

Set of Danish seats from the 1960s by Grete Jalk. This set consists of a 3-seater and 2 separate 1-seater seats. The cushions are in a warm red color and ...

Milli Sofà Composition - D005 - D007 - D010 ( 306 x 275 cm encumbrance ) The compositional feature is the armrest, which references the iconic woven motif invented in this region and reinterpreted, in this case, in the alternation between wicker and leather “tiles...

Mid-century Italian red and blue metal and plastic sofa and armchairs 1950

Objekt: Sitzgruppe “Buenos Aires” (Canapé + zwei Fauteuils) Entwurf: Josef Hoffmann, Wien um 1905 Modell-Nummer: 675 C/F (C: Canapé, F: Fauteuil) Ausführung: Jacob und Josef Kohn...

Mid-Century Rattan living-room set including a matching 3-seat sectional sofa and two lounge chairs with complimentary stacked coffee tables with two side tables. Both lounge chairs ...

Mid-Century "1949er" Rattan living-room set including a matching 3-seat sectional sofa and two lounge chairs with complimentary coffee tables with two side tables. Both lounge chairs and sofas feature the "1949er" side arms and arched rattan base. The seats are covered in beige broad cloth cushions. To complement this seating set are the matching vintage rattan coffee table and 2 two-tier side tables with a 3 strand base and a shaped Mahogany top wrapped in a rattan border. 1940, United States...

Objekt: Sitzgruppe (Tisch & 4 Sessel, Teil eines gesamten Zimmers) Entwurf: Julius und Josef Herrmann, Wien um 1905 Modell-Nummer: - Ausführung: Julius und Josef Herrmann, Wien um 1905 Maße in cm Tisch (H x B x T): 75 x 85 x 85 Maße in cm Sessel (H x B x T x SH): 89 x 41 x 40 x 42 Material: Mahagoniholz massiv und furniert, Weißmetall (geometrisch intarsiert), Messing, geschliffenes Glas, Jugendstilstoff Zustand: sehr gut, mit minimalsten Gebrauchsspuren (2004 restauriert) Provenienz: Wiener Privatbesitz Literatur: Das Interieur, 1906, S. 72 (Tisch), Bel Etage...

The Walter Knoll Fabricius Armchair and Sofa Model 710-10 are a design by Preben Fabricius. This originally Danish designer designed the Fabricius Model 710-10 set as early as 1972. ...

Rare, and seriously striking curved three-seat sofa and matching armchair designed in 1960 by Danish designer Johannes Andersen for little-known Swedish company Trensums. This desig...

Royal House Antiques Royal House Antiques is delighted to offer for sale this SUPER RARE and highly collectable Minty Oxford three piece sofa and pair of armchairs suite along with ...

Objekt: Stahlrohrsessel Entwurf: unbekannt, um 1970 Modell-Nummer: - Ausführung: unbekannter Kunstmöbelhersteller, um 1970 Maße in cm Sessel (H x B x SH): 74x55x43 Material: Stahlroh...

Set of two lounge chairs by Miroslav Navratil, manufactured in former Czechoslovakia by Cesky Nabytek, 1959s. Original wooden base. Both chairs have been newly reupholstered with lig...

Pair of 19th C Venetian hand-painted armchairs and stool with traces of the original paint showing through. 1880. Stool dimensions: 20.5"W x 15"D x 17.5"H Chair dimensions are be...

Exhibition quality antique Victorian carved walnut 9 piece suite consisting of a set of 6 fantastic carved walnut dining chairs, exhibition quality carved...

Foot Walnut Bench by Project 213A Dimensions: W 140 x D 27 x H 30 cm Materials: Walnut This playful design is part of Project 213A's hand carved wooden "foot series"; inspired by a ...

We are delighted to offer for sale this exquisite Victorian hand made in England, Walnut framed with Chinoiserie upholstery three piece suite. ...

De Sede ‘DS-11’ Modular Patchwork sofa in beige leather. Still 100% original. This high-quality sectional sofa designed by De Sede in the 1970s contains one regular elements & ...

Thank you for your inquiry regarding the Mid-Century Rattan living room set reminiscent of Paul Frankl's style, crafted by Tochiku. This exquisite ensemble comprises a four-seat sectional sofa, two lounge chairs, and a stacked ottoman...

Sofa + armchair set, designed by Carl Malmsten, Sweden. Very good condition, after renovation and replacement of upholstery with a new one. dimensions : sofa height 86 cm seat hei...

Royal House Antiques Royal House Antiques is delighted to offer for sale this now sold out, Habitat Smtihfield 50th Anniversary brown leather sofa and armchair suite designed by Aro...

Sesann armchair, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features khaki brown velvet upholstery and a chrome tubular cage as stru...

Mid century sofa and armchair by andersson circa 1960. Here we have a sofa and armchair designed by bertil frighagen for broderna andersson.  Know as the aristocrat model and well r...

Moss 1800 sofa by Artu Pavel Vetrov Dimensions: W 180 x D 82 x H 76 cm Materials: Wood, Upholstery Other colors and materials available. Soft, flowin...

Royal House Antiques Royal House Antiques is delighted to offer for sale this new, George Smith Signature Scroll Arm, Howard & Son's Model, two seat sofa and matching armchairs suit...

Vintage Lynch Chair & Ottoman by Taylor King, #5316-01, 5316-00. featuring rolled arms with beige / gold / whitish silver floral skirted upholstery. Taylor King began over forty yea...

Red lacquered English Chippendale dining set in Japanese style. Dimensions. Tabel;H 30.3" - 77 cm.W 34.6" - 88 cm.D 26.3' - 67 cm. 2 armchairs;H 41.7" - 106 cm.W 27.5" - 70 cm.D 24....

Five-strand square pretzel style living room set featuring a three-seat sectional sofa and lounge chair. This sofa and chair feature the famous five-strand square pretzel side arms a...

Paul Frankl-style rattan living room set includes a matching three-seat sectional sofa and a pair of lounge chairs. Both feature the famous six-strand square pretzel side arms and st...

This Is a rare iconic set of 4 chairs design by Carlo Scarpa for Bernini, mod 1934-765. This chairs Born in 1970, and come up in original condition, without any restoration as in pho...

Rare set of 4 "VillaBianca" chairs design by italian master Vico Magistretti for luxury brand Cassina. This Amazing set Is perfect for 80s lovers, Memphis style, plastic space age ro...

This rare model is in very good condition. The pine wood frames show hardly any signs of wear, and the brown fabric upholstery is also in perfect condition. Bright canvas covers with thick leather straps are stretched into the wooden frame. All pillowcases can be easily removed and washed. The set of 3 includes an ottoman. The objects can be placed together as a 3-seater sofa or individually. Peter Ole...

Stunning pair of carved wood armchairs from Italy, 1940's. Beautiful carved wood arms and wood frame with original dark stain showing grain. Original finish shows great age and patin...

Pair of lounge chairs with ottomans, oak, fabric, Germany, 1950s Modest set of two lounge chairs with two ottomans. These relaxing hunting chairs show a basic minimal design with gr...

This newly reupholstered pair of club chairs by Claudio Salocchi for Sormani, circa 1970s, features graceful chrome frames with nubby white bouclé fabric. Signed with 1960s/ 1970s Sormani label as shown in photo gallery. *Note, we have the matching sofa available in another listing. The graceful frames share a design quality with Cassina's LC2 / LC3 design by Le Corbusier, as they are 'buckets of cushions' in similar fashion and comfort. However these Sormani lounge chairs feature some unique subtle details, such as the slight "twist" in the rear legs (see photos). Signed with a Sormani label, this particular rare design is attributed to Claudio Salocchi. While there were several other famous designers who created works for Sormani in this time period, the style best matches Salocchi's work. For collectors looking for something unique and rare within a collection of 1960s/ 1970s Italian designs, this pair of easy chairs are an amazing opportunity. These Cassina LC2 / LC3 style chairs...

Soriana living room set, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. The set is composed of a three-seater sofa, a lounge chair and a...

Stunning sofa, Bergeres, Italian Rococo style carved and gilt, Satin Brocade, set of 3! Pair of Italian Rococo style carved bergeres, each having a parcel gilt and paint-decorated pierce carved crest rail surmounting the cabachon back, custom upholstered in cream satin brocade, leading to rolled arms, centering the drop-in seat cushion, the whole rising on a similarly carved and gilt apron and cabriole feet, 45.5" height x 41" width x 28" depth, seat 22" height. This set of three Italian Rococo style furniture is an excellent addition to any living room or parlor. The crest railed custom upholstery cabachon back sofa and chairs, matching set, are crafted from gilt wood, cream satin brocade, and paint decorated with a parcel gilt finish. The seating area with conversation area cream colored chairs...

An extraordinary Ensemble ivery carefully restored by an artist carpenter.

This living room set is a typical example of furniture design of the 1970/1980´s in the former Czechoslovakia. The furniture is very comfortable. It consists of one sofa and two arm...

This incredibly comfortable Le Corbusier for Cassina 'LC2' three-seat sofa (authentic signed and earlier year production example with low number production number stamped on the fram...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Early rare midcentury livingroom set composed of one lady-chair, one highback reading chair, attached neck pillow, and one sofa. Beautifully sculpted teak frame and original amber-or...